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Go to My LibraryLe Parfum (French Edition)
- Language
- English
- Published in
- Publisher
- French & European Pubns
- Pages
- 279
- ISBN
- 9780828857734
Grenouille's ambition transcends the creation of mere perfumes; he becomes obsessed with capturing the one scent he believes to be the ultimate essence of beauty. This fixation drives him to a terrifying quest to distill the scent of certain young women, a path that leads him from artisan to murderer. The story follows his dark and deliberate journey, exploring the nature of obsession, the power of scent to manipulate emotion, and the profound loneliness of a man who can possess any aroma except for one that would make him truly human.
Subjects
Original edition details
Other editions (52)
Other editions

Perfume The Story of a Murderer
2001 • Knopf Doubleday Publishing Group
English

Le Journal d' un fou
1996 • Stock
French

Das Parfum
2006 • Diogenes Verlag AG
German

Das Parfum
2012 • Diogenes Verlag AG
German

El perfume historia de un asesino
2006 • Seix Barral
Spanish

Patrick Süskind, Das Parfum
1997 • Mentor-Verlag
German

EL PERFUME
1984 • Seix Barral
Spanish

El perfume historia de un asesino
1993 • RBA
Spanish

Il profumo
2014 • TEA
Italian

Perfume The Story of a Murderer
2014 • Knopf Doubleday Publishing Group
English

Le Parfum
1991 • Fayard
French

PERFUME THE STORY OF MURDER
1986 • Knopf Doubleday Publishing Group
English

Parfum-6k7-p cosneille 29.5 e/ttc
2003 • Livraphone
French

El Perfume : Historia De Un Asesino - 1. Ed.
2013 • Editorial Planeta Colombiana
Spanish

El Perfume Historia de Un Asesino
2005 • Bookette Software Company
English

Perfume: The story of a murderer (Landmark books)
1987 • ABC-CLIO
English

El Perfume Historia de un Asesino
1998 • Editorial Seix Barral
Spanish

El perfume historia de un asesino
1991 • Seix Barral México
Spanish

Perfume The Story of a Murderer
1986 • Hamilton
English

香水
2006 • Huang guan wen hua chu ban you xian gong si
Chinese

Perfume The Story of a Murderer
1992 • Penguin
English

El Perfume Historia de un Asesino
2006 • Seix Barral
Spanish

El perfume Historia de un asesino
2011 • Editorial Seix Barral
Spanish

El perfume
2018 • Austral
Spanish

El Perfume
2018 • Booket
Spanish

El perfume historia de un asesino
2000 • Seix Barral
Spanish

El perfume historia de un asesino
1990 • Seix Barral
Spanish

Perfume
2006 • Vintage
English

El perfume historia de un asesino
2002 • Seix Barral
Spanish

Perfume The Story of a Murderer
1991 • Pocket Books
English

Perfume, El - La Pelicula
2007 • Seix Barrale
Spanish

Perfume The Story of a Murderer
1987 • Penguin Books
English

Perfume: The Story of a Murderer
1986 • Alfred A. Knopf
English

El perfume historia de un asesino
1998 • Seix Barral
Spanish

Perfume: Complete and Unabridged
1997 • Penguin Audio
English

El Perfume Historia de Un Asesino
1997 • Editorial Seix Barral
Spanish

Perfume The Story of a Murderer
2010 • Penguin
English

Perfume The Story of a Murderer
2001 • Penguin Books
English

El Perfume (Spanish Edition)
2004 • Planeta
Spanish

El perfume historia de un asesino
2016 • Booket
Spanish

Perfume The Story of a Murderer
2006 • Penguin Books
English

El perfume historia de un asesino
1989 • Seix Barral
Spanish

El perfume historia de un asesino
2002 • Seix Barral
Spanish

Pachnidlo. Historia pewnego mordercy
2008 • Åšwiat KsiÄ…Åzki
Polish

Das Parfum die Geschichte eines Mörders
2003 • Diogenes
German

Das Parfum die Geschichte eines Mörders
1994 • Diogenes
German

Парфюмер история одного убийцы
2001 • Azbuka-klassika
Russian

EL PERFUM
1997 • Seix Barral
Spanish

Le parfum. histoire d'un meurtrier.
1986 • Fayard
French

Das Parfum: Die Geschichte eines Mörders (German Edition)
1985 • Diogenes
German

Perfume
1994 • Random House
English

Parfymen historien om en morder
1994 • Aschehoug
Norwegian
His early life was a succession of rejections, from wet nurses who claimed he was devil-possessed to the brutal apprenticeship under a tanner named Grimal, where he toiled in a world of hides and caustic chemicals. But Grenouille's true education began not in books, but in the boundless lexicon of smells that Paris offered. He cataloged every odor, from the fragrant to the foul, until one evening, a new, intoxicating aroma drifted to him – the scent of a young plum seller, a virgin just blossoming into womanhood. This scent, so pure and ravishing, ignited an obsession within him. He followed her, consumed by the desire to possess it, and in a moment of desperate craving, he strangled her, clinging to her fading essence until it vanished into the night. This first act of murder was not born of malice, but of an insatiable artistic hunger to capture beauty.
His path then led him to Baldini, an aging, once-renowned perfumer whose trade was dwindling. Grenouille, with his unparalleled nose, breathed new life into Baldini's shop, recreating exquisite perfumes and inventing new ones with effortless genius. From Baldini, he learned the intricate techniques of distillation, the alchemy of transforming fleeting odors into bottled essence. Yet, this knowledge only deepened his ambition. He yearned for something more, a mastery over scent that transcended mere commercial art. He longed to capture the very "soul" of things, a dream that drove him away from Paris and into a solitary seven-year sojourn in a mountain cave, far from the repulsive odors of humanity.
In the sublime isolation of the cave, Grenouille reveled in the pure, untainted air, indulging in elaborate olfactory fantasies. But a terrifying realization struck him: he himself had no scent. No personal odor, no presence in the world of smells. This absence, this profound lack, was the source of his lifelong alienation. It was then he understood that to be truly human, to be loved and acknowledged, he needed a scent. Returning to civilization, he crafted a "faux human scent," an illusion that allowed him to blend in, to be perceived as normal, even desirable, for the first time in his life. He felt like a god, manipulating the perceptions of others with his invisible artistry.
His journey continued to Grasse, the heartland of French perfumery, where he apprenticed under Madame Arnulfi and her journeyman, Dominique Druot, learning the delicate art of enfleurage – a method capable of extracting the most subtle fragrances. Here, his true, horrifying project began. He discovered a new, even more captivating scent, that of a young woman named Laure Richis, the daughter of a prominent official. She possessed the ultimate fragrance, a symphony of beauty and innocence that he believed would complete his masterpiece. To achieve this, he embarked on a chilling spree, murdering twenty-four other young women, meticulously extracting their individual scents as practice, perfecting his technique.
The town of Grasse was gripped by terror, as young virgins mysteriously disappeared. Laure's father, Antoine Richis, sensing his daughter was the next target, desperately tried to protect her, moving her to safety. But Grenouille's nose was unerring. He tracked them, murdered Laure, and finally captured her exquisite essence, completing his ultimate perfume. He was eventually apprehended, tried, and sentenced to death for his heinous crimes.
On the day of his execution, as thousands gathered to witness his demise, Grenouille stood on the scaffold. He wore but a single drop of his masterpiece, the perfume distilled from the twenty-five young women, and its effect was instantaneous and overwhelming. The crowd, overcome by an inexplicable surge of love, desire, and adoration, perceived him as an angel, a divine being. All hatred and judgment vanished, replaced by a frenzy of communal lust, culminating in a mass orgy where they embraced and loved one another, completely forgetting the condemned man. In the ensuing chaos, Grenouille, invisible and untouchable in his scented glory, slipped away.
Yet, the triumph was hollow. He had achieved the power to be loved, but not to love, to be adored, but not to feel. The perfect perfume, designed to evoke universal love, ultimately left him feeling nothing but profound emptiness. He returned to the squalid marketplace of his birth in Paris. There, in a final, desperate act, he poured the remaining contents of his miraculous perfume over himself. The effect was immediate and absolute: the surrounding mob, overwhelmed by an irresistible urge, converged upon him, tearing him apart piece by piece, consuming him entirely, driven by an insatiable, primal hunger for the love and beauty he embodied. In their cannibalistic frenzy, they devoured the source of their sudden, overwhelming affection, leaving nothing but a faint, lingering fragrance in the air.
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Rating Sources
Lu Xun is celebrated as a foundational figure in modern Chinese literature, with his writing style and historical insights garnering significant praise. "Diary of a Madman" is lauded for its revolutionary use of vernacular language and its focus on common people, breaking from traditional literary norms. Its concise structure and dark, impactful themes are highlighted as groundbreaking, particularly how the protagonist's unsettling beliefs about those around him offer a unique and piercing view of reality and a metaphorical critique of societal exploitation. "The True Story of Ah Q" is frequently described as a stroke of genius, offering a biting political and social satire of pre-revolutionary China. Readers find it both funny and sad, appreciating its Don Quixote-like protagonist who embodies the "eternal vices" of society. Many find Lu Xun to be a "great writer" who imbues his stories with a soul, making them resonant even across cultural and temporal divides.
Despite the widespread acclaim, some readers found the book challenging to fully appreciate. The unique nature of the stories, particularly their "strangeness," made them difficult for certain individuals to connect with. One review suggests that a full understanding requires significant contextualization regarding Chinese culture and the historical period in which the stories were written, implying that readers unfamiliar with this background might struggle to grasp the deeper nuances without additional guidance. The themes of disillusionment and despair, especially prominent in "The True Story of Ah Q," might also contribute to a sense of difficulty for some.
Overall, the collection is highly regarded as a crucial and impactful work, providing profound insights into the societal transformations of modern China. Lu Xun's ability to craft powerful narratives that are both historically specific and universally resonant solidifies his reputation as a master storyteller. This book is particularly recommended for readers interested in the origins of modern Chinese literature, social and political satire, or those who enjoy stories that delve into themes of madness, societal critique, and the human condition. It would also appeal to students of comparative literature or anyone seeking to understand the historical and cultural struggles that shaped contemporary China.
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