Childhood (Esprios Classics) Translated by C. J. Hogarth
by Leo Tolstoy
7.68 / 10 2.1K ratings
- Language
- English
- Published
- 2024
- Publisher
- Blurb
- Pages
- 116
- ISBN
- 9781006538599
"Childhood" by Leo Tolstoy, his first published novel, offers an intimate look into the formative years of a young boy named Nikolenka Irtenev. Published in 1852 when Tolstoy was just twenty-three, this semi-autobiographical work delves into the emotional landscape of growing up, exploring themes of innocence, self-awareness, and the complexities of human relationships. The narrative, presented from the perspective of an adult reflecting on his youth, captures vivid domestic scenes on a Russian country estate and in Moscow, charting Nikolenka's journey from the security of early childhood to a dawning understanding of the world and himself.
This book, the first in a trilogy that includes "Boyhood" and "Youth," distinguishes itself through its psychological depth and moral insights, providing a window into the mind of a sensitive and intelligent child grappling with family bonds, friendships, loss, and emerging social consciousness. Tolstoy intricately weaves a narrative that, while not strictly plot-driven, resonates with universal experiences of maturation and self-discovery. It offers a unique opportunity to witness the early brilliance of a literary master as he explores the foundational moments that shape an individual's soul and worldview.
This book, the first in a trilogy that includes "Boyhood" and "Youth," distinguishes itself through its psychological depth and moral insights, providing a window into the mind of a sensitive and intelligent child grappling with family bonds, friendships, loss, and emerging social consciousness. Tolstoy intricately weaves a narrative that, while not strictly plot-driven, resonates with universal experiences of maturation and self-discovery. It offers a unique opportunity to witness the early brilliance of a literary master as he explores the foundational moments that shape an individual's soul and worldview.
Subjects
- Literature & Fiction
- Literary
- Action & Adventure
- Fantasy
- Fiction
- Historical
- Scotland
- Biographies & Memoirs
- Education & Teaching
- Schools & Teaching
- Memoirs
- Children's Fiction
- Coming of Age
- Family Life
- Education Theory
- Biography & Autobiography
- Juvenile Fiction
- Arts & Literature
- Classics
- Humorous
- Literary Collections
- Erotica
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- Russia
- Biographical
- Classic Literature
- Readers
- Juvenile Nonfiction
- Cultural, Ethnic & Regional
- Personal Memoirs
- Amateur Sleuth
- Adventurers & Explorers
- World Literature
- Literary Figures
- Philosophers
- Continental European Fiction (Fictional Works by One Author)
- Russian & Soviet
- Mystery & Detective
- SHORT STORIES (single author)
Original edition
Childhood (Library of Russian Classics)Originally published in 1975 English Blackwell Pub
Other editions (154)
Listen to the summary Narrated summary
The world, as I first knew it, was a warm, soft embrace, perpetually bathed in the gentle glow of a summer morning. My earliest memories are steeped in the sun-drenched rooms of our country estate, Petrovskoe, where the buzzing of flies and the sweet scent of lime blossoms drifted through open windows. Karl Ivanych, our elderly German tutor, a figure both stern and tender, would rouse me from my dreams, his gruff voice a familiar comfort. He was a man of routine and principle, yet beneath his rigid exterior lay a deep affection for his charges, a fact I understood even as I sometimes chafed under his watchful eye. My days were a tapestry woven with lessons, games in the garden, and the comforting presence of my family.
My mother, a vision of grace and love, filled our home with an ethereal light. Her gentle hand, her melodious voice, her very essence, were the anchors of my young existence. I recall vividly the moments spent by her side, feeling the warmth of her presence, believing her to be the most beautiful and perfect being in the world. Even my father, with his more distant and imposing demeanor, was a part of this secure, if sometimes perplexing, world. He was a man of the gentry, with a passion for hunting and a certain worldly air that contrasted with my mother's quiet domesticity. Life on the estate was a blend of privilege and simplicity, where the rhythms of nature dictated our days and the familiar faces of servants were as much a part of our family as our blood relatives.
As the innocence of early childhood began to recede, a new awareness dawned upon me, a dawning sensitivity to the world beyond my immediate comfort. I started to observe the nuances of adult interactions, the subtle shifts in their moods, and the unspoken complexities that lay beneath the surface of everyday life. Friendships, too, began to take on deeper meaning, though sometimes tinged with the awkwardness of burgeoning emotions. There was a particular boy, Sergey Ivin, whose striking good looks captivated me, filling me with an irresistible attraction. To merely see him brought me pleasure, and he haunted my waking thoughts and dreams. Yet, I dared not confess this burgeoning affection to anyone, not even to Sergey himself, for such an expression of sensitivity felt too childish.
Our family's move to Moscow marked a significant shift, a departure from the familiar idyllic landscapes of Petrovskoe. The bustling city, with its grand houses and formal society, introduced me to a different kind of existence. Here, I encountered new faces and navigated the intricate social customs of the aristocratic world. My understanding of social class and its inherent inequalities began to sharpen, revealing a world far less equitable than the one I had known on the estate. These experiences, though at times disorienting, further shaped my emerging identity, forcing me to grapple with the complexities of human relationships and the often-unspoken rules of society.
The most profound and shattering event of my childhood, however, was the illness and eventual death of my mother. The sorrow that descended upon our household was immense, a heavy shroud that enveloped us all. I remember the hushed whispers, the somber faces, and the agonizing realization that the radiant source of love and comfort in my life was slipping away. Her passing left an indelible void, a wound that seemed impossible to heal. The world, once so bright and full of promise, was suddenly dimmed, irrevocably altered by this profound loss.
The death of Natalya Savishna, our faithful old servant, shortly after my mother's passing, further underscored the fragility of life and the inevitability of loss. She had been a constant, unwavering presence throughout my earliest years, a testament to loyalty and selfless devotion. Her departure felt like another piece of my childhood, another familiar anchor, being swept away by the currents of change. These losses, coming so close together, marked the true end of my innocent, carefree childhood, ushering in a period of introspection and a nascent understanding of the deeper, often painful, realities of existence.
As I reflect upon these early years, a mosaic of vivid impressions and profound emotions, I recognize them as the foundational experiences that shaped the very core of my being. The laughter and the tears, the joys and the sorrows, the quiet moments of contemplation and the bustling energy of family life, all contributed to the complex process of forming my spiritual world. It was a time of boundless desire for love and innocent joy, a period where the seeds of my future self were sown amidst the beauty and the heartbreak of a fading innocence.
My mother, a vision of grace and love, filled our home with an ethereal light. Her gentle hand, her melodious voice, her very essence, were the anchors of my young existence. I recall vividly the moments spent by her side, feeling the warmth of her presence, believing her to be the most beautiful and perfect being in the world. Even my father, with his more distant and imposing demeanor, was a part of this secure, if sometimes perplexing, world. He was a man of the gentry, with a passion for hunting and a certain worldly air that contrasted with my mother's quiet domesticity. Life on the estate was a blend of privilege and simplicity, where the rhythms of nature dictated our days and the familiar faces of servants were as much a part of our family as our blood relatives.
As the innocence of early childhood began to recede, a new awareness dawned upon me, a dawning sensitivity to the world beyond my immediate comfort. I started to observe the nuances of adult interactions, the subtle shifts in their moods, and the unspoken complexities that lay beneath the surface of everyday life. Friendships, too, began to take on deeper meaning, though sometimes tinged with the awkwardness of burgeoning emotions. There was a particular boy, Sergey Ivin, whose striking good looks captivated me, filling me with an irresistible attraction. To merely see him brought me pleasure, and he haunted my waking thoughts and dreams. Yet, I dared not confess this burgeoning affection to anyone, not even to Sergey himself, for such an expression of sensitivity felt too childish.
Our family's move to Moscow marked a significant shift, a departure from the familiar idyllic landscapes of Petrovskoe. The bustling city, with its grand houses and formal society, introduced me to a different kind of existence. Here, I encountered new faces and navigated the intricate social customs of the aristocratic world. My understanding of social class and its inherent inequalities began to sharpen, revealing a world far less equitable than the one I had known on the estate. These experiences, though at times disorienting, further shaped my emerging identity, forcing me to grapple with the complexities of human relationships and the often-unspoken rules of society.
The most profound and shattering event of my childhood, however, was the illness and eventual death of my mother. The sorrow that descended upon our household was immense, a heavy shroud that enveloped us all. I remember the hushed whispers, the somber faces, and the agonizing realization that the radiant source of love and comfort in my life was slipping away. Her passing left an indelible void, a wound that seemed impossible to heal. The world, once so bright and full of promise, was suddenly dimmed, irrevocably altered by this profound loss.
The death of Natalya Savishna, our faithful old servant, shortly after my mother's passing, further underscored the fragility of life and the inevitability of loss. She had been a constant, unwavering presence throughout my earliest years, a testament to loyalty and selfless devotion. Her departure felt like another piece of my childhood, another familiar anchor, being swept away by the currents of change. These losses, coming so close together, marked the true end of my innocent, carefree childhood, ushering in a period of introspection and a nascent understanding of the deeper, often painful, realities of existence.
As I reflect upon these early years, a mosaic of vivid impressions and profound emotions, I recognize them as the foundational experiences that shaped the very core of my being. The laughter and the tears, the joys and the sorrows, the quiet moments of contemplation and the bustling energy of family life, all contributed to the complex process of forming my spiritual world. It was a time of boundless desire for love and innocent joy, a period where the seeds of my future self were sown amidst the beauty and the heartbreak of a fading innocence.
What other readers say
Liked
Reviewers widely praise Tolstoy's debut novella for its remarkable insight into the author's early life and the nascent stages of his literary genius. Many found it a testament to Tolstoy's versatility, showcasing his ability to craft compelling narratives in a shorter format. The book is celebrated for its touching and emotionally resonant passages, exploring universal themes of love, loss, memory, and the complex inner world of childhood. Readers appreciated the vivid descriptions of rural life, family dynamics, and the protagonist's early emotional experiences, finding them both relatable and evocative of simpler times. Despite being an early work, its clear, simple, yet powerful and ingenious prose is highlighted, along with masterful character portrayals that give a transparent overview of conflicting feelings. The narrative's sensitive storytelling and surprisingly modern feel, despite its age, also garnered positive remarks, affirming its status as a classic that reveals the promise of a great literary talent.
Disliked
However, some reviewers noted that as an early work, the novella can feel somewhat "rough" or "experimental" compared to Tolstoy's later, more polished masterpieces. A few readers found the story itself to be somewhat flat or slow-paced, occasionally leading to a lack of engagement. The narrative's focus on a relatively privileged, aristocratic childhood, combined with what some perceived as an overly sentimental or "rose-colored" tone, did not resonate with everyone, particularly those accustomed to more challenging or starker depictions of life. One specific character was even described as "insufferably idealized." Additionally, the autobiographical style might not appeal to all readers, and some suggested it might not be the ideal first Tolstoy read for absolute beginners, recommending his more established works instead. Potential issues with translation choices, such as an overuse of diminutives, were also mentioned in one instance.
In short
Overall, "Childhood" is considered a valuable read, primarily for its unique glimpse into the formative years and psychological development of one of literature's giants. While it may not possess the epic scope or narrative drive of his later novels, it serves as an excellent entry point for readers who wish to follow Tolstoy's literary journey chronologically or understand the origins of his profound insights. It is particularly recommended for dedicated Tolstoy enthusiasts, those interested in autobiographical literature, or readers curious about the influences and experiences that shaped a great writer. Despite its perceived shortcomings by some, the book frequently leaves readers intrigued and eager to continue with the subsequent parts of the trilogy, ultimately preparing them for Tolstoy's more mature and renowned works.
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