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Go to My LibraryElla Enchanted
- Language
- English
- Published in
- Publisher
- Turtleback
- Pages
- 288
- ISBN
- 9780613714082
This clever retelling of the Cinderella story is not about waiting for a prince to save you; it is the journey of a witty and resilient heroine determined to save herself. Set against a backdrop of mythical creatures and royal balls, Ella's struggle is a poignant and often humorous exploration of free will and the fight for self-determination. The story invites readers into a richly imagined world to discover if a young woman's intelligence and courage are enough to break a powerful curse and forge her own destiny.
Subjects
Original edition details
Other editions (25)
Other editions

Ella, verzaubert
1999 • Bertelsmann
German

Ella, verzaubert
2002 • Omnibus
German

Ella Enchanted
1998 • Harper Collins
English

Ella Enchanted (Lib)(CD)
2003 • Listening Library
English

Ella l'ensorcelée
1999 • L'Ecole des Loisirs
French

Ella Enchanted: Library Edition
2008 • Random House
English

Ella Enchanted
2004 • Scholastic Incorporated
English

De verwensing
2004 • Ploegsma, Uitgeverij
Dutch

Ella Enchanted (rack)
2004 • Harper Collins
English

Ella Enchanted
2003 • Collins Voyager
English

El mundo encantado de Ela
2002 • Ediciones B
Spanish

Ella Enchanted
2004 • Scholastic Incorporated
English

Tilsimli Prenses
2012 • Epsilon Yayinlari
Turkish

Ella Enchanted A Newbery Honor Award Winner
2012 • Harper Collins
English

Ella Enchanted
2006 • Listening Library
English

Ella Enchanted
2000 • Listening Library
English

Ella Enchanted
2004 • Listening Library
English

Ella Enchanted
1997 • Scholastic
English

小说-魔法
2003 • 新蕾出版社
Chinese

Ella Enchanted
1998 • Listening Library
English

Ella Enchanted
2000 • Collins
English

Ella Enchanted
2006 • Listening Library
English

Ella Enchanted
1997 • Scholastic Incorporated
English

Ella Enchanted
1998 • HarperTrophy
English

Ella Enchanted Movie Version
2020 • MovieVersion.com LLC
English
When I was nearly fifteen, my mother grew ill. Her last words to me were, “I love you, precious,” but her last command to Mandy was not to send for my father, Sir Peter. The next morning, she was gone. At her funeral, lost in a willow tree's embrace, I was found by Prince Charmont. “You can call me Char,” he said, his kindness a small light in my grief. He told me he knew all about me from our cooks' gossip at the market - that I could imitate people, that I made up my own fairy tales, that I was terribly clumsy. He made me laugh, a trembling, fragile thing after so much weeping. For a few moments, walking beside him, I felt almost normal.
My new life began soon after, when my father announced he was sending me to finishing school with a Dame Olga and her two daughters, Hattie and Olive. The journey was a torment. On the coach, Hattie discovered my secret. “Oh, let me,” she said, asking to try on my mother's silver necklace. It was an order. Her eyes glittered when she realized my struggle. “Yes, you have to. Give it over.” She took my most precious possession, and from that moment, she held the whip. She made me her lady-in-waiting, forcing me to perform menial tasks, reveling in her newfound power.
Finishing school was a different kind of prison. Every mistress issued commands: “Sing this note,” “Step lightly,” “Take small stitches.” The curse forced a dreadful perfection upon me, molding me into a model of grace and accomplishment I never wished to be. My only comfort was a girl from Ayortha named Areida. She taught me her language, and I told her of my life in Frell. We became inseparable, until Hattie delivered her cruelest blow. “I hate to cause you grief,” she said with a malicious smile, “but you must end your friendship with her.” That order was more than I could bear. That night, I decided I must run away.
My goal was to find Lucinda. I had learned from a letter in my magic book - a gift from Mandy that showed me things as they happened - that she might attend a giant's wedding. My journey was fraught with peril. I was captured by ogres, who discovered my obedience and planned to feast on me. “Stop!” one commanded as I tried to flee, and I was frozen. Trapped, I found a new power within me. I began to practice their persuasive, honeyed way of speaking, and when they prepared to kill me, I convinced them they were full and sleepy. “You want to go back to sleep,” I soothed, and to my astonishment, they did.
Just as they slept, Char and his knights appeared, having been scouting the area. “Can you tame them again, Ella?” he called, his voice clearing my wits. I could, and I did, tricking the ogres into being bound. He was amazed, and I was overjoyed to see him. We spent the afternoon talking and laughing, and for the first time, I felt I was more than just a cursed girl. He was so easy to be with, so surprised by my jokes. As we parted, he asked when I might be in Frell again. “I should be back shortly,” he said. “Perhaps I'll see you soon then.” His words were a promise I clung to.
I reached the giant's wedding just in time, and there she was: Lucinda, beautiful and rapturous, bestowing another terrible gift upon the newlyweds, binding them to be together always. I approached her, pretending to speak only Ayorthaian, and begged her to help me with my own affliction of being too compliant. She smiled dazzlingly. “Obedience is a marvelous gift, Elle,” she said. “Be happy to be blessed with such a lovely quality.” The command settled over me, and I was suddenly, horrifyingly, filled with joy at my own enslavement.
This new, enforced happiness made me a willing pawn in my father's schemes. He married me off in his mind, but when that failed, he married Dame Olga himself and then left on a trading journey, abandoning me to my new stepfamily. They made me a scullery maid. My life became a cycle of scrubbing floors with lye that burned my hands and hiding from Olive, who constantly demanded stories or my few remaining coins. My only solace was my secret correspondence with Char, who was spending a year in the court of Ayortha. His letters were my lifeline. He wrote of his loneliness, his duties, and his growing feelings for me, asking in every letter, half-joking, if I was old enough to marry yet.
Then came the letter in which he confessed everything. “I think I've loved you since we met at your mother's funeral,” he wrote. “I want to be with you forever and beyond.” My heart soared, and for a moment, I saw a way out. But then the truth crashed down on me. I could not marry him. As his wife, my curse would be a weapon that could destroy him and the entire kingdom. With a broken heart, I penned a cruel reply, forging a letter from Hattie that claimed I had eloped with a rich old man, enclosing a note in my own hand to make him believe it. I made him hate me to save him.
When Char returned to Frell, three royal balls were held in his honor. I attended all three in disguise, my gowns and coach conjured by Mandy and a repentant Lucinda. I was Lela, a mysterious lady from a distant town. He was drawn to me, this masked stranger who knew Ayorthaian songs and understood his jokes. On the final night, we danced and talked for hours, my heart aching with the knowledge that it was our last time together. But as the clock struck midnight, Hattie, in a fit of jealousy, tore the mask from my face. “Ella!” she shrieked. I fled, losing a glass slipper in my haste. Char followed me to my home, where he found me in my servant's rags. He held out the slipper. “Marry me, Ella,” he commanded, his voice full of love and confusion.
My whole being screamed yes, but I knew I could not. The curse warred within me, a violent, tearing battle between my love for him and the compulsion to obey. I would not be the instrument of his downfall. I would not. Rocking in my chair, fighting the words that clawed at my throat, I found a strength I never knew I possessed, a power born of my love for him. With a final, monumental effort that felt like tearing myself in two, I broke free. “No!” I shouted, the word a thunderclap in the silent hall. “I won't marry you. No one can force me!” And with that refusal, the weight of a lifetime lifted. The curse was broken. I had saved him, and in doing so, I had saved myself. I knelt before him, finally free. “I'm older now,” I said, my voice clear and steady. “So much older that not only can I marry, but I can beg you to marry me.”
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Rating Sources
Reviewers overwhelmingly praise this book as an imaginative and unique retelling of the Cinderella story, lauded for its fresh and clever approach to a classic tale. Many highlight the protagonist, Ella, as a standout character: a feisty, stubborn, and ultimately strong heroine who actively rebels against her circumstances and seeks to control her own destiny. Her journey is described as empowering, showcasing themes of free will and self-reliance. The romance with Prince Char is also frequently celebrated, evolving organically from friendship through shared letters and experiences, rather than relying on instant attraction. Readers appreciate the vibrant world-building, filled with diverse mythical creatures, unique languages, and engaging fantasy elements that enrich the adventure. The writing style is generally commended for being engaging, bold, and surprisingly nuanced for its genre, making for a page-turning and satisfying read that many return to again and again.
While the book itself receives widespread acclaim, a significant point of contention among reviewers is its movie adaptation, which is almost universally described as a "travesty" that "ruined" the original story. Reviewers strongly advise against comparing the two, emphasizing that the film bears little resemblance to the book beyond character names and the central curse. Beyond the movie, some minor criticisms surface, with one reviewer finding the pacing slow and the writing bland for their taste, while another felt the plot structure became less cohesive towards the end, abandoning earlier intriguing elements for a more conventional conclusion. A few readers also expressed discomfort with what they perceived as problematic descriptions of certain female characters, particularly the stepsisters, noting a regressive focus on physical appearance. Additionally, some found Ella's constant struggle with her curse to be stressful at times, while others, having read it later in life, felt they might have enjoyed it more as a younger reader.
Despite a few minor reservations and the strong disapproval of its film adaptation, the book is overwhelmingly recommended as a beloved and worthwhile read. It is praised for successfully reinventing a classic fairytale with strong characters, an engaging plot, and empowering themes that resonate deeply with readers. This book is particularly well-suited for middle-grade readers and a younger audience, especially girls who appreciate active, intelligent heroines who learn to save themselves. It also appeals to anyone seeking a heartwarming, adventurous, and magical fantasy story with a satisfying ending. Readers who enjoy nuanced takes on traditional fairytale tropes, such as a romance built on friendship, or those looking for a comforting and fun escape, will likely find "Ella Enchanted" a cherished addition to their library.
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