Leonardo Da Vinci
by Leonardo da Vinci, Annalisa Perissa Torrini, Gallerie dell'Accademia di Venezia
7.85 / 10 53 ratings
Free - Language
- English
- Published
- 1883
- Pages
- 550
- Genres
- Nonfiction › Arts & entertainment › Visual artNonfiction › Arts & entertainment › Drawing & paintingNonfiction › HistoryNonfiction › Arts & entertainment › ArchitectureNonfiction › Technology › Engineering
- Themes
- Science & technology
- Where and when
- England Renaissance
- Style
- Audience: Children
Original edition
Leonardo Da VinciOriginally published in 1883 English
Other editions (24)
No summary for this edition yet.
Opening the reader…
What other readers say
Liked
Reviewers consistently highlight the book's exceptional visual content, describing it as a beautiful and comprehensive collection that offers a "museum experience." The book is praised for its huge array of high-resolution images, including Leonardo's paintings, drawings, notebooks, contemporary art, and architecture from his era, alongside reproductions of his unique writing and diagrams. Many appreciate its distinctive chronological approach to Leonardo Da Vinci's life, which provides a fresh perspective compared to books organized by category. Readers found the text to be full of fascinating and detailed information, covering the Renaissance, architecture, art, technology, and Da Vinci's personal history, making it a valuable and informative read.
Disliked
However, a significant point of contention among reviewers is the quality of the book's writing and editing. The text is frequently criticized for being badly edited, with some suggesting that the author's English may not be their first language. Readers often found the prose to contain long, convoluted sentences that hindered reading flow and required re-reading for comprehension. Furthermore, the book's layout and design are a common source of frustration, with images often placed inappropriately and captions not located next to their corresponding visuals. This design choice reportedly forces readers to inconveniently skip pages to find related text, detracting from the overall user experience.
In short
In summary, this book is highly regarded for its extensive and high-quality visual presentation, offering a deep dive into Leonardo Da Vinci's life and the context of his time through a unique chronological lens. While it serves as an excellent visual resource and contains a wealth of detailed information, prospective readers should be aware of the consistent feedback regarding its textual flaws, including poor editing and a challenging writing style, as well as layout inconveniences. This book would be particularly well-suited for readers who prioritize a visually rich experience and a contextualized, chronological narrative of Leonardo's life, and who are prepared to overlook some issues with the prose and page design.
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