David Sedaris presents a new collection of personal essays, offering a look into his life during a period of significant upheaval. The book navigates the final years and eventual death of his elderly father, Lou, alongside the unprecedented experiences of the COVID-19 pandemic. Sedaris chronicles his observations of a changing America as he returns to touring, encountering a landscape marked by both weariness and contradictory messages.
Through these stories, Sedaris employs his characteristic wit and keen eye for the absurd, blending humor with moments of profound sincerity and poignancy. He delves into family dynamics and personal reflections, exploring what it means to enter a new phase of life while grappling with loss and the shifting world around him. This collection offers insights into both public and private upheavals, inviting readers to find connection in his candid and often hilarious navigation of challenging times.
The world, as I knew it, seemed to pause, then tilt on its axis. Suddenly, the once-bustling streets of New York City, usually a symphony of honking taxis and hurried footsteps, fell into an unsettling quietude, punctuated only by the wail of sirens and the ominous rumble of refrigerated trucks meant for the departed. During those early days of lockdown, I found myself adrift in an apartment that felt both sanctuary and cage, grappling with the absurdity of stockpiling ground water buffalo meat from a farmers' market and observing the societal shifts around mask mandates and misinformation.
Amidst this global upheaval, a more personal, profound change was unfolding. My father, Lou, at 98, was in his final years, his health steadily declining. Our relationship had always been, shall we say, complex, marked by a certain fractured dynamic, and these last visits to him in North Carolina brought forth a torrent of difficult memories. Yet, there were surprising moments, glimpses of a charming and positive man I hadn't always known, suggesting that perhaps, even at the very end, people can change.
The pandemic imposed a strange, isolating routine. I found solace in the mundane, immersing myself in household chores, vacuuming the apartment twice a day, and taking long, solitary walks through a city emptied of its usual vibrancy. The absence of my beloved reading tours, the direct connection with audiences, left a void. I coped, in my own way, by indulging in peculiar observations and reflections, sometimes about trivial matters like the outdated names given to hurricanes, even as Hugh's house faced its wrath, or the sheer strangeness of navigating a world where human connection felt both vital and forbidden.
My family, as ever, remained a central, often bewildering, force. Visits with my sisters to my father's nursing home became a recurring theme, a shared landscape of exasperation and love. I found myself reflecting on our childhood, on the deep bond with my sister Amy, a bond that defined my own sense of happiness. There were moments of confrontation with my father, too, a raw airing of grievances, and his surprising apology, a concession that, in its own way, brought a strange kind of peace.
As the world slowly began to reopen, a different America emerged – battle-scarred, weary, adorned with "Help Wanted" signs and graffiti reflecting contradictory messages. Resuming my travels, the country felt altered, yet the encounters, the peculiar moments with strangers, continued to fuel my observations. There were still the absurdities, the sharp wit, but also a new tenderness, a deeper grappling with themes of grief and mortality, particularly in the wake of my father's passing. Becoming an orphan in my seventh decade brought a new perspective, a sense of what it means to no longer be someone's son.
Through it all, the humor remained, a dark, sardonic lens through which to view the world's chaos and my own internal landscape. From contemplating coffee filters as a toilet paper alternative to the darkly humorous thought of not wanting my father to "always be with me" after his death, I found ways to navigate the unsettling and the poignant. The straightening of my own teeth, a long-postponed decision, even seemed to boost a newfound confidence, a small personal triumph in a world still finding its footing. This journey, through a global crisis and profound personal loss, ultimately revealed the enduring, often absurd, desire for connection that drives us all.
What other readers say
Liked
Reviewers widely praise David Sedaris's latest collection for its characteristic wit, keen observations, and unique blend of cynicism and humor. Many long-time fans found glimmers of the "old Sedaris," appreciating his ability to find absurdity in everyday life and transform it into entertaining stories. The book is noted for its self-deprecating style and clever storytelling, with some essays offering touching and poignant moments, particularly those exploring complex family relationships. The author's narration of the audiobook is frequently highlighted as a significant positive, enhancing the experience with his distinctive voice and delivery.
Disliked
Despite its strengths, the book receives considerable criticism, with some readers expressing disappointment over a perceived shift in the author's tone. Several reviewers found the author's persona to be more grumpy and less relatable than in previous works, occasionally coming across as elitist due to frequent mentions of his wealth and high-end lifestyle. Concerns were also raised about his handling of sensitive topics, including his portrayal of family members, particularly his father and a deceased sister, which some found lacking in compassion or overly focused on airing "dirty laundry." Additionally, his commentary and personal anecdotes regarding the pandemic and social unrest were viewed by some as tone-deaf, self-centered, or out of touch with reality. A common sentiment among critics is that the book is not as consistently funny as his earlier collections.
In short
Overall, "Happy-Go-Lucky" elicits a mixed response, marking a departure for some readers while still satisfying others. While it contains moments of the author's signature humor and offers a more introspective and at times darker look into his life, it may not appeal to everyone. Many reviewers strongly advise new readers to start with his earlier works to understand his established style before approaching this collection. This book is best suited for established fans who are prepared for a more serious and sometimes challenging exploration of personal and societal issues, and who appreciate an author's frankness, even when it delves into uncomfortable territory.