Avec vue sur l'Arno
7.78 / 10 210K ratings
Classic- Language
- French
- Published
- 2014
- Publisher
- ROBERT LAFFONT
- Pages
- 364
- ISBN
- 9782221144657
While touring Italy, the young and sheltered Lucy Honeychurch finds herself caught between the rigid expectations of Edwardian England and the liberating passions awakened under the Tuscan sun. A chance encounter with the unconventional and free-spirited George Emerson, and a spontaneous, stolen kiss, sets in motion a battle between her head and her heart. Back in England, Lucy becomes engaged to the respectable but pretentious Cecil Vyse, a man who sees her as a work of art to be possessed rather than a person to be loved. She tries to forget the feelings that Florence, and George, stirred in her.
Forced to choose between a life of perfect, passionless propriety and the terrifying uncertainty of following her own desires, Lucy must navigate a maze of social conventions, family duty, and repressed emotions. This witty and poignant novel is a critique of a society where feelings are hidden and appearances are everything, exploring whether a young woman can break free from the constraints of her world to find her own authentic view of life and love.
Forced to choose between a life of perfect, passionless propriety and the terrifying uncertainty of following her own desires, Lucy must navigate a maze of social conventions, family duty, and repressed emotions. This witty and poignant novel is a critique of a society where feelings are hidden and appearances are everything, exploring whether a young woman can break free from the constraints of her world to find her own authentic view of life and love.
Original edition
A Room with a ViewOriginally published in 1973 English Penguin Books, Limited
Other editions (779)
Listen to the summary Narrated summary
The Florentine air, thick with the scent of violets and dusty antiquity, first stirs Lucy Honeychurch from her carefully cultivated English propriety. Traveling with her older, fastidious cousin and chaperone, Charlotte Bartlett, Lucy finds herself at the Pensione Bertolini, where a promised room with a view of the Arno is instead a dreary courtyard. It is here that the unconventional Mr. Emerson and his son, George, intervene, offering their own rooms with the coveted vista, an act of forthrightness that deeply unsettles Charlotte's sense of decorum. This initial encounter plants a seed of discomfort and fascination within Lucy, as the Emersons, with their socialist leanings and disregard for polite society, represent a world far removed from her own.
Italy, however, continues its gentle assault on Lucy's sheltered sensibilities. During an outing to the Piazza della Signoria, a sudden, violent murder shatters the picturesque scene, and Lucy faints, only to be caught by George. Later, amidst a sun-drenched field of violets, George impulsively kisses her. This unexpected act, witnessed by Charlotte, sends ripples through Lucy's carefully constructed emotional landscape. Though she tries to deny the profound impact of the kiss, a nascent passion begins to stir within her, challenging the rigid expectations of her Edwardian upbringing. Alarmed by these developments, Charlotte swiftly whisks Lucy away to Rome, hoping to re-establish the boundaries that Italy seems intent on blurring.
Back in the familiar, yet strangely stifling, comfort of Surrey, England, Lucy finds herself engaged to Cecil Vyse, a man of intellect and refined tastes, but who sees her more as an artistic possession than a living, breathing woman. Cecil's pretentious and somewhat aloof nature stands in stark contrast to the raw honesty of the Emersons. The seemingly ordered life she has chosen, however, is thrown into disarray when, by a twist of fate, the Emersons move into a villa near Lucy's family home, Windy Corner.
The proximity of George reawakens the suppressed feelings Lucy had experienced in Italy. She attempts to deny her true affections, convincing herself and others that she harbors no love for George, even as her heart tells a different story. Mr. Emerson, with his profound and disarming honesty, directly confronts Lucy, urging her to acknowledge her feelings and live authentically. He sees through her societal pretenses and understands the struggle within her soul, a struggle between convention and genuine emotion, between the respectable life she is expected to lead and the passionate life she truly desires.
The truth, revealed through an overheard conversation and a moment of stark honesty from Charlotte, forces Lucy to confront her own deceit and the depth of her feelings for George. Cecil, observing Lucy's discomfort and the undeniable tension between her and George, eventually releases her from their engagement, sensing her true inclinations. Finally, shedding the constraints of societal expectations and embracing the courage to follow her heart, Lucy chooses George. Their union, born of passion and honesty, defies the rigid social structures of their time, finding its true beginning in the vibrant, liberating spirit that Italy first ignited within her.
Italy, however, continues its gentle assault on Lucy's sheltered sensibilities. During an outing to the Piazza della Signoria, a sudden, violent murder shatters the picturesque scene, and Lucy faints, only to be caught by George. Later, amidst a sun-drenched field of violets, George impulsively kisses her. This unexpected act, witnessed by Charlotte, sends ripples through Lucy's carefully constructed emotional landscape. Though she tries to deny the profound impact of the kiss, a nascent passion begins to stir within her, challenging the rigid expectations of her Edwardian upbringing. Alarmed by these developments, Charlotte swiftly whisks Lucy away to Rome, hoping to re-establish the boundaries that Italy seems intent on blurring.
Back in the familiar, yet strangely stifling, comfort of Surrey, England, Lucy finds herself engaged to Cecil Vyse, a man of intellect and refined tastes, but who sees her more as an artistic possession than a living, breathing woman. Cecil's pretentious and somewhat aloof nature stands in stark contrast to the raw honesty of the Emersons. The seemingly ordered life she has chosen, however, is thrown into disarray when, by a twist of fate, the Emersons move into a villa near Lucy's family home, Windy Corner.
The proximity of George reawakens the suppressed feelings Lucy had experienced in Italy. She attempts to deny her true affections, convincing herself and others that she harbors no love for George, even as her heart tells a different story. Mr. Emerson, with his profound and disarming honesty, directly confronts Lucy, urging her to acknowledge her feelings and live authentically. He sees through her societal pretenses and understands the struggle within her soul, a struggle between convention and genuine emotion, between the respectable life she is expected to lead and the passionate life she truly desires.
The truth, revealed through an overheard conversation and a moment of stark honesty from Charlotte, forces Lucy to confront her own deceit and the depth of her feelings for George. Cecil, observing Lucy's discomfort and the undeniable tension between her and George, eventually releases her from their engagement, sensing her true inclinations. Finally, shedding the constraints of societal expectations and embracing the courage to follow her heart, Lucy chooses George. Their union, born of passion and honesty, defies the rigid social structures of their time, finding its true beginning in the vibrant, liberating spirit that Italy first ignited within her.
What other readers say
Liked
Reviewers widely praise E.M. Forster's A Room with a View as a charming, delightful, and entertaining read that remains highly accessible despite its classic status. The novel is lauded for its brilliant, lyrical, and witty prose, which skillfully balances delicate beauty with insightful social commentary and humor. Forster's narrative style is often described as genial and observant, effectively lampooning Edwardian societal conventions and class distinctions. Readers particularly appreciate the book's exploration of profound themes such as coming-of-age, self-discovery, passion versus propriety, and the quest for individual happiness and freedom. The depth of character development, especially that of the protagonist, Lucy Honeychurch, is frequently highlighted as she navigates her journey from a sheltered young woman towards greater determination. Additionally, the vivid Italian setting, particularly Florence, is celebrated for its picturesque descriptions and its crucial role in expanding the characters' worldviews and catalyzing their transformations.
Disliked
While largely positive, some readers noted that the novel's pacing could be slow in its initial sections, with a few reviewers struggling to become fully engaged until later in the story. A minor point of criticism was the perceived thinness or lack of detailed development for certain characters, such as George Emerson, which for some, hindered a deeper connection with the romantic aspects. The protagonist's initial passivity and the rigid societal strictures she faces were occasionally described as frustrating for modern readers. Furthermore, some reviewers mentioned that certain portrayals, including George's physical interactions or stereotypical depictions of Italian characters, might feel dated or problematic by contemporary standards. While appreciated by many, the pervasive use of symbolism was sometimes seen as making the text more complicated or requiring a more deliberate reading pace to fully grasp.
In short
Overall, A Room with a View is considered a captivating and highly recommended classic, cherished for its enduring charm, wit, and insightful social commentary. It is widely regarded as a delightful and accessible introduction to classic literature, with many readers finding it a surprisingly quick and enjoyable read. This novel is particularly well-suited for those who appreciate character-driven stories focusing on personal growth and self-discovery, especially within the context of challenging societal expectations. Fans of social comedies, British literature, and narratives that explore the transition from adolescence to adulthood, or the clash between traditional values and emerging modern ideas, will likely find this blend of romance, satire, and profound themes a fulfilling and thoughtful experience.
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