M comme machination
by Sue Grafton
8.2 / 10 74K ratings
- Language
- French
- Published
- 2004
- Publisher
- Pages
- 381
- ISBN
- 9782266143134
Private investigator Kinsey Millhone is drawn into the affluent yet fractured world of the Malek family when she is hired to locate Guy Malek, the missing fourth son. Eighteen years prior, Guy vanished after being estranged from his wealthy family, and now his three surviving brothers cannot claim their substantial inheritance until he is found. Kinsey tracks Guy to a quiet town, discovering a man profoundly changed from the troubled youth his family remembers.
However, Guy's return to the Malek estate ignites old resentments and unveils a history of greed and betrayal. When the search for a missing heir escalates into a murder investigation, Kinsey must navigate a labyrinth of family secrets and dangerous rivalries, where loyalty is tested and the truth about Guy's past, and his present, becomes a matter of life and death.
However, Guy's return to the Malek estate ignites old resentments and unveils a history of greed and betrayal. When the search for a missing heir escalates into a murder investigation, Kinsey must navigate a labyrinth of family secrets and dangerous rivalries, where loyalty is tested and the truth about Guy's past, and his present, becomes a matter of life and death.
- Genres
- Fiction › Thriller & suspenseFiction › Crime & mystery › NoirFiction › Speculative fiction › Horror & supernatural
- Themes
- Crime & justice › Detectives
- Protagonist
- Female protagonist
- Where and when
- California
Original edition
M is for MaliceOriginally published in 1996 English Macmillian
Other editions (53)
Listen to the summary Narrated summary
The crisp January air of Santa Teresa, 1986, carried a familiar chill, but for Kinsey Millhone, it was the lingering holiday malaise and a touch of personal introspection that truly settled in her bones. Her latest case, however, promised to shake things up, dragging her into the opulent, yet bitter, world of the Malek family and their multi-million-dollar construction empire. The patriarch, Bader Malek, had passed, and his vast fortune was set to be divided amongst his four sons, but there was one problem: the second son, Guy, had vanished eighteen years ago without a trace.
Tasha Howard, Kinsey's cousin, was the one who brought the case to her, a plea to locate the prodigal son. The remaining Malek brothers - Donovan, the stoic head of the construction business; Bennet, the aspiring entrepreneur; and Jack, the family playboy - were a disagreeable lot, none too keen on sharing their inheritance with a brother they hadn't seen in nearly two decades. Guy, the black sheep, had left under a cloud of drug addiction and trouble, even disinherited by his exasperated father at one point, though that particular will had conveniently gone missing. Kinsey, with her own quiet family struggles, felt a flicker of sympathy for Guy's exile, a sentiment that would deepen as she delved into the Malek family's tangled history.
With a bit of discreet help from Darcy Pascoe, a contact at California Fidelity Insurance, Kinsey managed to track Guy down to Marcella, a small town not far from Santa Teresa. What she found was a revelation: the former ne'er-do-well had been rescued by a kind pastor, Peter Antle, and his wife, Winnie. Guy was now a born-again Christian, his life turned around, working as a handyman, and by all accounts, the most genuinely decent of the Malek brothers. Despite Kinsey's misgivings and warnings about the toxic environment awaiting him, Guy agreed to return to his childhood home, drawn by the prospect of reclaiming his share of the inheritance.
His homecoming was anything but warm. The family reunion was a masterclass in animosity, filled with ugly scenes and thinly veiled resentment from his brothers. Kinsey's worst fears for Guy were soon realized in the most brutal way imaginable. He was found bludgeoned to death at the family estate, a grim end that left Kinsey grappling with a profound sense of guilt. She felt responsible for bringing him back into the viper's nest, and now, driven by that heavy weight, she committed herself to finding his killer.
As the investigation intensified, Kinsey found herself reconnecting with a familiar face: Robert Dietz, a private investigator and her former lover. Dietz, with his quiet strength and cowboy demeanor, lent his expertise to the case, providing a much-needed sounding board and a steady presence amidst the escalating malice. Together, they began to peel back the layers of deception surrounding the Malek family, uncovering a web of secrets, rivalries, and greed that ran deeper than anyone had anticipated.
The trail led Kinsey to Bennet Malek and his university friend, Paul Trasatti, who had been operating under the alias Maxwell Outhwaite. The name also seemed to connect to the Maddison family, but with Patty Maddison's mother, sister Claire, and other relatives seemingly deceased, it appeared to be a frustrating dead end. Yet, Dietz, with his keen eye, unearthed a crucial detail: the story of Claire's death had been fabricated. Meanwhile, another unsettling development arose when Enid reported that Myrna had vanished from the Malek home under suspicious circumstances, hinting at further foul play within the sprawling, ill-fated family. Kinsey, navigating her own emotional landscape of mild depression and reassessing family ties, remained steadfast, her intuitive observations and wily mind working relentlessly to piece together the fractured puzzle of malice and murder.
Tasha Howard, Kinsey's cousin, was the one who brought the case to her, a plea to locate the prodigal son. The remaining Malek brothers - Donovan, the stoic head of the construction business; Bennet, the aspiring entrepreneur; and Jack, the family playboy - were a disagreeable lot, none too keen on sharing their inheritance with a brother they hadn't seen in nearly two decades. Guy, the black sheep, had left under a cloud of drug addiction and trouble, even disinherited by his exasperated father at one point, though that particular will had conveniently gone missing. Kinsey, with her own quiet family struggles, felt a flicker of sympathy for Guy's exile, a sentiment that would deepen as she delved into the Malek family's tangled history.
With a bit of discreet help from Darcy Pascoe, a contact at California Fidelity Insurance, Kinsey managed to track Guy down to Marcella, a small town not far from Santa Teresa. What she found was a revelation: the former ne'er-do-well had been rescued by a kind pastor, Peter Antle, and his wife, Winnie. Guy was now a born-again Christian, his life turned around, working as a handyman, and by all accounts, the most genuinely decent of the Malek brothers. Despite Kinsey's misgivings and warnings about the toxic environment awaiting him, Guy agreed to return to his childhood home, drawn by the prospect of reclaiming his share of the inheritance.
His homecoming was anything but warm. The family reunion was a masterclass in animosity, filled with ugly scenes and thinly veiled resentment from his brothers. Kinsey's worst fears for Guy were soon realized in the most brutal way imaginable. He was found bludgeoned to death at the family estate, a grim end that left Kinsey grappling with a profound sense of guilt. She felt responsible for bringing him back into the viper's nest, and now, driven by that heavy weight, she committed herself to finding his killer.
As the investigation intensified, Kinsey found herself reconnecting with a familiar face: Robert Dietz, a private investigator and her former lover. Dietz, with his quiet strength and cowboy demeanor, lent his expertise to the case, providing a much-needed sounding board and a steady presence amidst the escalating malice. Together, they began to peel back the layers of deception surrounding the Malek family, uncovering a web of secrets, rivalries, and greed that ran deeper than anyone had anticipated.
The trail led Kinsey to Bennet Malek and his university friend, Paul Trasatti, who had been operating under the alias Maxwell Outhwaite. The name also seemed to connect to the Maddison family, but with Patty Maddison's mother, sister Claire, and other relatives seemingly deceased, it appeared to be a frustrating dead end. Yet, Dietz, with his keen eye, unearthed a crucial detail: the story of Claire's death had been fabricated. Meanwhile, another unsettling development arose when Enid reported that Myrna had vanished from the Malek home under suspicious circumstances, hinting at further foul play within the sprawling, ill-fated family. Kinsey, navigating her own emotional landscape of mild depression and reassessing family ties, remained steadfast, her intuitive observations and wily mind working relentlessly to piece together the fractured puzzle of malice and murder.
What other readers say
Liked
Readers largely found "M is for Malice" to be a strong and engaging entry in the Kinsey Millhone series, with many considering it one of their favorites. The book is praised for its intricate and compelling mystery, described as a classic-style whodunit that keeps readers guessing with surprising twists and a satisfying conclusion. Reviewers appreciated the plot's escalation from a simple missing persons case into something much larger and more complex. Kinsey Millhone's character development, including her emotional growth and evolving relationships, particularly with the welcomed return of Dietz, was highlighted as a significant positive. The novel also received commendation for its well-drawn secondary characters, entertaining action, and overall suspenseful narrative.
Disliked
Despite its general acclaim, some readers expressed reservations. A few found the mystery's structure or resolution to be less sophisticated than desired. Kinsey's character drew mixed reactions, with some finding her initial emotional state difficult or her personality "bitchy," while others felt her investigative deductions were occasionally implausible. Critics also noted that the pacing could be slow in the middle sections, and some found the overall tone unpleasant due to the unlikable nature of many characters. Recurring series complaints, such as repetitive descriptions and explanations, were mentioned, and a few readers missed the presence of other beloved secondary characters or found the Kinsey-Dietz relationship unconvincing.
In short
Overall, "M is for Malice" is widely regarded as a solid and enjoyable addition to the Kinsey Millhone series. It is particularly recommended for existing fans who appreciate Kinsey's evolving character, intricate family dramas, and a classic approach to detective work. Readers who enjoy a blend of character-driven storytelling with suspenseful investigative plots, and those who don't mind a slower pace in the middle to allow for character and relationship development, are likely to find this book a satisfying read that upholds the series' enduring appeal.
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