Cercando Alaska. Chi sei? Chi eri? Perché te ne sei andata?
by John Green
7.92 / 10 1.8M ratings
- Language
- Italian
- Published
- 2006
- Publisher
- Fabbri
- Pages
- 344
- ISBN
- 9788845118760
Miles Halter is seeking a "Great Perhaps." Tired of his safe, solitary life at home, he leaves for the anything-but-boring world of Culver Creek Preparatory School. There, his new life is a whirlwind of rule-breaking and intellectual exploration. He is immediately captivated by Alaska Young, a clever, self-destructive, and enigmatic girl who pulls him into her orbit. With Alaska, Miles and his new friends feel unbound, as if the world holds infinite possibility and they have all the time in the world to explore it.
Their perfectly constructed world is shattered by an unexpected event that leaves Miles and his friends grappling with loss and the bewildering questions of existence. The search for answers about what happened becomes a quest to understand the complexities of grief, the bonds of friendship, and the profound impact one life can have on another. It is a journey into the labyrinth of suffering, but also a discovery of the strength required to find a way out.
Their perfectly constructed world is shattered by an unexpected event that leaves Miles and his friends grappling with loss and the bewildering questions of existence. The search for answers about what happened becomes a quest to understand the complexities of grief, the bonds of friendship, and the profound impact one life can have on another. It is a journey into the labyrinth of suffering, but also a discovery of the strength required to find a way out.
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- Romans, nouvelles
- Death, Grief, Bereavement
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- New York Times bestseller
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- Dating & Sex
- Grief
- YOUNG ADULT FICTION
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- Adolescence
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Original edition
Looking for AlaskaOriginally published in 2006 English HarperCollinsChildren'sBooks
Other editions (42)
Listen to the summary Narrated summary
Before, Miles Halter's life was a quiet collection of biographies and famous last words, a world he yearned to escape in search of a "Great Perhaps." So, he left the flat, safe predictability of Florida for the vibrant, unpredictable chaos of Culver Creek Preparatory High School in Alabama. It was there, amidst the thick, humid air and the scent of pine, that he found his new world.
His roommate, Chip "The Colonel" Martin, a small but fiercely loyal strategist, became his first real friend, introducing him to the thrilling world of boarding school mischief. But it was Alaska Young who truly ignited Miles's world. She was beautiful, mercurial, and brilliant, with eyes that held a thousand secrets and a laugh that could fill a room. Miles, quickly nicknamed "Pudge" for his lanky frame, fell for her with the dizzying intensity of first love, captivated by her wit, her reckless spirit, and her profound, often unsettling, insights into life and suffering.
Together, with the quick-witted Takumi Hikohito, they navigated late-night talks, clandestine smoking sessions, and elaborate pranks against the school's "Weekday Warriors" and the formidable Dean, Mr. Starnes, affectionately known as the Eagle. Alaska introduced Miles to the labyrinth of suffering, a concept that both fascinated and terrified him, and she spoke of her desperate need to escape it. One night, after a successful prank and too much alcohol, Alaska confessed the darkest secret of her past: the day her mother died of an aneurysm when Alaska was a child, and her paralyzing guilt for not calling for help. It was a moment of raw vulnerability that cemented Miles's understanding of her complex, often self-destructive nature.
Then, everything changed. One cold, desperate night, after a frantic phone call and a tearful plea, Alaska sped off into the darkness, drunk and distraught. The next morning, the Eagle's voice cut through the school's routine, announcing the unthinkable: Alaska Young had died in a car accident. The world Miles had just begun to understand shattered.
After. The days that followed blurred into a haze of grief, confusion, and suffocating guilt. Miles and the Colonel, along with Takumi, were consumed by the question: Was it an accident, or did Alaska choose to drive into that barrier? They replayed every conversation, every glance, every cryptic word, searching for clues, for answers that might explain the inexplicable. The weight of their inaction, of letting her leave that night, pressed down on them, fueling their desperate investigation.
Their quest for truth became a desperate attempt to understand the girl they thought they knew, to piece together the fragments of her complicated life and find some meaning in her sudden, devastating absence. Miles wrestled with the idea of the labyrinth, grappling with the inevitability of suffering and the elusive nature of an escape. He began to understand that Alaska, in her pursuit of the Great Perhaps, had perhaps been trapped within her own unforgiven past.
In the end, while some mysteries remained unsolved, a different kind of understanding began to emerge. Miles and his friends honored Alaska's memory by executing one last, elaborate prank she had planned, a final defiant act against the mundane. Miles eventually came to terms with the ambiguity of her death and the messy, beautiful reality of her life. He realized that true understanding might not come from finding a definitive answer, but from accepting the questions, from forgiving Alaska, and from finding a way to forgive himself. The Great Perhaps, he discovered, wasn't a destination, but the ongoing journey through life's complexities, a path he was now, irrevocably, on.
His roommate, Chip "The Colonel" Martin, a small but fiercely loyal strategist, became his first real friend, introducing him to the thrilling world of boarding school mischief. But it was Alaska Young who truly ignited Miles's world. She was beautiful, mercurial, and brilliant, with eyes that held a thousand secrets and a laugh that could fill a room. Miles, quickly nicknamed "Pudge" for his lanky frame, fell for her with the dizzying intensity of first love, captivated by her wit, her reckless spirit, and her profound, often unsettling, insights into life and suffering.
Together, with the quick-witted Takumi Hikohito, they navigated late-night talks, clandestine smoking sessions, and elaborate pranks against the school's "Weekday Warriors" and the formidable Dean, Mr. Starnes, affectionately known as the Eagle. Alaska introduced Miles to the labyrinth of suffering, a concept that both fascinated and terrified him, and she spoke of her desperate need to escape it. One night, after a successful prank and too much alcohol, Alaska confessed the darkest secret of her past: the day her mother died of an aneurysm when Alaska was a child, and her paralyzing guilt for not calling for help. It was a moment of raw vulnerability that cemented Miles's understanding of her complex, often self-destructive nature.
Then, everything changed. One cold, desperate night, after a frantic phone call and a tearful plea, Alaska sped off into the darkness, drunk and distraught. The next morning, the Eagle's voice cut through the school's routine, announcing the unthinkable: Alaska Young had died in a car accident. The world Miles had just begun to understand shattered.
After. The days that followed blurred into a haze of grief, confusion, and suffocating guilt. Miles and the Colonel, along with Takumi, were consumed by the question: Was it an accident, or did Alaska choose to drive into that barrier? They replayed every conversation, every glance, every cryptic word, searching for clues, for answers that might explain the inexplicable. The weight of their inaction, of letting her leave that night, pressed down on them, fueling their desperate investigation.
Their quest for truth became a desperate attempt to understand the girl they thought they knew, to piece together the fragments of her complicated life and find some meaning in her sudden, devastating absence. Miles wrestled with the idea of the labyrinth, grappling with the inevitability of suffering and the elusive nature of an escape. He began to understand that Alaska, in her pursuit of the Great Perhaps, had perhaps been trapped within her own unforgiven past.
In the end, while some mysteries remained unsolved, a different kind of understanding began to emerge. Miles and his friends honored Alaska's memory by executing one last, elaborate prank she had planned, a final defiant act against the mundane. Miles eventually came to terms with the ambiguity of her death and the messy, beautiful reality of her life. He realized that true understanding might not come from finding a definitive answer, but from accepting the questions, from forgiving Alaska, and from finding a way to forgive himself. The Great Perhaps, he discovered, wasn't a destination, but the ongoing journey through life's complexities, a path he was now, irrevocably, on.
What other readers say
Liked
The book is widely praised for its captivating and well-written narrative, often described as a compelling piece of teen fiction that earned a prestigious award. Many readers found the pacing unputdownable, drawing them into an engrossing story with memorable, albeit flawed, characters. The novel's unique structure, often divided into "before" and "after" sections, effectively builds suspense and adds to the reading experience. Reviewers appreciate its raw and unfiltered portrayal of young love, friendship, and the complexities of growing up, touching on themes of grief, self-guilt, and the search for meaning. For many, the book offers a thought-provoking, character-driven tale that resonates deeply, providing a voice for challenging thoughts and experiences during adolescence. Its witty dialogue, individual character quirks, and inclusion of humor and pranks also contribute to its appeal, making it a memorable read that some consider their favorite work by the author.
Disliked
Despite its acclaim, the book receives considerable criticism, primarily concerning its characters and thematic portrayals. Several reviewers found the characters, particularly the female lead, to be clichéd, emotionally unstable, or simply unlikeable and obnoxious. The male protagonist is sometimes described as shallow, whiny, or even misogynistic. Critics also point out that some supporting characters are underdeveloped or bland. A recurring concern is the book's perceived glorification of destructive teenage behaviors such as smoking, drinking, and rule-breaking, often without depicting realistic negative consequences. The dialogue is frequently criticized as pretentious, with characters speaking in an unnaturally philosophical or "wise" manner for their age, and some find the author's narrative heavy-handed. Additionally, some readers felt a lack of emotional connection to the characters, diminishing the impact of the story's more poignant moments, and found the plot to be boring or clumsy in places.
In short
Overall, this book appears to be quite polarizing, inspiring both passionate love and strong dislike among readers. It stands as a significant coming-of-age novel that explores themes of self-discovery, friendship, and navigating pivotal life events. While some adult readers, with more life experience, might find its insights less novel, it is often highly recommended for a younger, teen audience who may connect more profoundly with the characters' journey and the exploration of their "Great Perhaps." It is particularly suited for young adult readers interested in character-driven stories that delve into complex emotions and the search for closure, offering a narrative that, for many, provides a unique and lasting impression on their understanding of literature and life.
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