Kaufmann von Venedig : Aus: [Dramatische Werke] Shakspeare's dramatische Werke, Bd. 5

In the bustling streets of Venice, where fortunes are made and lost on the tide, the merchant Antonio is afflicted with a sadness he cannot name. “In sooth, I know not why I am so sad,” he confesses to his friends, who guess its cause to be his argosies tossing on distant oceans, or perhaps love. But it is neither. The true root of his melancholy lies in his deep, abiding affection for his kinsman, Bassanio, a handsome but profligate young lord whose finances are in ruin. Bassanio has a plan to restore his estate by winning the hand of a wealthy heiress in Belmont, but he lacks the funds to present himself as a worthy suitor. Antonio, whose own capital is tied up at sea, does not hesitate. His purse, his person, his extremest means, lie all unlocked for his friend. He bids Bassanio go forth and see what his credit can do in Venice, for he will back any loan to its uttermost.

Far from the commerce of Venice, in the idyllic estate of Belmont, the lady Portia is likewise weary of her world. Bound by the will of her dead father, she may neither choose whom she would nor refuse whom she dislikes. Her fate rests upon a lottery of three caskets - one of gold, one of silver, and one of lead. Any suitor who wishes to win her hand must choose the one containing her portrait, but if he chooses wrong, he must swear never to marry. With sharp wit, she dismisses the parade of foolish princes who have come to try their luck, from the Neapolitan who talks only of his horse to the frowning Count Palatine. Her heart, however, recalls a worthier visitor from long ago: a Venetian scholar and soldier, Bassanio.

To secure the necessary three thousand ducats, Bassanio is led to Shylock, a Jewish moneylender. The air crackles with long-held animosity. Antonio has publicly berated Shylock for his usury, spat upon his Jewish gaberdine, and called him a dog. Now, he needs his help. Shylock recounts the slights with simmering rage. “Hath a dog money?” he asks, his voice dripping with scorn. “Is it possible a cur can lend three thousand ducats?” Antonio, proud and unrepentant, agrees to the loan not as a friend but as an enemy. Shylock, feigning a sudden kindness, offers the ducats without interest. Instead, “in a merry sport,” he proposes a strange bond: if Antonio fails to repay the loan in three months' time, the forfeit shall be a pound of the merchant's own flesh, to be cut from whatever part of his body pleases the lender. Despite Bassanio's horrified protests, Antonio agrees, confident his ships will return with riches long before the bond is due.

While Bassanio prepares to sail for Belmont, shadows lengthen in Venice. Shylock's daughter, Jessica, finds her father's house a hell and plots her escape. She elopes in the night with the Christian Lorenzo, taking with her a casket of her father's ducats and jewels. When Shylock discovers her flight, his grief and fury echo through the streets in a strange, terrible litany: “My daughter! O my ducats! O my daughter! Fled with a Christian! O my Christian ducats!” The loss of his money and the betrayal by his child merge into a single, consuming wound. This private grief hardens into a public thirst for vengeance, stoked by rumors that one of Antonio's ships has been wrecked in the English Channel.

At Belmont, two princes try their fortune for Portia. The Prince of Morocco, bold and confident, chooses the golden casket, which promises “what many men desire,” only to find a skull and a scroll declaring, “All that glitters is not gold.” The arrogant Prince of Arragon selects the silver, which offers “as much as he deserves,” and is rewarded with the portrait of a blinking idiot. Then Bassanio arrives. Portia, her heart in turmoil, begs him to pause before he hazards, for in choosing wrong, she will lose his company. But he steps forward, reasoning that outward shows are least themselves, and rejects the gaudy gold and silver for the humble lead, which threatens to take all. Inside, he finds Portia's portrait, and with it, his fortune. As they pledge their love, their joy is cut short by a letter from Venice. All of Antonio's ships have miscarried; his bond is forfeit, and the cruel Shylock will accept no payment, demanding only his pound of flesh.

The scene shifts to a Venetian court of justice, where the Duke himself presides over a matter that threatens the city's laws of commerce. Shylock stands implacable, whetting his knife on the sole of his shoe. He refuses all offers of repayment, even six times the original sum. To the Duke's plea for mercy, he responds with cold logic: he has a lodged hate for Antonio, and he will have his bond. Antonio, resigned to his fate, bids a tearful farewell to Bassanio. The proceedings are interrupted by the arrival of a young, learned doctor of law from Padua, Balthasar, who is in truth Portia in disguise, with her maid Nerissa as her clerk.

Portia, her voice ringing with authority, addresses the court. “The quality of mercy is not strain'd,” she begins, delivering a powerful speech on the nature of grace and forgiveness. “It droppeth as the gentle rain from heaven.” But Shylock is unmoved. “I crave the law,” he insists, “The penalty and forfeit of my bond.” Seeing his heart is set, Portia concedes that the law is on his side. She bids Antonio prepare his bosom for the knife. Shylock, triumphant, praises her wisdom. But as he moves forward, Portia stops him. “Tarry a little,” she warns. “This bond doth give thee here no jot of blood.” The words are expressly for a pound of flesh. If, in the cutting of it, he sheds one drop of Christian blood, all his lands and goods are, by the laws of Venice, confiscate.

The trap is sprung. Shylock, defeated, tries to accept the money previously offered, but Portia denies him. He shall have nothing but the penalty - and the impossible conditions that go with it. The law has another hold on him still: as an alien who has sought the life of a citizen, his own life lies at the mercy of the Duke, and his wealth is forfeit. The Duke spares his life, and Antonio proposes a penalty he deems merciful: Shylock must convert to Christianity and bequeath his fortune to his daughter Jessica and her husband, Lorenzo. Broken, Shylock agrees and stumbles from the court. In gratitude, Bassanio offers the young doctor anything he desires. Portia asks only for the ring on his finger - the very ring she gave him and made him swear never to part with. Reluctantly, at Antonio's urging, Bassanio sends the ring after the doctor.

Under a moonlit sky at Belmont, harmony is restored, but not before one final, playful reckoning. Portia and Nerissa, returned to their true selves, greet their husbands, only to feign outrage upon discovering their rings are missing. They accuse them of giving the tokens to other women, leading to a frantic, comical quarrel. At last, Portia reveals the truth: she was the doctor, and Nerissa her clerk. She returns the ring to Bassanio, chiding him gently for parting with it. She also brings miraculous news for Antonio: three of his argosies have safely come to harbor. As the dawn breaks, the friends enter the house, their trials resolved, leaving the night and its music behind them.