Le Faucheur
- Language
- French
- Published
- 1998
- Publisher
- L'Atalante Editions
- Pages
- 349
- ISBN
- 9782841720668
When Death is dismissed from his duties by the Auditors of Reality for developing too much of a personality, the fabric of existence on the Discworld begins to unravel. Life forces swirl unchecked, leading to a rise in poltergeist activity, newly deceased individuals who refuse to stay dead, and objects that take on a strange animation.
Meanwhile, Death, now known as Bill Door, experiences mortality for the first time, learning about farming, friendship, and the simple yet profound aspects of human life. As the world grapples with the consequences of an absent Death, an unlikely band of undead, including the recently deceased wizard Windle Poons, must confront the chaos threatening to consume Ankh-Morpork. This narrative explores the essential nature of life and death, offering a perspective on what it means to be truly alive.
Meanwhile, Death, now known as Bill Door, experiences mortality for the first time, learning about farming, friendship, and the simple yet profound aspects of human life. As the world grapples with the consequences of an absent Death, an unlikely band of undead, including the recently deceased wizard Windle Poons, must confront the chaos threatening to consume Ankh-Morpork. This narrative explores the essential nature of life and death, offering a perspective on what it means to be truly alive.
Original edition
Reaper ManOriginally published in 1991 English NAL
Other editions (91)
No summary for this edition yet.
What readers say
4.28
117K ratings across the web 9 in 10 readers loved it
The book is widely celebrated as a unique and wonderful addition to the Discworld universe, featuring an extremely original plotline. Reviewers consistently praise the character of Death, often calling him lovable, profound, and a masterpiece, noting how he gains a fully rounded personality. The narrative is engaging, with many appreciating the philosophical depth it brings to themes of life and death, human nature, and society, often disguised within clever satire and wit. Readers found the book insightful, with profound messages about making one's life count, friendship, and love. The story is divided into fascinating parallel plots, with Death's journey into a more ordinary existence often highlighted as particularly compelling and sweet. The introduction of new characters and the return of familiar ones are also seen as strong points, contributing to an exceptionally enjoyable and thought-provoking read.
Despite the widespread acclaim, some reviewers expressed reservations, primarily concerning the balance and pacing of the dual storylines. A common critique is that the storyline not centered on Death, particularly one involving a dying wizard and the Unseen University, felt less engaging, at times described as meandering, overlong, or confusing. These parts were found to lack the usual humor and purpose, with some readers wishing for more focus on Death's experiences. While generally humorous, a few reviewers noted that the book wasn't as "laugh out loud" funny as other Discworld titles, and some of the more absurd elements in the secondary plotline fell flat for them. One review also mentioned that certain "life force" issues felt reminiscent of less favored previous books.
Overall, the book is considered a brilliant and impactful work that transcends simple entertainment to become literature, offering deep insights into the human condition. While the narrative structure might present an uneven experience for some, its unique premise, the powerful characterization of Death, and its blend of humor with profound philosophical musings make it highly recommended. This novel is particularly suited for existing fans of the Discworld series, especially those who appreciate the "Death" sub-series and enjoy fantasy that thoughtfully satirizes real-world issues. New readers who enjoy clever, character-driven fantasy with a strong philosophical bent and a unique take on mortality would also likely find this a rewarding and memorable read.
Despite the widespread acclaim, some reviewers expressed reservations, primarily concerning the balance and pacing of the dual storylines. A common critique is that the storyline not centered on Death, particularly one involving a dying wizard and the Unseen University, felt less engaging, at times described as meandering, overlong, or confusing. These parts were found to lack the usual humor and purpose, with some readers wishing for more focus on Death's experiences. While generally humorous, a few reviewers noted that the book wasn't as "laugh out loud" funny as other Discworld titles, and some of the more absurd elements in the secondary plotline fell flat for them. One review also mentioned that certain "life force" issues felt reminiscent of less favored previous books.
Overall, the book is considered a brilliant and impactful work that transcends simple entertainment to become literature, offering deep insights into the human condition. While the narrative structure might present an uneven experience for some, its unique premise, the powerful characterization of Death, and its blend of humor with profound philosophical musings make it highly recommended. This novel is particularly suited for existing fans of the Discworld series, especially those who appreciate the "Death" sub-series and enjoy fantasy that thoughtfully satirizes real-world issues. New readers who enjoy clever, character-driven fantasy with a strong philosophical bent and a unique take on mortality would also likely find this a rewarding and memorable read.
No reviews yet. Be the first.