La orden de la Academia Spence
by Libba Bray
- Language
- Spanish
- Published
- 2006
- Publisher
- RBA
- Pages
- 320
- ISBN
- 9788478718139
In the strict Victorian world of 1895, sixteen-year-old Gemma Doyle is shipped from her life in India to a proper English boarding school following the mysterious death of her mother. Lonely and haunted by guilt, she is plagued by visions she cannot control, glimpses of the future and of a shadowy magical realm. At the imposing Spence Academy, Gemma finds herself entangled with the school's most powerful girls, discovering a cryptic diary that reveals a connection between her own burgeoning powers and a secret society known as the Order.
Torn between the rigid expectations of her society and the intoxicating freedom of a world beyond imagining, Gemma must navigate a path laden with secrets and danger. She and her new friends unlock a power that offers them everything they desire, but this newfound magic has a dark side, and every choice has consequences. The story explores the confines of womanhood in the 19th century while weaving a tale of fantasy, friendship, and the difficult choice between a beautiful lie and a terrible truth.
Torn between the rigid expectations of her society and the intoxicating freedom of a world beyond imagining, Gemma must navigate a path laden with secrets and danger. She and her new friends unlock a power that offers them everything they desire, but this newfound magic has a dark side, and every choice has consequences. The story explores the confines of womanhood in the 19th century while weaving a tale of fantasy, friendship, and the difficult choice between a beautiful lie and a terrible truth.
Original edition
A Great and Terrible BeautyOriginally published in 1984 English HISTORICAL DIVISION DEPARTMENT
Other editions (57)
The heat of Bombay in 1895 is a suffocating blanket, thick with the scent of spice, dust, and decay. On her sixteenth birthday, Gemma Doyle wants only one thing: to escape it all for the cool, civilized promise of London. Her pleas, however, fall on the deaf ears of her mother, a woman of frustrating secrets and startling beauty. During a walk through the frenzied marketplace, their simmering argument boils over. “I hear in London, you don't have to defang your meals first,” Gemma says, glancing at a snake charmer's cobra. Her mother's green eyes, so like her own, flash with a familiar mix of warning and weariness. After a strange encounter with a cloaked man who whispers a single, nonsensical word - “Circe” - her mother's composure shatters. She dismisses Gemma, pressing a silver amulet into her hand as a bribe for peace. Stung and furious, Gemma flees, shouting the last words she will ever speak to her: “I don't care if you come home at all.”
Lost in the twisting alleyways, Gemma is overcome by a dizzying pressure, a tunnel of blinding light that pulls her from her own body. She becomes a silent witness to a horrifying vision: her mother, cornered in a dusty shop not by a man, but by a monstrous, swirling darkness. A thing of shadow and bone. With a final, whispered prayer of Gemma's name, her mother plunges a dagger into her own heart. The vision collapses, and Gemma is left screaming in the dirt, the sight of her mother's lifeless body confirming the truth of the nightmare. A deep red pool of blood seeps into the earth, staining the hem of her birthday dress and marking the end of her childhood.
Two months later, Gemma arrives in a London as gray and grieving as her own heart. She is delivered by her distant brother, Tom, to the gates of Spence Academy for Young Ladies, a formidable gothic fortress of turrets and gargoyles. The school is a world of rigid rules, presided over by the icy headmistress, Mrs. Nightwing. Gemma finds an unlikely roommate in the plain, timid Ann Bradshaw, and a formidable set of rivals in the school's ruling clique: the beautiful, vapid Pippa; her sharp-tongued acolytes; and their queen, the fiercely intelligent and imperious Felicity Worthington. Gemma's hopes of fading into obscurity are dashed when she defends Ann from their cruelty, earning Felicity's dangerous attention.
The strange visions follow her to Spence. During a harrowing initiation, Felicity locks Gemma in the school's cavernous chapel for the night. There, she is confronted by Kartik, the handsome young Indian man from the marketplace. He reveals he is part of a secret brotherhood, the Rakshana, and warns her to suppress her powers. “You are not to speak about what you've seen to anyone,” he commands. “It will put you in danger.” But the visions will not be silenced. A ghostly little girl leads Gemma to a hidden cave, where she unearths a leather-bound diary written in 1871 by a former Spence girl named Mary Dowd, who chronicles her discovery of a magical world known as the realms.
Drawn together by a shared desire for freedom, Gemma, Felicity, Pippa, and Ann form their own secret society, christening themselves “The Order.” In the dead of night, they gather in the caves, drinking stolen whiskey and reading from Mary's diary. Gemma learns that she holds the key to the realms, and with her friends' hands joined to hers, she opens a shimmering door of light. They step through into a paradise, a world of impossible beauty where their deepest desires can be made real. The sky is a perpetual sunset, flowers rain from the trees, and the air smells of their most cherished memories.
In this breathtaking new world, Gemma finds her mother, alive and waiting for her. She learns the truth: her mother is Mary Dowd, a member of the original Order who faked her death and fled Spence after a magical ritual went horribly wrong. She warns Gemma that the realms are not safe. A powerful and malevolent being named Circe - who is, in fact, Mary's former friend, Sarah Rees-Toome - hunts her, seeking to claim the magic for herself. Despite her mother's warnings not to take the power back to their own world, the temptation proves too great. The girls touch the Runes of the Oracle, the source of the realm's magic, and return to Spence imbued with supernatural abilities.
Life at Spence is transformed. Gemma becomes fluent in French overnight; Ann's timid voice blossoms into that of a breathtaking singer; Felicity develops uncanny powers of persuasion. But their newfound abilities cannot solve the grim realities of their lives. Pippa is engaged against her will to a boorish, wealthy man, and Felicity is crushed when her long-absent father fails to appear for a visit. Desperate, Felicity convinces the others to perform a blood sacrifice - the killing of a deer - hoping to seize the magic for themselves, without Gemma as their conduit.
The ritual is a catastrophe. It does not grant them power but instead unleashes the dark, shadowy creature that killed Gemma's mother. The beautiful realm twists into a landscape of nightmares. The creature, a tracker controlled by Circe, attacks them. In the ensuing chaos, Pippa drowns in the river, her spirit pulled into the water. Horrified, Gemma and the others flee back to the real world, only to find Pippa's body on her bed at Spence, cold and still.
Alone and consumed by guilt, Gemma returns to the realms for a final confrontation. The creature takes the form of her mother, attempting to trick her into surrendering the magic. But Gemma sees through the illusion. In a desperate act of love and pain, she cries out, “Mother… I forgive you.” The forgiveness shatters the creature's hold, freeing her mother's spirit at last. As the monster dissolves, Gemma destroys the runes, severing the link that allows Circe's evil to enter the garden. In the aftermath, she finds Pippa's spirit by the river and gives her a choice. Pippa, unwilling to return to a life without freedom, chooses to stay in the realm.
Back at Spence, the girls mourn. Pippa is buried, her death attributed to her epilepsy. The weight of their secrets settles upon them, forging a bond deeper than friendship. Gemma understands that the realms are now her responsibility. Circe is still out there, and the magic, for all its terrible beauty, has not vanished but now lives within her. The path ahead is uncertain and fraught with danger, but for the first time, it is a path of her own choosing. She runs through the woods, not in escape, but in defiance, wanting to see just how far she can go before she has to stop.
Lost in the twisting alleyways, Gemma is overcome by a dizzying pressure, a tunnel of blinding light that pulls her from her own body. She becomes a silent witness to a horrifying vision: her mother, cornered in a dusty shop not by a man, but by a monstrous, swirling darkness. A thing of shadow and bone. With a final, whispered prayer of Gemma's name, her mother plunges a dagger into her own heart. The vision collapses, and Gemma is left screaming in the dirt, the sight of her mother's lifeless body confirming the truth of the nightmare. A deep red pool of blood seeps into the earth, staining the hem of her birthday dress and marking the end of her childhood.
Two months later, Gemma arrives in a London as gray and grieving as her own heart. She is delivered by her distant brother, Tom, to the gates of Spence Academy for Young Ladies, a formidable gothic fortress of turrets and gargoyles. The school is a world of rigid rules, presided over by the icy headmistress, Mrs. Nightwing. Gemma finds an unlikely roommate in the plain, timid Ann Bradshaw, and a formidable set of rivals in the school's ruling clique: the beautiful, vapid Pippa; her sharp-tongued acolytes; and their queen, the fiercely intelligent and imperious Felicity Worthington. Gemma's hopes of fading into obscurity are dashed when she defends Ann from their cruelty, earning Felicity's dangerous attention.
The strange visions follow her to Spence. During a harrowing initiation, Felicity locks Gemma in the school's cavernous chapel for the night. There, she is confronted by Kartik, the handsome young Indian man from the marketplace. He reveals he is part of a secret brotherhood, the Rakshana, and warns her to suppress her powers. “You are not to speak about what you've seen to anyone,” he commands. “It will put you in danger.” But the visions will not be silenced. A ghostly little girl leads Gemma to a hidden cave, where she unearths a leather-bound diary written in 1871 by a former Spence girl named Mary Dowd, who chronicles her discovery of a magical world known as the realms.
Drawn together by a shared desire for freedom, Gemma, Felicity, Pippa, and Ann form their own secret society, christening themselves “The Order.” In the dead of night, they gather in the caves, drinking stolen whiskey and reading from Mary's diary. Gemma learns that she holds the key to the realms, and with her friends' hands joined to hers, she opens a shimmering door of light. They step through into a paradise, a world of impossible beauty where their deepest desires can be made real. The sky is a perpetual sunset, flowers rain from the trees, and the air smells of their most cherished memories.
In this breathtaking new world, Gemma finds her mother, alive and waiting for her. She learns the truth: her mother is Mary Dowd, a member of the original Order who faked her death and fled Spence after a magical ritual went horribly wrong. She warns Gemma that the realms are not safe. A powerful and malevolent being named Circe - who is, in fact, Mary's former friend, Sarah Rees-Toome - hunts her, seeking to claim the magic for herself. Despite her mother's warnings not to take the power back to their own world, the temptation proves too great. The girls touch the Runes of the Oracle, the source of the realm's magic, and return to Spence imbued with supernatural abilities.
Life at Spence is transformed. Gemma becomes fluent in French overnight; Ann's timid voice blossoms into that of a breathtaking singer; Felicity develops uncanny powers of persuasion. But their newfound abilities cannot solve the grim realities of their lives. Pippa is engaged against her will to a boorish, wealthy man, and Felicity is crushed when her long-absent father fails to appear for a visit. Desperate, Felicity convinces the others to perform a blood sacrifice - the killing of a deer - hoping to seize the magic for themselves, without Gemma as their conduit.
The ritual is a catastrophe. It does not grant them power but instead unleashes the dark, shadowy creature that killed Gemma's mother. The beautiful realm twists into a landscape of nightmares. The creature, a tracker controlled by Circe, attacks them. In the ensuing chaos, Pippa drowns in the river, her spirit pulled into the water. Horrified, Gemma and the others flee back to the real world, only to find Pippa's body on her bed at Spence, cold and still.
Alone and consumed by guilt, Gemma returns to the realms for a final confrontation. The creature takes the form of her mother, attempting to trick her into surrendering the magic. But Gemma sees through the illusion. In a desperate act of love and pain, she cries out, “Mother… I forgive you.” The forgiveness shatters the creature's hold, freeing her mother's spirit at last. As the monster dissolves, Gemma destroys the runes, severing the link that allows Circe's evil to enter the garden. In the aftermath, she finds Pippa's spirit by the river and gives her a choice. Pippa, unwilling to return to a life without freedom, chooses to stay in the realm.
Back at Spence, the girls mourn. Pippa is buried, her death attributed to her epilepsy. The weight of their secrets settles upon them, forging a bond deeper than friendship. Gemma understands that the realms are now her responsibility. Circe is still out there, and the magic, for all its terrible beauty, has not vanished but now lives within her. The path ahead is uncertain and fraught with danger, but for the first time, it is a path of her own choosing. She runs through the woods, not in escape, but in defiance, wanting to see just how far she can go before she has to stop.
What readers say
3.80
226K ratings across the web 6 in 10 readers loved it, 1 didn't like it
Many readers found "A Great and Terrible Beauty" to be an engaging and enjoyable blend of Gothic fantasy, historical fiction, and young adult drama. Reviewers frequently praised the novel's unique setting, which skillfully juxtaposes Victorian England, colonial India, and a mystical, dream-like realm. The protagonist, Gemma, is often highlighted as a strong-willed, confident, and relatable character, an outsider striving to find her place and challenging the restrictive societal norms of her era. The book is lauded for its exploration of female empowerment, individuality, and burgeoning desires within a repressive Victorian boarding school environment. Readers appreciated the author's vivid writing style, which creates an engrossing world, and the story's overall flow, often described as a quick read with enough twists and turns to maintain interest. The magical elements, particularly the escapist visits to the mystical realm, were a delight for many, and some found the depiction of teenage sexual awakening to be handled with refreshing honesty for a young adult novel.
Despite its strengths, the book garnered significant criticism for several aspects. A recurring complaint centered on the characters, with many reviewers finding them one-dimensional, unlikable, petty, and selfish. The friendships among the central girls were often described as shallow, toxic, and driven by bullying rather than genuine connection. The plot was criticized for meandering, containing lengthy digressions, and for a perceived lack of substance beneath its stylistic choices. A major point of contention was the book's problematic representation, including the sexualization and fetishization of the male Indian lead and the reliance on harmful stereotypes for other Indian and Romani characters, often using an antiquated slur. Some readers also found the portrayal of female characters questionable, noting a confusing mix of feminist messaging with instances where protagonists still submitted to male counterparts. Other criticisms included anachronistic dialogue and sensibilities for the Victorian setting, a predictable plot, weak world-building for the magical elements, and the inclusion of fat shaming and unaddressed self-harm.
Ultimately, "A Great and Terrible Beauty" appears to be a polarizing read. While some wholeheartedly recommend it for its unique blend of genres, strong protagonist, and exploration of female agency, others were deeply disappointed by its problematic content, character development, and narrative shortcomings. It is best suited for young adult readers who enjoy historical fantasy with a gothic atmosphere and a focus on a rebellious female lead navigating a magical world. Readers who appreciate a fast-paced story that lays groundwork for a series, and who can overlook or critically engage with its more controversial elements, may find it an enjoyable escape. However, those seeking nuanced character relationships, historically accurate dialogue, or sensitive portrayals of diverse cultures should approach with caution.
Despite its strengths, the book garnered significant criticism for several aspects. A recurring complaint centered on the characters, with many reviewers finding them one-dimensional, unlikable, petty, and selfish. The friendships among the central girls were often described as shallow, toxic, and driven by bullying rather than genuine connection. The plot was criticized for meandering, containing lengthy digressions, and for a perceived lack of substance beneath its stylistic choices. A major point of contention was the book's problematic representation, including the sexualization and fetishization of the male Indian lead and the reliance on harmful stereotypes for other Indian and Romani characters, often using an antiquated slur. Some readers also found the portrayal of female characters questionable, noting a confusing mix of feminist messaging with instances where protagonists still submitted to male counterparts. Other criticisms included anachronistic dialogue and sensibilities for the Victorian setting, a predictable plot, weak world-building for the magical elements, and the inclusion of fat shaming and unaddressed self-harm.
Ultimately, "A Great and Terrible Beauty" appears to be a polarizing read. While some wholeheartedly recommend it for its unique blend of genres, strong protagonist, and exploration of female agency, others were deeply disappointed by its problematic content, character development, and narrative shortcomings. It is best suited for young adult readers who enjoy historical fantasy with a gothic atmosphere and a focus on a rebellious female lead navigating a magical world. Readers who appreciate a fast-paced story that lays groundwork for a series, and who can overlook or critically engage with its more controversial elements, may find it an enjoyable escape. However, those seeking nuanced character relationships, historically accurate dialogue, or sensitive portrayals of diverse cultures should approach with caution.
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