Bandita pro brněnskou baladu: Miloš Štědroň - skladatel a muzikolog o Divadle Husa na provázku, humoru, hudbě a svém životě

This book is appreciated for its subject, M. Štědroň, who is presented as a very interesting personality within Brno's cultural landscape. The reviewer found the specific sections that focused entirely on Štědroň to be enjoyable and engaging. Moreover, despite some reservations, the book successfully inspired the reviewer to seek out and read one of Štědroň's own works, indicating its potential to spark further interest in his contributions.

However, the main criticism leveled against the book is its disproportionate focus on other artists and figures from the Brno scene, rather than maintaining a consistent spotlight on Štědroň himself. This broader scope meant that the book did not fully resonate with the reviewer, who had hoped for a more concentrated exploration of the primary subject. The reviewer's personal disinterest in certain aspects of Brno's alternative art and dialect also contributed to their overall mixed feelings.

In conclusion, while the book may not fully satisfy readers seeking an exclusive and in-depth biography of M. Štědroň, it still offers valuable insights into his significance and the cultural milieu he inhabited. It would particularly appeal to readers who are already familiar with or have a keen interest in the alternative and avant-garde art scene of Brno, as well as those who appreciate a broader exploration of a cultural period and its interconnected personalities.