CIRCE
8.44 / 10 1.3M ratings
- Language
- English
- Published
- 2020
- Publisher
- Little, Brown
- Pages
- 416
- ISBN
- 9780316556323
In the house of Helios, god of the sun, a daughter is born. But Circe is a strange child, not powerful like her father nor alluring like her mother. Scorned by her divine family, she turns to mortals for companionship and discovers a power forbidden to the gods: witchcraft. When this power threatens the gods themselves, Zeus banishes her to a deserted island. There, she hones her occult craft, tames wild beasts, and crosses paths with many of the most famous figures in mythology, including Daedalus, Medea, and the wily Odysseus.
A solitary woman in a world ruled by men and gods, Circe unwittingly draws wrath and danger to her shores. To protect what she loves most, she must summon all her strength and choose, once and for all, whether she belongs with the gods from whom she is born or the mortals she has come to love. This novel recasts one of the most infamous female figures from the Odyssey as a hero in her own right, exploring an epic story of family rivalry, palace intrigue, and a celebration of indomitable female strength.
A solitary woman in a world ruled by men and gods, Circe unwittingly draws wrath and danger to her shores. To protect what she loves most, she must summon all her strength and choose, once and for all, whether she belongs with the gods from whom she is born or the mortals she has come to love. This novel recasts one of the most infamous female figures from the Odyssey as a hero in her own right, exploring an epic story of family rivalry, palace intrigue, and a celebration of indomitable female strength.
Subjects
- General
- Literature & Fiction
- Genre Fiction
- Subjects
- Literary
- Action & Adventure
- Fantasy
- Mythology & Folk Tales
- Folklore
- Science Fiction & Fantasy
- Epic
- Historical
- Romance
- Religion & Spirituality
- New Age & Spirituality
- English & College Success
- English
- Fiction
- Fairy Tales
- Classics
- Occult & Paranormal
- Magic
- Family Saga
- Wicca, Witchcraft & Paganism
- Witches
- Historical Fiction
- Myths & Legends
- Occultism
- War & Military
- Fairy Tales, Folk Tales, Legends & Mythology
- FICTION
- New York Times bestseller
- FICTION_FANTASY_HISTORICAL
- Ancient
- Mythology
- New York Times reviewed
- Feminist
- Witchcraft
- Heroes
Original edition
Circe -- Free Preview -- The First 3 ChaptersOriginally published in 2018 English Little, Brown
Other editions (29)
Listen to the summary Narrated summary
I was born the unwanted daughter of Helios, the mighty Titan of the sun, and Perse, a beautiful nymph. In my father's halls, I was merely a reedy voice, an awkward presence among gods and nymphs who shimmered with power and beauty I could not match. My siblings, Pasiphaë, Perses, and Aeëtes, held a cruel disdain for me, finding sport in my perceived weakness. It was a lonely existence, observing the glittering, self-absorbed world of the gods from its fringes, a world where the only kindness I ever witnessed was my own secret offering of nectar to the suffering Prometheus.
My true nature, however, lay dormant, waiting for a spark. It came with the mortal fisherman Glaucos, whose simple humanity stirred something within me. When I used an ancient, potent herb to transform him into a god, the raw, astonishing power that flowed through my veins was like a lightning strike. But his newly acquired divinity brought with it the arrogance of the gods, and he spurned me for the nymph Scylla. In a surge of desperate jealousy, I used my nascent witchcraft again, transforming Scylla into a horrifying, ravenous monster, a creature of many heads and gnashing teeth. This act, this undeniable display of sorcery, could not be hidden. My father, Helios, and Zeus, fearing my unpredictable power, banished me to the solitary island of Aiaia.
Aiaia became my crucible. Here, amidst the wild herbs and ancient trees, I honed my craft, weaving spells of protection and transformation. I learned to coax magic from the earth, to tame lions and wolves into loyal companions, and to turn insolent, violent sailors who dared to trespass upon my shores into swine, a fitting form for their brutish souls. Centuries passed, marked by the rising and setting sun, and the occasional, fleeting visits of gods and mortals. Hermes, the swift messenger, would sometimes grace my shores, offering a brief, complicated companionship. I encountered Daedalus, the cunning craftsman, and later, my own cruel sister Pasiphaë, on Crete, where I helped deliver her monstrous son, the Minotaur. I even hosted Jason and the sorceress Medea, my niece, a reminder of the dark, destructive power that kin could wield.
Then came Odysseus. He was unlike any man or god I had known, a mortal woven of cunning and sorrow, a hero with a haunted gaze. He and his weary crew found refuge on my island, and for a year, he lingered, sharing tales of Troy and his arduous journey home. I fell into a love that intertwined with admiration for his intellect and resilience. But his heart, I knew, belonged to Ithaca and his steadfast wife, Penelope, and so, he eventually departed.
My solitude was soon broken by a new life: a son, Telegonus. He was Odysseus's child, and mine, a mortal boy with an immortal mother. Motherhood awakened a fierce, protective instinct I had never known. When the goddess Athena, patron of Odysseus, sought to claim my son, I defied her, weaving powerful spells to shield Aiaia and Telegonus from divine interference. Every scraped knee, every childish joy, every vulnerability of his mortal existence filled me with both profound love and an aching dread of his inevitable end.
Years later, a prophecy brought two more figures from Odysseus's life to my shores: his loyal wife, Penelope, and his eldest son, Telemachus. In them, I saw echoes of the man I had loved, but also new paths, new connections. I found a surprising kinship with Penelope, a woman of quiet strength and enduring spirit. With Telemachus, a young man seeking his father's ghost and his own place in the world, a different kind of love bloomed, one rooted in shared understanding and a yearning for a life unburdened by the endless, stagnant existence of the gods.
The world of the gods, with its endless feuds and indifferent power, felt increasingly distant. My heart, so long a vessel for loneliness and longing, now beat with a desire for a different kind of eternity. I had spent millennia transforming others, shaping their fates with my magic. Now, it was time to transform myself. With the same potent herbs that had once changed Glaucos, I made my ultimate choice: to shed my immortality, to embrace the fleeting, precious span of a mortal life, and to walk a path of true connection, free from the gilded cage of godhood.
My true nature, however, lay dormant, waiting for a spark. It came with the mortal fisherman Glaucos, whose simple humanity stirred something within me. When I used an ancient, potent herb to transform him into a god, the raw, astonishing power that flowed through my veins was like a lightning strike. But his newly acquired divinity brought with it the arrogance of the gods, and he spurned me for the nymph Scylla. In a surge of desperate jealousy, I used my nascent witchcraft again, transforming Scylla into a horrifying, ravenous monster, a creature of many heads and gnashing teeth. This act, this undeniable display of sorcery, could not be hidden. My father, Helios, and Zeus, fearing my unpredictable power, banished me to the solitary island of Aiaia.
Aiaia became my crucible. Here, amidst the wild herbs and ancient trees, I honed my craft, weaving spells of protection and transformation. I learned to coax magic from the earth, to tame lions and wolves into loyal companions, and to turn insolent, violent sailors who dared to trespass upon my shores into swine, a fitting form for their brutish souls. Centuries passed, marked by the rising and setting sun, and the occasional, fleeting visits of gods and mortals. Hermes, the swift messenger, would sometimes grace my shores, offering a brief, complicated companionship. I encountered Daedalus, the cunning craftsman, and later, my own cruel sister Pasiphaë, on Crete, where I helped deliver her monstrous son, the Minotaur. I even hosted Jason and the sorceress Medea, my niece, a reminder of the dark, destructive power that kin could wield.
Then came Odysseus. He was unlike any man or god I had known, a mortal woven of cunning and sorrow, a hero with a haunted gaze. He and his weary crew found refuge on my island, and for a year, he lingered, sharing tales of Troy and his arduous journey home. I fell into a love that intertwined with admiration for his intellect and resilience. But his heart, I knew, belonged to Ithaca and his steadfast wife, Penelope, and so, he eventually departed.
My solitude was soon broken by a new life: a son, Telegonus. He was Odysseus's child, and mine, a mortal boy with an immortal mother. Motherhood awakened a fierce, protective instinct I had never known. When the goddess Athena, patron of Odysseus, sought to claim my son, I defied her, weaving powerful spells to shield Aiaia and Telegonus from divine interference. Every scraped knee, every childish joy, every vulnerability of his mortal existence filled me with both profound love and an aching dread of his inevitable end.
Years later, a prophecy brought two more figures from Odysseus's life to my shores: his loyal wife, Penelope, and his eldest son, Telemachus. In them, I saw echoes of the man I had loved, but also new paths, new connections. I found a surprising kinship with Penelope, a woman of quiet strength and enduring spirit. With Telemachus, a young man seeking his father's ghost and his own place in the world, a different kind of love bloomed, one rooted in shared understanding and a yearning for a life unburdened by the endless, stagnant existence of the gods.
The world of the gods, with its endless feuds and indifferent power, felt increasingly distant. My heart, so long a vessel for loneliness and longing, now beat with a desire for a different kind of eternity. I had spent millennia transforming others, shaping their fates with my magic. Now, it was time to transform myself. With the same potent herbs that had once changed Glaucos, I made my ultimate choice: to shed my immortality, to embrace the fleeting, precious span of a mortal life, and to walk a path of true connection, free from the gilded cage of godhood.
What other readers say
Liked
Madeline Miller’s Circe is widely celebrated for its captivating and lyrical prose, with many reviewers hailing the author as one of the best contemporary writers. Readers consistently praise the book's immersive quality, noting how the writing draws them completely into Circe’s world from the first page. The character of Circe herself is a major highlight, described as complex, resilient, and deeply relatable, despite her divine nature. Reviewers appreciate her journey of self-discovery, empowerment, and finding her own voice, often citing it as a profoundly impactful and inspiring aspect of the narrative. The retelling is lauded for offering a fresh, unique, and often feminist perspective on classic Greek mythology, making familiar tales feel new and engaging for both seasoned mythology enthusiasts and newcomers alike.
Disliked
However, some readers found the book's pacing inconsistent, with several noting that the plot felt slow and meandering in its middle sections, detracting from the overall "epic" feel. A point of contention for some was the character development and structure, with concerns that too many characters made brief appearances without sufficient depth, making it difficult to form strong emotional connections. While many celebrated the book's feminist themes, a minority felt that it did not fully deliver on this promise, arguing that Circe's narrative still revolved heavily around her relationships with men or that other female characters were not sufficiently empowered. Some also expressed a wish for a more radical reimagining of the myths rather than a retelling that, in their view, occasionally adhered too closely to the original source material.
In short
Despite these criticisms, Circe is overwhelmingly considered a beautiful, intelligent, and highly recommended read by the majority of reviewers, with many calling it a masterpiece. It is particularly recommended for lovers of Greek mythology, those who appreciate character-driven stories of self-discovery and empowerment, and readers who enjoy lyrical and evocative prose. Fans of Madeline Miller’s previous work, The Song of Achilles, are also likely to find this a compelling and emotionally resonant experience.
No reviews yet. Be the first.





