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Go to My LibraryLa piràmide vermella
- Language
- Spanish
- Published in
- Publisher
- La Galera, SAU
- Pages
- 504
- ISBN
- 9788424662967
Suddenly, Carter and Sadie are thrust into a world they never knew existed, discovering that the gods of Egypt are waking and their own family is tied to a secret order as old as the pharaohs. Hunted by gods and powerful magicians, the two must embark on a dangerous quest across the globe to save their father and stop Set's catastrophic plans. They must embrace a legacy they never knew they possessed, a power that could unite them or destroy them and the world along with it.
Subjects
Original edition details
Other editions (44)
Kane Chronicles, The, Book One: The Red Pyramid
2010 • Disney Electronic Content
English
The Red Pyramid (The Kane Chronicles, Book 1)
2010 • Disney Hyperion
English
The Kane Chronicles, Book One The Red Pyramid (new cover)
2018 • Disney-Hyperion
English
Den röda pyramiden
2015 • Modernista
Swedish
Die Kane-Chroniken 1: Die rote Pyramide
2011 • Carlsen
German
Other editions

Kane Chronicles, The, Book One: The Red Pyramid
2010 • Disney Electronic Content
English

The Red Pyramid (The Kane Chronicles, Book 1)
2010 • Disney Hyperion
English

The Kane Chronicles, Book One The Red Pyramid (new cover)
2018 • Disney-Hyperion
English

Den röda pyramiden
2015 • Modernista
Swedish

Die Kane-Chroniken 1: Die rote Pyramide
2011 • Carlsen
German

The Red Pyramid
2010 • Scholastic, Inc.
English

Red Pyramid, The
2010 • Hyperion
English

The Red Pyramid
2010 • Scholastic, Inc.
English

The Red Pyramid
2011 • Hyperion Books for Children
English

Red Pyramid, The
2010 • Hyperion
English

Egypt. the patron saint of the series: Kane and Cthulhu Tower
2000 • China Press
Chinese

Red Pyramid
2011 • Disney Publishing Worldwide
English

KIRMIZI PİRAMİT (Turkish Edition)
2017 • Doğan Egmont Yayıncılık
Turkish

the kane chronicles the red pyramid
PENGUIN BOOKS
English

埃及守護神1:紅色金字塔
2024 • 遠流出版
Chinese

La Pyramide rouge
2011 • Albin Michel
French

La piramide rossa. The Kane Chronicles
2012 • Mondadori
Italian

The Red Pyramid (Kane Chronicles Series #1)
2010 • Penguin Books
English

The Red Pyramid (The Kane Chronicles, Book 1)
2011 • Hyperion Book CH
English

The Red Pyramid (The Kane Chronicles, Book 1)
2010 • Brilliance Audio
English

La Pirámide Roja / the Red Pyramid
2021 • Penguin Random House Grupo Editorial
Spanish

The Red Pyramid (Turtleback School & Library Binding Edition) (Kane Chronicles)
2018 • Turtleback Books
English

The Red Pyramid (The Kane Chronicles, Book 1)
2010 • Brilliance Audio
English

Piramide Gorria
2011 • Mezulari
Basque

The Red Pyramid
2010 • Galaxy
English

The Red Pyramid (Turtleback School & Library Binding Edition)
2011 • Turtleback Books
English

La pirámide roja: Las crónicas de Kane, libro 1 (Spanish Edition)
2012 • Vintage Espanol
Spanish

Red Pyramid, The (Kane Chronicles)
2014 • Brilliance Audio
English

La pirámide roja / The Red Pyramid
2019 • National Geographic Books
Spanish

The Red Pyramid
2010 • Hyperion Books for Children
English

Piramide Vermelha - Vol. 1 (Em Portugues do Brasil)
2010 • Intrinseca
Portuguese

The Red Pyramid (The Kane Chronicles, Book 1)
2011 • Puffin Books
English

The Kane Chronicles The red pyramid. bk. 1
2010 • Findaway World, LLC
English

The Red Pyramid (The Kane Chronicles, 1)
2018 • Thorndike Press Large Print
English

La pirámide roja / The Red Pyramid (Las cronicas de los Kane) (Spanish Edition)
2022 • Montena
Spanish

Czerwona piramida
2022 • Wydawnictwo Galeria Książki
Polish

The Red Pyramid (Kane Chronicles)
2011 • Perfection Learning
English

The Red Pyramid (Kane Chronicles, #1)
2011 • Hyperion Book
English

La pirámide roja / The Red Pyramid (Las cronicas de los Kane) (Spanish Edition)
2025 • B de Bolsillo
Spanish

Red Pyramid
2010 • Bound to Stay Bound Books
English

Red Pyramid
2009 • Marco Book Company
English

The Red Pyramid (The Kane Chronicles, Book 1)
2010 • Hyperion Book CH
English

Czerwona piramida (KRONIKI RODU KANE)
2011 • Galeria Książki
Polish

La Piramide Roja
2012 • Knopf Doubleday Publishing Group
Spanish
He led us to the Rosetta Stone, his eyes frantic. “I'm going to make everything right again,” he promised, before locking the curator in his office and telling us to stay put. Of course, we didn't. We found him chanting before the stone, drawing glowing blue hieroglyphs in the air with an ivory wand. “Osiris, come,” Sadie whispered, translating instinctively. But it wasn't just Osiris who answered the call. The Rosetta Stone exploded, and from the dust rose a terrifying man wreathed in flame. “You were not summoned!” my father roared, but the fiery man only laughed. He called himself Set. He turned Dad's magical serpent staff to ash and, with a flick of his wrist, trapped our father in a golden sarcophagus that sank straight through the marble floor.
Just as Set turned on us, two robed figures - a man with a forked beard and a girl with a curved knife - burst through the wall. Set vanished, and the newcomers found us just as we passed out. We were rescued - or kidnapped - by the man Dad had argued with earlier, a man who called himself Uncle Amos. He spirited us away from London on an Egyptian reed boat that sailed through a misty, whispering realm called the Duat, arriving in New York in a matter of minutes. His home was a mansion perched atop a Brooklyn warehouse, a headquarters for magicians called the Twenty-first Nome. It was a bizarre place of talking baboons, magical statues, and a pet crocodile named Philip of Macedonia. Amos explained the truth: our family was descended from pharaohs, part of an ancient order of magicians called the House of Life, and our parents had broken their most sacred law by meddling with the gods.
That night, my soul, my *ba*, left my body as I slept. I flew in the form of a bird-headed spirit to a desert mountain in Phoenix, Arizona. There, I saw Set overseeing the construction of a massive red pyramid. He spoke of unleashing a storm on his birthday - the third of the five Demon Days, only a few days away - that would destroy the continent. When I awoke, Amos confirmed my vision was real. He left to investigate, warning us not to enter his library. So naturally, Sadie blew the doors off it. Inside, we found Dad's workbag and a scroll that proved our lineage: we were heirs to the blood of two pharaonic houses, Narmer on our father's side and Ramesses the Great on our mother's. We were just beginning to understand what this meant when the mansion was attacked.
Two monsters with the bodies of leopards and the necks of serpents crashed through the terrace doors. Our crocodile, Philip, sacrificed himself to drag them into the river, but they returned. We were cornered, helpless, until our cat, Muffin, transformed. She became a woman in a leopard-skin jumpsuit with knives in her hands - the goddess Bast. She had been our guardian for years, a promise she'd made to our father after our mother died releasing her from an ancient prison. Bast explained that the attack was a sign: the House's magical protections had been sabotaged. Someone wanted us dead.
We fled into Manhattan with Bast, pursued by four copper-skinned demons carrying a magic coffin. As we raced across the Williamsburg Bridge, Bast finally told us the whole truth. When Dad shattered the Rosetta Stone, he didn't just release Set. He released five gods, and two of them - Horus and Isis - had chosen hosts to survive in the mortal world. They had chosen us. My head was suddenly filled with another voice, ancient and arrogant. *Well, it's about time,* Horus said. *Hello, Carter.* Sadie felt it too; she was now a reluctant partner to the goddess Isis. We were godlings, an abomination to the House of Life, and our only hope was to master these new powers before Set destroyed us all.
Our journey took us through a magical portal to Egypt, to the headquarters of the House of Life. We were brought before the ancient Chief Lector, Iskandar, by the girl from the museum, a stern young magician named Zia Rashid. The leaders of the House saw us as a threat to be eliminated, but Zia was tasked with testing our abilities. In the ruins of Luxor Temple, I was forced to duel Sadie. In a moment of desperation, I summoned a golden avatar - the warrior form of Horus, complete with a falcon head. The display of divine power terrified the magicians. Just as they were about to destroy us, we learned that Iskandar had died, and his second-in-command - the ruthless Desjardins - had ordered our execution. Zia, defying her master, helped us escape.
We had one last hope. Bast believed the god of wisdom, Thoth, might know a way to defeat Set. After a mad chase through Paris to steal a particular book from Desjardins's library, we found Thoth living as a wild-haired professor at the University of Memphis. He agreed to help us, but only if we passed his test: retrieve a magical item from the tomb of a great magician - Elvis Presley. Thoth sent us to Graceland, where we were ambushed by two powerful clay magicians. We survived, and Thoth revealed the secret of the book. To defeat Set, we needed two things: his secret name, and a feather of truth from the Land of the Dead.
We took a ghostly steamboat down the River of Night into the Duat. At the Hall of Judgment, I was helpless, but Sadie faced the god of funerals, Anubis, alone. He was a handsome, brooding boy who guarded the broken scales of justice, and he agreed to give her the feather, but only after asking her a terrible question: if it meant saving the world, was she prepared to lose her father? With a heavy heart, she answered yes. We raced to Phoenix, where our uncle Amos reappeared, claiming to have escaped Set's prison. But it was a trick. In the heart of the red pyramid, Amos's body was consumed by red light, and Set himself appeared before us, having used our uncle as his host. The final battle had begun.
I fought Set as the avatar of Horus while Sadie, channeling the magic of Isis, searched for a way to help. She unleashed a desperate spell, teleporting the entire pyramid and everyone in it from the desert to the National Mall in Washington, D.C., cutting Set off from his source of power. As I held him at bay, Sadie began the binding ritual. But at the last moment, she saw a vision of a greater enemy - the chaos serpent Apophis, trying to use Set's storm to break into the world. Instead of destroying Set, she bound him with his secret name and forced him to swear an oath to help fight chaos when the time came. In the aftermath, we found our father's sarcophagus gone, and Zia - who had sacrificed her magic to help us - crumbled to dust, revealing she was only a *shabti*, a magical clay duplicate of the real Zia, who was hidden somewhere safe. We released the spirits of Horus and Isis, choosing to learn magic on our own terms. Now we're back in Brooklyn. The gods are free, chaos is rising, and our father, as the new Osiris, rules the Land of the Dead. Our work has just begun. We have to find others like us - other descendants of the pharaohs. Maybe that includes you.
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Rating Sources
Readers largely praised this book for its engaging and unique approach to Egyptian mythology, finding it a fun and entertaining read. Many enjoyed the distinct narrative voices of the two main protagonists, Carter and Sadie, highlighting their sarcastic humor, comedic timing, and evolving sibling dynamic, which added both wit and emotional depth. The story was often described as fast-paced, action-packed, and full of surprises, with exciting chases and well-orchestrated fights. Reviewers appreciated the author's imaginative storytelling and the intricate world-building, noting how well Egyptian gods, magic, and lore were integrated into a modern setting. The clear explanation of the magic system and the casual inclusion of biracial characters were also points of commendation, with some finding the story more creative and less formulaic than the author's previous works.
However, several criticisms were raised regarding various aspects of the book. A common point of contention was the narrative style, particularly the in-text bickering and interruptions between the two narrators, which some found contrived, distracting, or even annoying. Some readers felt the plot, while action-heavy, could be hollow, superficial, or overly long with repetitive scenes, making it less impactful or memorable than desired. Character development also received mixed feedback, with some finding the cast weak, the main characters' personalities forgettable or too similar, and the villains two-dimensional. The book was frequently compared to the author's other popular series, with many concluding it wasn't as strong, as funny, or as universally appealing, suggesting a reduced effort in finetuning. Additionally, some found the romantic interest for one of the young protagonists to be uncomfortable or inappropriate given the age difference, and the audiobook narration received specific critiques for accents and character portrayal.
Overall, the book offers an enjoyable journey into Egyptian mythology, particularly for those who appreciate the author's signature blend of action and humor. While it may not reach the same heights as some of the author's other beloved series for all readers, it stands out with its unique premise and engaging sibling dynamic. Readers who enjoy fast-paced middle-grade fantasy, are intrigued by Egyptian lore, and appreciate a lighthearted narrative with witty banter will likely find this an entertaining read, despite some of its noted imperfections in pacing or character depth.
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