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Go to My LibraryDress Your Family in Corduroy and Denim
- Language
- English
- Published in
- Publisher
- Abacus
- Pages
- 257
- ISBN
- 9780349116709
Each story serves as a window into the peculiar dynamics of the Sedaris clan, where an argument can be the highest form of love and forgiveness is often automatic. With a masterful, self-deprecating humor that finds the comedy in discomfort and dysfunction, Sedaris explores the complexities of belonging and the intricate bonds of family. This collection is an invitation to see the world through his eyes, offering a funny and moving look at the moments that shape a life.
Subjects
Original edition details
Other editions (26)
Dress Your Family in Corduroy and Denim
2004 • Little, Brown and Company
English
Dress Your Family in Corduroy and Denim
2005 • Little, Brown
English
Dress Your Family In Corduroy And Denim
2004 • Orbit & Abacus
English
Dress Your Family in Corduroy and Denim
2011 • Hachette Audio
English
Dress Your Family in Corduroy and Denim
2004 • Little Brown & Company
English
Other editions

Dress Your Family in Corduroy and Denim
2004 • Little, Brown and Company
English

Dress Your Family in Corduroy and Denim
2005 • Little, Brown
English

Dress Your Family In Corduroy And Denim
2004 • Orbit & Abacus
English

Dress Your Family in Corduroy and Denim
2011 • Hachette Audio
English

Dress Your Family in Corduroy and Denim
2004 • Little Brown & Company
English

Dress Your Family in Corduroy and Denim
2004 • Little, Brown and Company
English

Dress Your Family in Corduroy and Denim
2004 • Grand Central Publishing
English

Dress Your Family in Corduroy and Denim
2004 • Little Brown & Company
English

Dress Your Family in Corduroy and Denim
2004 • Little, Brown
English

Dress Your Family in Corduroy and Denim
2004 • Abacus
English

Dress Your Family In Corduroy And Denim
Little, Brown
English

Dress Your Family in Corduroy and Denim
2009 • Baker & Taylor, CATS
English

Dress Your Family in Corduroy and Denim
2004 • Grand Central Publishing
English

Dress Your Family in Corduroy and Denim
2004 • Back Bay Books
English

Dress Your Family In Corduroy And Denim
2010 • Little, Brown Book Group
English

Dress Your Family in Corduroy and Denim
2003 • Little, Brown Book Group Limited
English

Mi raccomando: tutti vestiti bene
2006 • Mondadori
Italian

Habillés pour l'hiver
2007 • 10 X 18
French

Habillés pour l'hiver
2006 • Plon
French

Steek je familie in de kleren
2004 • Vassallucci
Dutch

Nachtprogramm
2004 • Heyne Verlag
German

Dress Your Family in Corduroy and Denim
2010 • Little, Brown Book Group Limited
English

Dress Your Family in Corduroy and Denim
2007 • Little Brown & Company
English

Dress Your Family in Corduroy and Denim
2004 • Little, Brown Book Group Limited
English

Dress Your Family in Corduroy and Denim
2004 • Little Brown & Company
English

Dress Your Family in Corduroy and Denim
2004 • Little, Brown Book Group Limited
English
The winter I was in the fifth grade, snow fell and accumulated, canceling school for five straight days. Our presence had disrupted the secret life my mother led while we were away, and when she could no longer take it, she threw us out. “Get the hell out of my house,” she said, shoving us into the carport. We returned a few hours later to find the door still locked. Through the window, we could see her in the kitchen, a goblet of wine and a mug of coffee on the counter before her. “That bitch,” my sister Lisa said. We pounded on the glass and threw snowballs at her bedroom window, but she only pulled the drapes. As dusk approached, it occurred to us that we could possibly die. It was my sister Tiffany, the youngest, who agreed to lie in the middle of the street. After a few cars passed, we saw our mother, a puffy figure awkwardly negotiating the crest of the hill, her legs buried to the calves in snow. “Are you wearing your loafers?” Lisa asked. In response, our mother raised a bare foot. “I was,” she said. “I mean, really, it was there a second ago.” And just like that, we were rooting around in the snow, looking for her left shoe.
As I got older, I found myself back in Raleigh after dropping out of college, living in my parents' basement until my father told me to get out. “I think we both know why I'm doing this,” he said, but I didn't, not really. My mother drove me to my sister's apartment, and on the way, she started to cry, not in an “I'm going to miss you” way, but something sadder. I wouldn't know until months later that my father had kicked me out not because I was a bum, but because I was gay. My mother assumed I knew the truth, and it tore her apart. “I'm sorry,” she sobbed. “I'm sorry, I'm sorry, I'm sorry.” Here was a defining moment, and again I missed it entirely, wondering only if the passing drivers saw us as just another crying mother and her stoned gay son, or if they imagined, for one moment, that we might be special.
My attempts to find my own way were often disastrous. I rented a cheap apartment next to a single mother and her nine-year-old daughter, Brandi. The girl had no father and invisible eyebrows, and her mother, a bartender, left her alone most nights. A neglected girl comes to your door and what are you supposed to do? My mother's advice was simple: “Throw her the hell out.” But I couldn't. I tried to be a good example, but my obsessive-compulsive routines and little lectures only fueled her resentment. After I confronted her about stealing small things from my apartment, she broke into my room while I was out and systematically destroyed my photographs and art slides, scratching “Yur a as-hole” and “Suk my dick” into the film. Her mother slammed the door in my face. Then, Brandi began whispering through my keyhole at night. “Faggot. What's the matter, faggot?” My own mother was terrified for me. “All she has to do is go to the authorities, saying you molested her,” she said. “One little phone call and your life is ruined.” She helped me pack, and as we carried boxes to her car, Brandi's little moth voice came from behind her door: “Bitch.” My mother didn't even pause. “Sister,” she said, “you don't know the half of it.”
Eventually, I made my way to Paris, where I lived with Hugh. One night we went to see a tragic love story, and he sobbed from beginning to end. Such movies are a danger, as falling in love is something most adults have actually experienced. It encourages unhealthy comparisons, raising the question, “Why can't our lives be like that?” Hugh and I have been together for so long that in order to arouse extraordinary passion, we need to engage in physical combat. Our lives are the predictable Part II no one would pay to see. At the cafe afterward, he looked as though his life had not only passed him by but paused to spit in his face. I wanted to tell him that movie characters might chase each other through the fog, but that's for beginners. Real love amounts to withholding the truth, even when you're offered the perfect opportunity to hurt someone's feelings. My hand puppets were at home, so instead I just pulled my chair a few inches closer, and we sat silently, looking for all the world like two people in love.
My sister Lisa and I spoke on the phone before a visit, and she left the key “under the hour ott near the ack toor.” She was speaking in code, convinced that all telecommunication is potentially life-threatening. She is afraid to tell me anything important, knowing I'll only turn around and write about it. In my mind, I'm like a friendly junkman, building things from scrap, but my family sees it differently. More and more, their stories begin, “You have to swear you will never repeat this.” I always promise, but it's understood my word means nothing. After watching a movie that eerily reflected our own lives, we sat in her car, and she told me a story so quintessentially Lisa - a story of an accidental, heartbreaking act of mercy involving a wounded animal. As she fell apart against the steering wheel, I instinctively reached for my notebook. She grabbed my hand. “If you ever,” she said, “ever repeat that story, I will never talk to you again.” My immediate goal was to change her mind. “Oh, come on,” I said. “It's not like you're going to do anything with it.” Your life, your privacy, your occasional sorrow - it's not like you're going to do anything with it. Is this the brother I always was, or the brother I have become?
My brother, Paul, was the first of us to have a child. We called him “the Rooster,” and his wedding was a spectacle of Dudes, dogs, and a psychic from the phone book. I went to his motel room an hour before the ceremony, expecting a supreme masculine moment. Instead, my father, the best man, attached my brother's cummerbund while they both stared at a TV special about a flood. “Water like that will fuck the shit out of some hardwood floors,” Paul said. “Those sons of bitches are looking at total replacements.” My father agreed. “All right,” he said, turning from the screen. “Let's get married.” After the reception, Paul and I were alone for the first time, walking the dogs. I wanted to force a moment, to say something memorable. Just as I cleared my throat, his elderly pug squatted in the grass. Paul whistled for his Great Dane, which thundered across the lawn and ate the feces in one bite. “Accident, hell. I got this motherfucker trained,” he said. “Sometimes he'll stick his nose to her ass and just eat that shit on tap.” Forget the tears and brotherly speeches; this was the stuff memories are made of.
Years before, my parents had almost bought a cottage at the beach. For fifteen minutes on the coastal highway, we were a happy family, competing to name our good fortune. I suggested “The Ship Shape,” and my sisters offered “The Wait 'n' Sea” and “The Nut Hut.” The house was perfect, but my father, as always, backed out. The beach house became a pool, which became a finished basement with a bar. The promises never stopped, but we grew unwilling to play our parts. As if carried by a tide, my mother drifted farther and farther away, first to twin beds and then to a room of her own, decorated with seascapes and sand dollars. It would have been nice, a place at the beach, but we already had a home. Besides, had things worked out, you wouldn't have been happy for us. We're not that kind of people.
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Rating Sources
The book is widely praised for its distinctive brand of dark and observational humor, with many readers finding it genuinely hilarious and a source of frequent chuckles and laugh-out-loud moments. Reviewers consistently highlight the author's exceptional writing skill, noting his ability to transform mundane life events and dysfunctional family dynamics into vividly portrayed, often surreal, and always witty anecdotes. His keen observational style and articulate prose are commended for making the comedy seem effortless. A significant number of readers appreciate the relatability of his experiences, even amidst the quirky and awkward situations he describes, connecting with the underlying truths about family life and human connections. The short story format is frequently mentioned as perfect for casual reading, and the audiobook, read by the author himself, is almost universally recommended as the definitive way to experience his work, with his voice and inflection greatly enhancing the comedic effect.
Despite its acclaim, the book's humor is acknowledged as not being for everyone, with some finding its dark, black comedy elements, coarse language, and often disturbing or depressing real-life details to be challenging or even irritating. A recurring criticism from dedicated fans is that the collection occasionally feels repetitive, mining familiar territory and causing some stories to blend together or lack the sharp comedic edge of his earlier works. Some reviewers felt the essays lacked a cohesive overarching theme, reading more like supplementary information than a unified collection. Concerns were also raised about the author's frequent use of his family's personal lives as material, with some finding it a "selling out" of their experiences. For a few readers, the book did not live up to expectations, with certain pieces described as pedestrian or falling flat, suggesting that this particular collection might not represent his strongest work.
Ultimately, this collection offers a balanced experience, proving to be a highly entertaining and often poignant read for those receptive to its unique style. It is particularly recommended for existing fans of the author and readers who appreciate dark, cynical, and observational humor that delves into the absurdities of everyday life and complex family relationships. This book serves as an excellent choice for individuals seeking a tension-relieving read, a break from more demanding literature, or simply a dose of witty and unconventional comedy. However, prospective readers should be aware of its often frank, sometimes unsettling content and embrace the author's distinctive voice, ideally through the highly praised audiobook version, to fully appreciate its charm.
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