Carpe Jugulum (Discworld, #23; Witches, #6)
8.4 / 10 70K ratings
- Language
- English
- Published
- 2025
- Publisher
- HarperCollins e-books
- Pages
- 384
- ISBN
- 9780061807862
The tranquil mountain kingdom of Lancre faces an unprecedented threat when King Verence, in a gesture of modern diplomacy, invites the sophisticated Magpyr family to the naming ceremony of his newborn daughter. These "vampyres" from Überwald, with their stylish waistcoats and progressive attitudes, are unlike any supernatural foe the Discworld has encountered, having developed immunities to traditional deterrents like garlic, sunlight, and religious symbols. Their polite demeanor masks a chilling ambition: to permanently settle in Lancre and claim its populace as their own.
As the Magpyrs exert a hypnotic charm, only the formidable Lancre witches - Granny Weatherwax, Nanny Ogg, and the newly developing Agnes Nitt - along with the earnest Omnian priest Mightily Oats, can discern the true danger. With the very soul of Lancre at stake, a clash between ancient, unyielding wisdom and a new, calculating evil is inevitable. Discover whether the witches can rally against an enemy that has truly learned to "Carpe Jugulum" - go for the throat.
As the Magpyrs exert a hypnotic charm, only the formidable Lancre witches - Granny Weatherwax, Nanny Ogg, and the newly developing Agnes Nitt - along with the earnest Omnian priest Mightily Oats, can discern the true danger. With the very soul of Lancre at stake, a clash between ancient, unyielding wisdom and a new, calculating evil is inevitable. Discover whether the witches can rally against an enemy that has truly learned to "Carpe Jugulum" - go for the throat.
- Genres
- Fiction › Speculative fiction › Fantasy › Epic fantasyFiction › Speculative fiction › Horror & supernaturalFiction › Speculative fiction › Fantasy › Sword & sorceryFiction › Speculative fiction › Science fictionFiction › Romance
- Themes
- Mythical & supernatural beings › WitchesGender › FeminismMythical & supernatural beings › VampiresGender › WomanhoodReligion & faith › Religious life
- Where and when
- England Ancient world
Original edition
Carpe Jugulum (Discworld, #23; Witches, #6)Originally published in 1998 English Transworld Publishers Limited
Other editions (66)
The crisp mountain air of Lancre usually held the scent of woodsmoke and sheep, but a chill wind, alien and unsettling, now carried a faint, metallic tang. King Verence and Queen Magrat, still navigating the peculiar demands of monarchy and new parenthood, had extended an invitation, in a misguided attempt at modernity, to the Magpyr family for their daughter Esmeralda Margaret Note Spelling of Lancre's naming ceremony. From the shadowy depths of Überwald, the Magpyrs arrived, not as the cloaked, ancient creatures of legend, but as unnervingly sophisticated, almost fashionable vampires, complete with stylish waistcoats and a penchant for fine wines over crude bloodletting.
Their charm was insidious, a subtle hypnotic whisper that made the people of Lancre believe the Magpyrs' relocation to the castle, and their quiet takeover of the kingdom, was not only acceptable but rather a good idea. These were no ordinary bloodsuckers; they scoffed at garlic, strolled in daylight, crossed running water with ease, and found religious symbols utterly quaint. They had evolved, shedding the weaknesses that once made their kind vulnerable, intent on making Lancre their own personal larder, not through terror, but through a chilling, polite acquiescence from its populace.
The Lancre witches, however, were not so easily swayed. Nanny Ogg, with her earthy wisdom and formidable presence, sensed the wrongness immediately. Young Agnes Nitt, burdened by her internal alter ego Perdita, found herself strangely immune to the vampires' mental manipulations, her divided mind a fortress against their singular will. And then there was Granny Weatherwax, the formidable heart of the coven, who, for the first time, seemed almost... absent. A strange battle waged within her, a struggle against the very essence of vampirism itself, which she wrestled with in the solitude of the castle forge.
Into this simmering cauldron of supernatural politics stumbled the Quite Reverend Mightily-Praiseworthy-Are-Ye-Who-Exalteth-Om ‘Mightily' Oats, a newly minted Omnian priest. He had arrived for a simple naming ceremony, armed with faith and a profound uncertainty about his own convictions, only to find himself embroiled in a conflict far beyond his theological training. Like Agnes, his own internal debates and the myriad schismatic sects of Omnianism he pondered granted him a peculiar resistance to the Magpyrs' charm. He found himself an unlikely ally to the witches, particularly as the Magpyr son, Vlad, developed a disturbing fascination with Agnes, drawn to her unyielding mind.
As the Magpyrs tightened their grip, Magrat, Nanny Ogg, and the infant princess Esmeralda Margaret Note Spelling of Lancre were forced to flee the castle. They found an unexpected helper in Igor, the Magpyrs' traditionalist servant, who yearned for the old ways of creaking doors and shadowy castles, and grew weary of his modern masters' disdain. He aided their escape, leading them on a perilous detour to Überwald itself, to the Magpyr ancestral home. Meanwhile, Agnes, abducted by the Magpyrs, began to stir a rebellion among the villagers of Escrow, who had become little more than a "tax-gathering" blood supply.
The climax saw the witches, sans Granny for a time, confronting the Magpyrs, only to find their traditional weapons useless against these evolved predators. Just as hope seemed to dwindle, Granny Weatherwax returned, soaked and exhausted, having wrestled with the vampiric influence that had threatened to consume her. She confronted the Count, not with a stake or garlic, but with the raw, uncompromising power of her will, asserting that even vampires, despite their nature, had the choice to be more than mere predators. It was a battle not of strength, but of philosophy, of the very nature of choice and humanity, fought with sharp words and sharper wits, ultimately determining the fate of Lancre and the meaning of true power.
Their charm was insidious, a subtle hypnotic whisper that made the people of Lancre believe the Magpyrs' relocation to the castle, and their quiet takeover of the kingdom, was not only acceptable but rather a good idea. These were no ordinary bloodsuckers; they scoffed at garlic, strolled in daylight, crossed running water with ease, and found religious symbols utterly quaint. They had evolved, shedding the weaknesses that once made their kind vulnerable, intent on making Lancre their own personal larder, not through terror, but through a chilling, polite acquiescence from its populace.
The Lancre witches, however, were not so easily swayed. Nanny Ogg, with her earthy wisdom and formidable presence, sensed the wrongness immediately. Young Agnes Nitt, burdened by her internal alter ego Perdita, found herself strangely immune to the vampires' mental manipulations, her divided mind a fortress against their singular will. And then there was Granny Weatherwax, the formidable heart of the coven, who, for the first time, seemed almost... absent. A strange battle waged within her, a struggle against the very essence of vampirism itself, which she wrestled with in the solitude of the castle forge.
Into this simmering cauldron of supernatural politics stumbled the Quite Reverend Mightily-Praiseworthy-Are-Ye-Who-Exalteth-Om ‘Mightily' Oats, a newly minted Omnian priest. He had arrived for a simple naming ceremony, armed with faith and a profound uncertainty about his own convictions, only to find himself embroiled in a conflict far beyond his theological training. Like Agnes, his own internal debates and the myriad schismatic sects of Omnianism he pondered granted him a peculiar resistance to the Magpyrs' charm. He found himself an unlikely ally to the witches, particularly as the Magpyr son, Vlad, developed a disturbing fascination with Agnes, drawn to her unyielding mind.
As the Magpyrs tightened their grip, Magrat, Nanny Ogg, and the infant princess Esmeralda Margaret Note Spelling of Lancre were forced to flee the castle. They found an unexpected helper in Igor, the Magpyrs' traditionalist servant, who yearned for the old ways of creaking doors and shadowy castles, and grew weary of his modern masters' disdain. He aided their escape, leading them on a perilous detour to Überwald itself, to the Magpyr ancestral home. Meanwhile, Agnes, abducted by the Magpyrs, began to stir a rebellion among the villagers of Escrow, who had become little more than a "tax-gathering" blood supply.
The climax saw the witches, sans Granny for a time, confronting the Magpyrs, only to find their traditional weapons useless against these evolved predators. Just as hope seemed to dwindle, Granny Weatherwax returned, soaked and exhausted, having wrestled with the vampiric influence that had threatened to consume her. She confronted the Count, not with a stake or garlic, but with the raw, uncompromising power of her will, asserting that even vampires, despite their nature, had the choice to be more than mere predators. It was a battle not of strength, but of philosophy, of the very nature of choice and humanity, fought with sharp words and sharper wits, ultimately determining the fate of Lancre and the meaning of true power.
What other readers say
Liked
Reviews for this book highlight its clever wit and engaging narrative, particularly praising its satirical take on vampire literature and broader themes of societal change. Readers commend the dynamic interplay between the witch and vampire storylines, often finding themselves laughing aloud at the humor and sharp observations. The established characters, especially Granny Weatherwax and Nanny Ogg, continue to be a source of delight, with their unique wisdom and common-sense approach to extraordinary situations. Many appreciate the deeper philosophical undertones, noting the book's insightful commentary on faith, choices, and the nature of sin, making it both entertaining and thought-provoking. The introduction of new elements, such as the Nac Mac Feegle and the development of characters like Agnes/Perdita, are also frequently mentioned as strong positives.
Disliked
However, some readers found the humor less consistent or "grimmer" than in other works by the author, with fewer laugh-out-loud moments per page. A few felt that certain plot elements, like the phoenix, seemed random or underdeveloped. The portrayal of Agnes's weight, while sometimes self-deprecating, occasionally struck some as body-shaming. There's also a sentiment that the book might feel repetitive to those who are not strong fans of the "Witches" sub-series, with some comparing it to earlier books in the arc. A significant point of consensus is that this is not an ideal starting point for new readers, as the plot and character dynamics are deeply tied to previous books in the series.
In short
Overall, this book is seen as a strong, often brilliant, addition to the author's body of work, offering a blend of sharp satire, engaging characters, and profound themes. It is highly recommended for existing fans of the "Witches" sub-series and the author's broader universe, particularly those who appreciate dark humor, philosophical depth, and a dynamic plot that keeps them turning pages. Readers who enjoy an evolving take on classic fantasy tropes and are already familiar with the characters and world will likely find this a rewarding and memorable read.
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