Cymbeline (Arkangel Complete Shakespeare)

Many reviewers praise the play for its rich poetry, immortal lines, and profound themes, particularly a moving elegy that is often quoted. It is frequently described as a thrilling "wild ride," packed with elements from various Shakespearean genres, effectively blending comedy and tragedy, and exploring themes of grace, redemption, and forgiveness. The play features a strong, admirable, and beloved heroine, Imogen, who is considered one of Shakespeare's finest female creations. Despite its intricate plot, many find it an easy and engaging read, offering a unique and adventurous experience within the Shakespearean canon. Its dense narrative is acknowledged for Shakespeare's skill in ultimately bringing all threads together into a satisfying, often light-hearted, and happy resolution, sometimes utilizing dramatic conventions like a literal deus ex machina.

A common criticism is the play's convoluted and often implausible plot, with many reviewers feeling it over-relies on too many Shakespearean tropes, coincidences, and misunderstandings, sometimes stretching believability. The characters, with the notable exception of Imogen, are frequently described as petty, cold, and failing to evoke strong empathy. The villainy is sometimes seen as irresolute, and the hero, Posthumous, is often criticized as weak, easily swayed, and even reprehensible for his actions and unfounded suspicions. Some reviewers felt the play was "dashed off" or lacked the dramatic depth of Shakespeare's more famous works, suggesting a potential lack of sustained energy or interest from the playwright towards the end of his career. The perceived "happy ending" is also questioned by some, particularly regarding the hero's ultimate rehabilitation and the heroine's willingness to forgive, which some find unrealistic or unearned.

Overall, "Cymbeline" is recognized as a perplexing and unusual play within Shakespeare's body of work, often categorized as a romance that deviates from his more traditional tragedies and comedies. While it may not be considered one of his greatest or most frequently performed plays, it offers a distinct experience for readers who appreciate Shakespeare's later, more experimental works. This book would appeal to those who enjoy complex, multi-layered narratives, are open to plays that blend diverse genres and tones, and are particularly drawn to strong female characters. It is recommended for readers willing to commit to a detailed and sometimes challenging plot, but who will be rewarded with poetic language, unique character dynamics, and a surprising, ultimately forgiving resolution.