Els desposseïts (rústega) (5a ed.)
8.52 / 10 163K ratings
- Language
- English
- Published
- 2022
- Publisher
- RAYO VERDE EDITORIAL, S.L.
- Pages
- 432
- ISBN
- 9788419206954
Journey to a binary star system where two worlds orbit, forever bound yet fundamentally divided. On Urras, immense wealth and stark social stratification define a vibrant, opulent civilization. On its barren moon, Anarres, a society founded on anarchist principles strives for a communal existence, free from government and private property, but marked by austerity and collective norms.
Shevek, a brilliant physicist from Anarres, undertakes an unprecedented voyage to Urras, a journey that has been unthinkable for generations. He seeks to share his groundbreaking theories and bridge the ideological chasm that separates his world from its mother planet, challenging centuries of distrust. This exploration of differing customs and cultures forces Shevek to confront the complexities of freedom, individualism, and collective living, questioning the nature of utopia itself.
Shevek, a brilliant physicist from Anarres, undertakes an unprecedented voyage to Urras, a journey that has been unthinkable for generations. He seeks to share his groundbreaking theories and bridge the ideological chasm that separates his world from its mother planet, challenging centuries of distrust. This exploration of differing customs and cultures forces Shevek to confront the complexities of freedom, individualism, and collective living, questioning the nature of utopia itself.
Subjects
- Literature & Fiction
- Genre Fiction
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- Literary
- Fantasy
- Science Fiction & Fantasy
- Historical
- Self Service
- Arborist Merchandising Root
- FICTION_SCIENCE FICTION_GENERAL
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- CHILDREN'S FICTION
- Contemporary
- Fiction in English
- Women's Fiction
- Science Fiction
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- Specialty Boutique
- New, Used & Rental Textbooks
- Fiction
- Juvenile Fiction
- Paranormal & Urban
- Fantasy & Magic
- Classics
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- Women
- Time Travel
- Modern fiction
- Fiction, science fiction, general
- Dystopian
- SCIENCE FICTION
- American literature
- Nature & the Environment
- Science fiction
- Metaphysical & Visionary
- Anarchism
- Fiction, visionary & metaphysical
- Ficción
- Feminist
- Visionary & Metaphysical
- Space Exploration
- Utopias
Original edition
Les DépossédésOriginally published in 1975 French Robert Laffont
Other editions (42)
Listen to the summary Narrated summary
There was a wall. It did not look important, a mere boundary of stone, yet its presence defined worlds, separating the arid, communal plains of Anarres from the lush, propertarian splendor of Urras. On Anarres, the descendants of revolutionaries lived by the Odonian principles of anarchism, striving for a society where all possessions were shared, where no government ruled, and where the individual found purpose in service to the collective. It was a harsh, dusty existence, often demanding, but one forged in the fires of shared labor and mutual aid. Yet, even in this ambiguous utopia, walls, unseen and insidious, began to rise.
Shevek, a physicist of profound intellect, felt these invisible barriers keenly. From his earliest days on Anarres, a sense of difference set him apart, a restless curiosity that chafed against the subtle conformities of his world. He sought to understand the very fabric of time, to weave a General Temporal Theory that promised to unify disparate realities. But his groundbreaking work, born of pure scientific inquiry, was met with resistance, with the quiet obstruction of figures like Sabul, who saw in Shevek's independent thought a challenge to the established order, however unacknowledged that order might be. His beloved partner, Takver, a fish geneticist, understood his yearning, her quiet strength a constant anchor in his intellectual solitude.
Driven by a desire to complete his theory and to bridge the ideological chasm between his world and its opulent twin, Shevek made the unprecedented journey to Urras. The landing was a clamor of flashing lights and shouts, a bewildering spectacle for a man from a world without private wealth or public celebrity. He was hailed as "The First Man From the Moon," a symbol of reconciliation, but quickly found himself a pawn in a deadly political game. Urras, particularly the capitalist state of A-Io where he resided, was a riot of color, abundance, and stark inequality, a place where servants attended to his every need and lavish parties celebrated his arrival. The sheer excess was as disorienting as the poverty he glimpsed in the shadows, a world built on acquisition and competition, a stark contrast to the scarcity and shared burden of Anarres.
As his days on Urras unfolded, Shevek found himself surrounded by brilliant minds, like the aged physicist Atro, who recognized the genius of his work. Yet, the freedom he had anticipated proved illusory. His research, particularly its potential application in developing an ansible - a device for instantaneous interstellar communication - became entangled in the rivalries between A-Io and the authoritarian state of Thu. He realized his theories were being co-opted, his insights twisted for military advantage and economic gain, rather than for the universal good he envisioned. The grand university, initially a beacon of knowledge, began to feel like a gilded cage.
Alternating with his present on Urras were vivid recollections of his past on Anarres: his childhood among the communal dormitories, the rigorous Odonian education, his first love for Takver, and the quiet struggles against the subtle tyranny of social pressure. He remembered the arguments with his friend Bedap, who also saw the creeping stagnation within their anarchist society, and the distant, duty-bound presence of his mother, Rulag. He had striven for connection and collaboration on Anarres, even founding a syndicate that sought to break down the insular tendencies of their world. These memories underscored the inherent flaws in both societies: Anarres, with its struggle against internal dogma and scarcity, and Urras, drowning in its own wealth and division.
A profound sense of disillusionment settled upon him on Urras. He had sought to tear down walls, only to find himself trapped within new ones, built of wealth, power, and nationalistic ambition. The revolution he had hoped to spark, a revolution of ideas and unity, seemed impossible in a world so deeply fractured. He found solace not in the halls of power, but among the Urrasti dissenters, those who also yearned for a different way, inspired by revolutionary stirrings in lands like Benbili. He spoke to them, his words a beacon of hope, but their protest was brutally suppressed, a stark reminder of the violence inherent in the propertarian system.
Ultimately, it was not through the formal channels of diplomacy or the academic institutions of Urras that his vision would find its true path. Seeking refuge at the Terran embassy, Shevek entrusted his completed General Temporal Theory and the design for the ansible not to a nation, but to the Hainish, an older race dedicated to universal communication and understanding. He realized that true freedom lay not in the structures of any single society, however utopian its ideals, but in the free sharing of knowledge, in the breaking of all walls that divided intelligent beings. His journey, though fraught with pain and revelation, had come full circle. He returned to Anarres, not as a traitor, but as a catalyst for change, accompanied by a curious Hainishman, bringing with him not just his theory, but a profound understanding of the ambiguous nature of both freedom and confinement.
Shevek, a physicist of profound intellect, felt these invisible barriers keenly. From his earliest days on Anarres, a sense of difference set him apart, a restless curiosity that chafed against the subtle conformities of his world. He sought to understand the very fabric of time, to weave a General Temporal Theory that promised to unify disparate realities. But his groundbreaking work, born of pure scientific inquiry, was met with resistance, with the quiet obstruction of figures like Sabul, who saw in Shevek's independent thought a challenge to the established order, however unacknowledged that order might be. His beloved partner, Takver, a fish geneticist, understood his yearning, her quiet strength a constant anchor in his intellectual solitude.
Driven by a desire to complete his theory and to bridge the ideological chasm between his world and its opulent twin, Shevek made the unprecedented journey to Urras. The landing was a clamor of flashing lights and shouts, a bewildering spectacle for a man from a world without private wealth or public celebrity. He was hailed as "The First Man From the Moon," a symbol of reconciliation, but quickly found himself a pawn in a deadly political game. Urras, particularly the capitalist state of A-Io where he resided, was a riot of color, abundance, and stark inequality, a place where servants attended to his every need and lavish parties celebrated his arrival. The sheer excess was as disorienting as the poverty he glimpsed in the shadows, a world built on acquisition and competition, a stark contrast to the scarcity and shared burden of Anarres.
As his days on Urras unfolded, Shevek found himself surrounded by brilliant minds, like the aged physicist Atro, who recognized the genius of his work. Yet, the freedom he had anticipated proved illusory. His research, particularly its potential application in developing an ansible - a device for instantaneous interstellar communication - became entangled in the rivalries between A-Io and the authoritarian state of Thu. He realized his theories were being co-opted, his insights twisted for military advantage and economic gain, rather than for the universal good he envisioned. The grand university, initially a beacon of knowledge, began to feel like a gilded cage.
Alternating with his present on Urras were vivid recollections of his past on Anarres: his childhood among the communal dormitories, the rigorous Odonian education, his first love for Takver, and the quiet struggles against the subtle tyranny of social pressure. He remembered the arguments with his friend Bedap, who also saw the creeping stagnation within their anarchist society, and the distant, duty-bound presence of his mother, Rulag. He had striven for connection and collaboration on Anarres, even founding a syndicate that sought to break down the insular tendencies of their world. These memories underscored the inherent flaws in both societies: Anarres, with its struggle against internal dogma and scarcity, and Urras, drowning in its own wealth and division.
A profound sense of disillusionment settled upon him on Urras. He had sought to tear down walls, only to find himself trapped within new ones, built of wealth, power, and nationalistic ambition. The revolution he had hoped to spark, a revolution of ideas and unity, seemed impossible in a world so deeply fractured. He found solace not in the halls of power, but among the Urrasti dissenters, those who also yearned for a different way, inspired by revolutionary stirrings in lands like Benbili. He spoke to them, his words a beacon of hope, but their protest was brutally suppressed, a stark reminder of the violence inherent in the propertarian system.
Ultimately, it was not through the formal channels of diplomacy or the academic institutions of Urras that his vision would find its true path. Seeking refuge at the Terran embassy, Shevek entrusted his completed General Temporal Theory and the design for the ansible not to a nation, but to the Hainish, an older race dedicated to universal communication and understanding. He realized that true freedom lay not in the structures of any single society, however utopian its ideals, but in the free sharing of knowledge, in the breaking of all walls that divided intelligent beings. His journey, though fraught with pain and revelation, had come full circle. He returned to Anarres, not as a traitor, but as a catalyst for change, accompanied by a curious Hainishman, bringing with him not just his theory, but a profound understanding of the ambiguous nature of both freedom and confinement.
What other readers say
Liked
Ursula K. Le Guin's The Dispossessed is widely lauded as a profoundly intelligent and thought-provoking work, frequently described as a masterpiece of literature that transcends the science fiction genre. Reviewers consistently praise its masterful exploration of complex societal ideas, particularly its nuanced examination of anarchistic and capitalist systems, and its deep analysis of the concept of freedom. The novel’s world-building is highly admired, with special mention given to the ingenious creation of distinct cultures and the subtle yet impactful use of sociolinguistics to reflect these differences. The protagonist, Shevek, is celebrated as a compelling and brilliantly conceived character, whose personal journey and relationships, particularly with his partner Takver, add significant emotional depth. Many readers found the prose engaging and the rotating narrative structure brilliantly executed, seamlessly weaving together past and present events to reinforce the book's themes. Ultimately, the book is hailed for its enduring relevance and its ability to spark profound introspection, leaving a lasting impression on readers.
Disliked
Despite its many accolades, some readers found aspects of The Dispossessed challenging. A common point of criticism is the novel's deliberate pacing, with several reviewers noting it can be slow or lacking in conventional action, leading some to struggle with engagement, especially in the earlier chapters. While Shevek is generally well-received, some found him to be overly naive at times, taking a long time to recognize flaws within his own society. The writing style, though admired by many, was occasionally described as clunky, academic, or too focused on theoretical discourse rather than practical application within the narrative. The non-linear storytelling, while thematically significant, could be disorienting for some, and a few felt the ending was less conclusive than desired, leaving questions unanswered. A small number of reviewers also perceived a potential bias in the portrayal of the contrasting societies, suggesting the capitalist world was depicted in an overly negative light.
In short
Overall, The Dispossessed stands as a highly significant and enduring work, often considered a classic that delves into profound philosophical and social questions without providing easy answers. It is best suited for patient readers who appreciate idea-driven narratives and are eager to engage with deep explorations of political systems, human nature, and the multifaceted meaning of freedom. While it may not appeal to those seeking fast-paced action or conventional plot structures, its intellectual richness, intricate world-building, and compelling central character offer a uniquely rewarding experience for readers open to contemplating complex societal dilemmas and the continuous journey towards a better world.
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