Colorado Kid
by Stephen King
6.76 / 10 63K ratings
- Language
- Spanish
- Published
- 2015
- Publisher
- Sudamericana
- Pages
- 160
- ISBN
- 9789500750653
On a small island off the coast of Maine, two seasoned newspaper journalists, Vince Teague and Dave Bowie, recount a decades-old cold case to their young intern, Stephanie McCann. The story revolves around the mysterious death of an unidentified man, later dubbed "The Colorado Kid," whose body was found on a beach with no clear explanation for his presence or demise. The more details the journalists share from their investigation, the less the circumstances surrounding the man's death seem to make sense. This narrative explores the nature of unsolved mysteries, the human compulsion to seek answers, and the often elusive nature of truth. It offers a story that prioritizes the journey of investigation and the ambiguities of life over a definitive resolution.
Original edition
The Colorado KidOriginally published in 2005 English Dorchester Publishing Company
Other editions (76)
Listen to the summary Narrated summary
On the small, windswept Moose-Lookit Island, off the rugged coast of Maine, the offices of The Weekly Islander hummed with a quiet, seasoned rhythm. It was here that two venerable figures of local journalism, Dave Bowie, the managing editor, and Vince Teague, the paper's founder, held court, their decades of island life etched into their faces and their stories. Their audience on this particular day was Stephanie McCann, a bright, twenty-two-year-old intern from Ohio, eager to learn the trade, though perhaps not expecting the peculiar lesson that awaited her.
Stephanie, still finding her footing amidst the gentle rhythms and distinct dialect of the island, had posed a simple question: had they ever encountered a truly unexplained mystery? This question, innocent as it seemed, opened a door to a tale they had guarded closely for twenty-five years, a story they rarely shared with outsiders, fearing its essence would be lost in the demand for neat conclusions. They began to spin the yarn of "The Colorado Kid," a mystery that had defied every attempt at resolution, remaining stubbornly, beautifully, and maddeningly unsolved.
The story began on an April morning in 1980, when two teenagers stumbled upon a dead man slumped against a trash can on the beach. He carried no identification, no wallet, nothing to hint at his name or origin. The cause of death was determined to be asphyxiation, a large piece of steak lodged in his throat. Yet, the contents of his stomach suggested he had recently eaten a fish dinner. How could both be true? This was merely the first thread of contradiction in a tapestry woven with impossible details.
The investigation, recounted by Dave and Vince with a storyteller's relish, was a cascade of leads that only deepened the enigma. Eventually, after more than a year, the man was identified as James Cogan, from Colorado. But this revelation brought no clarity, only more questions. How did he, a non-smoker, come to have a pack of Colorado cigarettes in his pocket with one missing? Why a single, old Russian coin among his few possessions? The timeline of his journey from Colorado to this remote Maine island, considering when he was last seen alive, simply did not add up.
As the two old newspapermen delved deeper into the baffling facts, their voices intertwining, they painted a vivid picture of the relentless pursuit of answers that always led to more profound questions. Stephanie listened, captivated, absorbing not just the details of the cold case, but the philosophy embedded within their telling. They spoke of the human compulsion to find explanations, to impose order on chaos, and the often-uncomfortable truth that some mysteries simply resist resolution.
The Colorado Kid's story was not a puzzle meant to be solved, but an exploration of the nature of mystery itself. It was about the journey of inquiry, the allure of the unknown, and the way an unsolved event can ripple through a community, becoming a touchstone for understanding life's inherent ambiguities. By the time Dave and Vince concluded their tale, the morning had given way to afternoon, and Stephanie understood that her internship had just taken a turn far beyond simple reporting. She had been initiated into a deeper understanding of stories, of people, and of the enduring, sometimes beautiful, darkness at the heart of the unexplained. "Now there's you, Steffi," Dave concluded, a quiet acknowledgment of her acceptance into their unique fraternity, a new keeper of the unsolved.
Stephanie, still finding her footing amidst the gentle rhythms and distinct dialect of the island, had posed a simple question: had they ever encountered a truly unexplained mystery? This question, innocent as it seemed, opened a door to a tale they had guarded closely for twenty-five years, a story they rarely shared with outsiders, fearing its essence would be lost in the demand for neat conclusions. They began to spin the yarn of "The Colorado Kid," a mystery that had defied every attempt at resolution, remaining stubbornly, beautifully, and maddeningly unsolved.
The story began on an April morning in 1980, when two teenagers stumbled upon a dead man slumped against a trash can on the beach. He carried no identification, no wallet, nothing to hint at his name or origin. The cause of death was determined to be asphyxiation, a large piece of steak lodged in his throat. Yet, the contents of his stomach suggested he had recently eaten a fish dinner. How could both be true? This was merely the first thread of contradiction in a tapestry woven with impossible details.
The investigation, recounted by Dave and Vince with a storyteller's relish, was a cascade of leads that only deepened the enigma. Eventually, after more than a year, the man was identified as James Cogan, from Colorado. But this revelation brought no clarity, only more questions. How did he, a non-smoker, come to have a pack of Colorado cigarettes in his pocket with one missing? Why a single, old Russian coin among his few possessions? The timeline of his journey from Colorado to this remote Maine island, considering when he was last seen alive, simply did not add up.
As the two old newspapermen delved deeper into the baffling facts, their voices intertwining, they painted a vivid picture of the relentless pursuit of answers that always led to more profound questions. Stephanie listened, captivated, absorbing not just the details of the cold case, but the philosophy embedded within their telling. They spoke of the human compulsion to find explanations, to impose order on chaos, and the often-uncomfortable truth that some mysteries simply resist resolution.
The Colorado Kid's story was not a puzzle meant to be solved, but an exploration of the nature of mystery itself. It was about the journey of inquiry, the allure of the unknown, and the way an unsolved event can ripple through a community, becoming a touchstone for understanding life's inherent ambiguities. By the time Dave and Vince concluded their tale, the morning had given way to afternoon, and Stephanie understood that her internship had just taken a turn far beyond simple reporting. She had been initiated into a deeper understanding of stories, of people, and of the enduring, sometimes beautiful, darkness at the heart of the unexplained. "Now there's you, Steffi," Dave concluded, a quiet acknowledgment of her acceptance into their unique fraternity, a new keeper of the unsolved.
What other readers say
Liked
Reviewers largely praise The Colorado Kid for its unique and unconventional approach to storytelling, marking it as a departure from Stephen King's usual style. Many found the book thought-provoking, appreciating its exploration of life's unresolved mysteries and the very nature of stories themselves. The character dynamics, particularly the interactions between the two seasoned newspapermen and their young intern, are frequently highlighted as engaging and heartfelt, lending a strong sense of place and a conversational charm to the narrative. Its short length was also seen as a positive, making it a quick and intriguing read that some reviewers found hard to put down. Even for those who ultimately desired more resolution, the central mystery was often described as compelling and fascinating, allowing readers to play detective alongside the characters.
Disliked
However, a significant number of readers expressed frustration and disappointment with the book's lack of a definitive resolution. This "non-ending" was a common point of contention, leaving many feeling unfulfilled or even "pissed off" that the central mystery remained largely unsolved. Some King fans were also let down by the absence of his signature horror or suspense, finding the book too slow-paced or even boring at times, with one reviewer likening the dialogue to "inane chatter." Critics also pointed to the dialogue-heavy format as a passive way of storytelling, and some felt a lack of emotional investment in the victim due to limited personal details. For these readers, the book felt slight or underdeveloped, more akin to a long short story than a fully realized novel.
In short
Ultimately, The Colorado Kid is a highly divisive book, with many reviewers noting it's one readers will either love or hate. Those who appreciated its intentional lack of resolution often saw it as a clever commentary on life's inherent uncertainties and the power of mystery. This book is best suited for readers who enjoy character-driven narratives and philosophical explorations over traditional plot-heavy stories. It appeals to those open to Stephen King's experimental side, who don't require tidy endings, and who are willing to ponder questions rather than demand answers. It's also a quick read for anyone curious about the nature of unsolved cases or the art of storytelling itself.
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