Ernest Cunningham, our narrator, begins by stating a simple, alarming truth: everyone in his family has killed someone. Some, the high achievers, have killed more than once. This is not hyperbole, but the factual foundation of their lives. When the Cunningham family gathers for a reunion at a secluded mountain resort, a snowstorm traps them, and a fresh murder occurs, creating a perplexing locked-room mystery.
As Ernest, an avid reader of crime fiction, finds himself reluctantly playing detective, the challenge intensifies: how do you identify the killer when every suspect already has blood on their hands? This intricate mystery, blending classic whodunit tropes with modern wit and a direct address to the reader, promises a fair-play puzzle. The story invites you to untangle a web of dark family secrets and past actions, where trust is a luxury no one can afford, and every revelation deepens the intrigue.
Let me tell you something right off the bat: everyone in my family has killed someone. Some of us, the high achievers, have even killed more than once. I'm not trying to be dramatic, you understand, but it's the simple truth. Some Cunninghams are good, others are bad, and some are just plain unfortunate. I'm Ernest Cunningham, though you can call me Ern or Ernie, and I'm going to tell you how it all went down. You see, I write books on how to write mystery novels, so I know a thing or two about setting the scene and following the rules - the ten commandments of detective fiction, to be precise. And I promise you, I'll be a reliable narrator. I'll even tell you when things are about to get complicated.
The trouble, as it often does with families like mine, began with a reunion. My Aunt Katherine, ever the optimist, decided our dysfunctional clan should gather at a snowy mountain retreat, the Sky Lodge, to celebrate my brother Michael's release from prison. Michael, you see, had served time for murder, though it's a long story, one that involves me helping him bury a body - a man named Alan Holton - three years prior. I still had the duffel bag of money we found that night, a quarter of a million dollars, tucked away. Michael had insisted Holton was already shot when he hit him with his car, and then, later, that Holton had killed our father, Robert. Our father, too, had his own history, having shot a police officer during a gas station robbery, a complicated affair involving criminal groups he was trying to leave.
So, there we were, all assembled, a collection of Cunninghams and their unfortunate spouses, each carrying their own burden of a past misdeed. The atmosphere was, shall we say, strained. Before Michael even arrived, the mountain decided to play its part, a fierce snowstorm trapping us all within the resort's walls. And then, as if on cue, a body was discovered in the snow. Not just any body, mind you, but one with its face covered in ash, a chilling signature that would soon be whispered about as the work of the "Black Tongue Killer." It seemed clear: another Cunningham had struck again.
The lone, rather bewildered police officer, Darius Crawford, found himself in a classic locked-room scenario, though the "room" was an entire snowbound resort. As the investigation haltingly began, old wounds festered and new suspicions bloomed. My mother, Audrey, still blamed me for Michael's incarceration, while my stepfather, Marcelo, tried to maintain an air of calm. My stepsister, Sofia, a surgeon, seemed to have her own secrets, as did Michael's ex-wife, Lucy, and my estranged wife, Erin, who had, rather inconveniently, arrived with Michael and seemed suspiciously interested in that quarter-million dollars.
I, of course, found myself in the unenviable position of informal detective, trying to piece together the truth while navigating the treacherous waters of family grudges and hidden histories. Every conversation, every glance, every memory seemed to hold a clue, or at least a red herring. And then, another twist of the knife: Michael, the very reason for our gathering, was found dead. It became clear that the current murders were intricately linked to the past, to the deaths of Alan Holton and my father, Robert, and to a hidden chapter of our family's dark legacy.
As I delved deeper, peeling back the layers of deception and half-truths, the bizarre connections began to emerge. The identity of the "Black Tongue Killer" felt impossibly close, yet agonizingly out of reach. It was a revelation that would shake the very foundations of what I thought I knew about my family, about loyalty, and about the desperate lengths some will go to for acceptance. The killer, it turned out, was not just one of us, but a long-lost brother, believed dead, whose murderous spree was driven by a twisted desire to truly belong to the Cunningham clan.
In the end, the snowbound retreat became a stage for a darkly comedic, tragic unraveling. The answers, when they finally came, were both shocking and strangely inevitable, proving that while everyone in my family may have killed someone, the reasons were as varied and twisted as the branches of our family tree. And I, Ernest Cunningham, the reliable narrator who promised to tell you everything, can confirm that I, too, had a part to play, a death to account for, in this most peculiar of family sagas.
What other readers say
Liked
The book is widely praised for its fresh and unique take on the classic Golden Age murder mystery, reminiscent of Agatha Christie or the board game Clue. Reviewers consistently highlight the compelling, witty, and often darkly humorous narrative voice of Ernest Cunningham, who engages directly with the reader, breaking the fourth wall in an entertaining way. This conversational style, combined with unexpected reveals and surprising twists, keeps readers riveted and turning pages. Many found the premise intriguing, featuring a family reunion in a snowed-in resort with a high body count and ample suspects, where everyone is ostensibly a killer. The clever plotting and skillful weaving of multiple story threads contribute to an intelligent and often mind-boggling tale, with several reviewers particularly recommending the audiobook for its engaging performance.
Disliked
Despite the widespread acclaim, some readers found aspects of the book challenging. A recurring critique is that the narrator's direct address to the reader and abundant humor could be "a bit much," occasionally feeling cringey or distracting from the mystery itself. A number of reviewers struggled to get into the story initially, particularly with keeping track of the large cast of family members introduced early on. The mystery itself was sometimes described as overly complicated or convoluted, leading to confusion about how the narrator reached certain conclusions or causing the twists to feel less impactful. Some felt the execution was too "cute" or that the author was trying to do too many things, resulting in a slower pace, repetitiveness, or a lack of the intense thriller aspects they craved. For a few, the cleverness eventually turned pretentious, making it a slog to finish.
In short
Overall, "Everyone in My Family Has Killed Someone" is generally considered a highly entertaining and original mystery. It successfully updates the traditional detective fiction format with a modern, meta-fictional twist and a distinctive voice. This book would particularly appeal to readers who enjoy Golden Age mysteries, darkly humorous narratives, and intricate, puzzle-like plots that challenge the reader to keep up. Fans of works like "Knives Out" or "The Thursday Murder Club," and those who appreciate a narrator who plays with genre tropes and directly engages them, are likely to find this a very satisfying read. However, those who prefer straightforward thrillers or dislike extensive fourth-wall breaking might find it less to their taste.