L'Assassineuse

"Throne of Glass" has been enthusiastically received by many readers who found it to be a captivating and enjoyable fantasy adventure. Reviewers frequently highlighted its fast-paced and thrilling narrative, praising the engaging plot that centers on a competition for freedom and the unraveling of mysteries within a grand castle. The world-building was often described as brilliant and immersive, with detailed and imaginative settings. The main character, Celaena, despite initial reservations from some, ultimately won over many with her wit, humor, and underlying strength, along with her relatable love for books and animals. The supporting cast, including the male leads Chaol and Dorian, and Celaena's strong friendship with Princess Nehemia, were also commended for contributing positively to the story's dynamics and developing romantic subplots. Many who reread the book or started with its prequel novellas reported a deeper appreciation for its foundational elements and character development.

However, a notable segment of readers expressed significant disappointment, feeling that the book failed to deliver on its premise of a ruthless assassin in a high-stakes world. Critics often characterized Celaena as a "Mary Sue" – vain, shallow, immature, and overly preoccupied with her appearance and romantic entanglements, rather than exhibiting the discipline and hardened nature expected of a renowned killer. The plot was frequently described as simplistic, boring, or poorly executed, with key events like competition trials and murders often summarized or occurring off-screen, which diminished the intended suspense and action. The romantic elements, particularly the love triangle, were commonly criticized as unconvincing, clichéd, or a distraction from the main narrative, with some finding the male love interests to be underdeveloped. Additionally, concerns were raised about inconsistencies in world-building and character behavior, such as a Captain of the Guard performing menial tasks or a former slave displaying a privileged mindset, which undermined the story's logic. The writing style itself was a point of contention for some, who found it amateurish, melodramatic, or overly reliant on explicit statements rather than subtle showing.

Ultimately, "Throne of Glass" stands as a divisive but popular entry into young adult fantasy. It is highly recommended for readers who enjoy character-driven stories with a strong focus on relationships, a blend of action and romance, and a protagonist who, despite her flaws, undergoes significant development. Conversely, those seeking high fantasy with intricate, gritty world-building, intense action, and a more traditionally ruthless assassin might find this book less satisfying. Nevertheless, readers who are open to a lighter, more character-centric fantasy, appreciate Cinderella-esque motifs, and are willing to invest in a series that many reviewers suggest improves with subsequent installments, are likely to find much to enjoy.