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Aller à Ma biblioGetting Lost
- Langue
- Anglais
- Publié en
- Maison d'édition
- Fitzcarraldo Editions
- Pages
- 240
- ISBN
- 9781913097004
Thèmes
Infos sur l'édition originale
Autres éditions (20)
Autres éditions

Les années
2009 • Gallimard
Français

Se perdre
2002 • Gallimard
Français

Getting Lost
2022 • Seven Stories Press
Anglais

Les années
2008 • GALLIMARD
Français

The Years
2022 • Fitzcarraldo Editions
Anglais

Los años
2019 • Editorial Cabaret Voltaire
Espagnol

Los Años
2008 • Herce
Espagnol

Os Anos (Em Portugues do Brasil)
2021 • TRES ESTRELAS
Portugais

Se perdre
2001 • Gallimard
Français

The Years
2017 • Seven Stories Press
Anglais

The Years
2019 • Dreamscape Media
Anglais

The Years
2018 • Fitzcarraldo Editions
Anglais

The Years
2020 • Fitzcarraldo Editions
Anglais

De jaren
2020 • De Arbeiderspers
Néerlandais

Årene
2022 • Bokbasen
Norvégien

Els anys
2019 • Angle Editorial
Catalan

Lata
2022 • Czarne
Polonais

Perderse
2021 • Editorial Cabaret Voltaire
Espagnol

Gli anni
2015 • ǂL'ǂombra
Italien

Sich verlieren die Geschichte einer Obsession
2003 • Goldmann
Allemand
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Rating Sources
Reviewers widely commend the book for its remarkable rawness, honesty, and vulnerability, presenting an unfiltered look into the author's intense emotional life during a passionate affair. Many found it a courageous act of self-exposure, offering deep insights into the nature of desire, obsession, and suffering. It provides a unique window into the author's creative process, revealing the raw material that often informs her more polished works and demonstrating her ability to channel life into art. Readers appreciated the book's stark portrayal of emotions, from soaring delight to profound agony, finding it deeply relatable for anyone who has experienced overwhelming passion. Some also noted its significance in challenging cultural clichés surrounding female sexuality and aging, presenting an older woman's unvarnished desires.
Despite its praised honesty, a significant number of reviewers found the book to be highly repetitive, which often made it a slow or challenging read. The daily diary format, while authentic, led to frequent reiterations of the author's waiting, longing, and emotional turmoil, causing some readers to grow frustrated or disengaged. Many struggled to empathize with the author's intense feelings for her lover, often described as lacking charm, intellectually shallow, or holding problematic views. This perceived mismatch between the lover's character and the author's consuming passion left some readers feeling uncomfortable or questioning the depth of her attachment. A few critics also felt the tone could sometimes veer into melodramatic or immature territory, while others questioned the overall literary value or necessity of publishing such an unedited, personal document, especially in comparison to her more structured works.
In conclusion, this book is a polarizing yet undeniably candid exploration of an all-consuming passion. While its raw authenticity and unflinching depiction of desire are highly valued by some, its repetitive nature and the perceived lack of appeal in the lover's character can make it a difficult read for others. It is particularly recommended for devoted fans of Annie Ernaux, especially those who have read and appreciated her companion work, Simple Passion, as it offers a deeper, unvarnished insight into the experiences that shaped it. Readers interested in the author's creative genesis, the psychology of obsession, or a frank examination of female desire will likely find much to appreciate in its pages, provided they approach it with an openness to its unedited, diary-like structure.
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