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Go to My LibraryKiss the Girls (Alex Cross)
- Language
- English
- Published in
- Publisher
- Warner Books
- Pages
- 481
- ISBN
- 9780446677387
The investigation takes an even darker turn when a parallel series of murders emerges on the West Coast, committed by a meticulous killer known as The Gentleman Caller. As Cross digs deeper, he uncovers an unthinkable reality: the two killers are not just aware of each other, they are collaborating, competing in a twisted game that spans the entire country. When one of Casanova's captives escapes, she may hold the only key to unravelling their network, forcing Cross to enter the minds of two of the most diabolical killers he has ever faced in a desperate, coast-to-coast race against time.
Subjects
My niece, Naomi, a brilliant law student at Duke University, had been missing for four days. The police in North Carolina had waited that long to contact us. My partner, John Sampson, and I drove south into a multijurisdictional nightmare. A serial killer was at work in the idyllic college towns of the Research Triangle. He called himself Casanova, and he was collecting the most beautiful, extraordinary young women he could find. The FBI was involved, but they were secretive, hinting at a case that was far larger than it appeared. We were taken to a crime scene deep in the woods, the body of a young mother tied to a tree, savaged by animals. It wasn't Naomi, but the horror of it settled deep in my bones. The FBI's deputy director, Ronald Burns, appeared out of the night in a helicopter, telling me something startling: Casanova might be keeping the women alive in a private harem.
The investigation was a tangled mess of jurisdictional squabbles and withheld information. Then came the first real break. Dr. Kate McTiernan, a first-year intern, was abducted from her apartment in Chapel Hill. He came for her in the night, a powerful, intelligent predator who knew her name, her habits, even her black belt in karate. But Kate was a fighter. She was taken to a hidden, windowless room - a prison cell decorated to mimic her own apartment, filled with clothes just like hers. He left her a note, signed *Casanova*, laying out the rules of his house. The most important one: “You must never try to escape - or you will be executed.” But Kate wasn't like the others. She fought him, saw a sliver of his face behind his mask, and in a desperate, drug-fueled haze, she found a way out.
Kate's escape was a miracle. She stumbled through dense woods, chased by the monster, until she reached the edge of a steep canyon. With nowhere left to run, she leaped into the Wykagil River far below. She was found barely alive, suffering from post-traumatic shock, unable to speak. When she finally could, her story was fragmented and terrifying. She confirmed there were other women in a hidden house, including one named Naomi. But her most baffling memory was of the prison itself. After she fled, she looked back, and the house had simply disappeared. Her mind was a fog of trauma and the powerful drugs Casanova had used, but she became my partner, a fierce and brilliant ally in the hunt for the man who had stolen her life.
The case exploded, twisting into something no one could have imagined. Out in Los Angeles, another killer, the “Gentleman Caller,” was terrorizing the city, sending his diaries to a reporter at the *Los Angeles Times*. In one of the unedited entries, there was a chilling mention of Casanova - and of a law student named Naomi C. The monsters were communicating. They were friends, perhaps even competitors in a gruesome, coast-to-coast game. Kate and I flew to L.A. to hunt the Gentleman Caller, a handsome and arrogant plastic surgeon named Dr. Will Rudolph. We tracked him to a cabin in Big Sur, a second house of horrors. The FBI moved in, but Rudolph escaped after a wild chase that ended in a fiery crash on the Pacific Coast Highway.
The hunt led back to North Carolina. We followed Will Rudolph to Chapel Hill, where he met Casanova in broad daylight on a busy street. I cornered Rudolph, and in the ensuing shootout, I shot him. As he lay dying in my arms, his face stripped of its mask, he whispered a final taunt: “You'll never find him. He's the best ever.” But he had given me a clue, a link back to an old, unsolved campus murder. The two monsters had met at Duke University years ago, bonding over their shared sickness. Their secret was a phenomenon known as twinning - a codependent urge between two lonely, broken souls who, together, became a single, perfect predator.
With Rudolph gone, Casanova grew bolder and more enraged. He murdered one of the captives, Anna Miller, hanging her body in the common room as a warning. But the women, led by Naomi and a brave girl named Kristen, were plotting their own escape. Sampson and I, guided by an old map of the Underground Railroad, searched the woods for abandoned farm cellars. We found the “disappearing house” - an elaborate underground structure built on the site of an old tobacco farm, completely hidden from view. Inside, the scene was horrific. We found the women, and I was finally reunited with Naomi. But Casanova and Rudolph had been waiting for us. They ambushed us in the dark, stabbing Sampson before vanishing into the labyrinthine corridors.
The chase was on. I pursued them through the woods, back to the streets of Chapel Hill where it all began. The final confrontation was a chaotic gun battle in the middle of Franklin Street. I shot Rudolph, but Casanova escaped. The local police, desperate for a resolution, arrested a Duke professor, Dr. Wick Sachs, a known collector of erotica whom the killers had framed perfectly. I knew they had the wrong man. Casanova had been there all along, hiding in plain sight, watching every move we made. He was the one who always knew our next step because he was one of us.
Kate and I went to the Outer Banks, setting a trap. We knew he would come for us, for revenge and to reclaim what he saw as his. He came on a moonlit night, disabling the FBI agents protecting us. He cornered me in the beach house, hitting me with a stun gun. He wore no mask this time. I finally saw the face of Casanova. It was Detective Nick Ruskin, the local star on the case. But before he could finish me, Kate attacked. She fought him with a fury born of pure hatred, a whirlwind of karate strikes that brought the monster to his knees. As he reached for a hidden gun, I put a full clip into him. He fell, and the reign of the Beast of the Southeast was finally over.
I returned home to my children, to the familiar comfort of Nana Mama's kitchen and the blues on my piano. The women were safe, Sampson was recovering, and Naomi was home. Kate went back to West Virginia to fulfill a promise to her mother, to become a doctor in the small town where she grew up. We had found something rare and precious together in the middle of all that darkness, a friendship born of shared trauma and trust. But even with Casanova gone, the world doesn't stop being what it is. One night, the phone rang. It was Kyle Craig from the FBI. He had news, the kind that makes the hair on your neck stand up. A monster from my past, Gary Soneji, had escaped from prison. He'd left a note. It said he would be stopping by to see me sometime soon.
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Rating Sources
Many readers praise this book as a fast-paced and intensely gripping thriller that is difficult to put down. Reviewers frequently highlight the short, sharp chapters which keep the action moving at a breakneck speed, leading to a truly entertaining and suspenseful reading experience. The plot is often described as unpredictable, with clever twists that keep readers guessing until the very end, providing a thrilling roller coaster of a narrative. Fans of the Alex Cross series appreciate the further development of the protagonist and his established partner, as well as the introduction of interesting new characters. The book is lauded for its compelling mystery, its exploration of criminal psychology, and the creation of formidable, ruthless antagonists, often involving multiple perpetrators.
Despite its popularity, the book receives significant criticism, particularly regarding its writing style and characterization. Many reviewers find the prose to be atrocious, filled with clichés, awkward dialogue, and sentences described as "soul-crushingly bad." A major point of contention is the portrayal of female characters, who are often seen as cardboard caricatures, existing primarily as victims or objects of sexual objectification, rather than fully developed individuals. Some critics also find the depiction of Alex Cross himself to be overly idealized or "Gary Stu"-like, lacking depth or realistic flaws. Furthermore, the book is frequently criticized for its graphic and explicit depictions of violence against women, including sexual assault, with some scenes described as gratuitous, disturbing, and bordering on pornography, making it unsuitable for sensitive readers.
Overall, Kiss the Girls is a polarizing book. While many consider it a classic thriller and a standout in the Alex Cross series, praising its addictive suspense and intricate plot, others condemn it as poorly written, misogynistic pulp fiction. It is highly recommended for readers who enjoy intense, action-packed crime thrillers with a focus on psychological investigation and numerous twists, and who are not deterred by graphic violence and mature themes. However, those seeking nuanced character development, sophisticated prose, or a more sensitive portrayal of female characters and violence should approach with caution, as these aspects are frequently cited as significant weaknesses.
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