Magician Illustrated
7.16 / 10 5.6K ratings
- Language
- English
- Published
- 2021
- Publisher
- Independently published
- Pages
- 256
- ISBN
- 9798533779302
In fin de siècle Paris, the orderly world of English surgeon Arthur Burdon is upended by the arrival of Oliver Haddo, a corpulent and enigmatic figure who claims to be a master of the occult. Arthur has traveled to the vibrant city to visit his fiancée, Margaret Dauncey, an art student whose beauty captivates all who meet her. Their conventional romance, however, quickly falls under the sinister influence of Haddo, whose unsettling presence and boasts of ancient knowledge cast a long shadow.
As Haddo insinuates himself into their circle, performing unsettling feats that defy explanation, Margaret finds herself drawn to his dark charisma, despite her initial revulsion. The novel explores themes of obsession, revenge, and the perilous allure of forbidden power, as Arthur grapples with the unsettling reality of Haddo's claims and the escalating threat to Margaret. This tale of supernatural manipulation and fatal attraction invites readers to confront the thin line between the rational and the arcane, and to witness the devastating consequences when dark ambitions take hold.
As Haddo insinuates himself into their circle, performing unsettling feats that defy explanation, Margaret finds herself drawn to his dark charisma, despite her initial revulsion. The novel explores themes of obsession, revenge, and the perilous allure of forbidden power, as Arthur grapples with the unsettling reality of Haddo's claims and the escalating threat to Margaret. This tale of supernatural manipulation and fatal attraction invites readers to confront the thin line between the rational and the arcane, and to witness the devastating consequences when dark ambitions take hold.
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Original edition
The MagicianOriginally published in 1956 English Doran
Other editions (285)
Listen to the summary Narrated summary
In the vibrant, bohemian heart of fin-de-siècle Paris, Arthur Burdon, a distinguished English surgeon, arrived to visit his fiancée, Margaret Dauncey, a young woman of exquisite beauty and artistic ambition. She shared a flat with her friend, Susie Boyd, a witty and maternal former schoolmistress. Their world, filled with the promise of love and conventional happiness, seemed utterly complete. Yet, an unsettling shadow was about to fall across their path in the form of Oliver Haddo.
Haddo, a grotesquely corpulent Englishman with unnervingly pale blue eyes, introduced himself as a magician and an acquaintance of Arthur's mentor, Dr. Porhoët, a retired physician with a scholarly interest in the occult. Haddo's presence was immediately disruptive, his elaborate wit often laced with insults, driving away patrons from the bohemian restaurants they frequented. Margaret felt an instinctive physical revulsion towards him, a feeling Arthur shared, especially after Haddo, in a moment of chilling cruelty, kicked Margaret's small terrier. This act ignited Arthur's rage, leading to a violent confrontation where he struck Haddo, only for the magician to rise with an expression of "satanic hatred" before meekly apologizing, a chilling display of suppressed malevolence.
Despite Margaret's initial loathing, Haddo began to weave a sinister spell around her. He feigned a collapse, drawing her into his studio out of compassion. Once alone, he recovered, playing the piano with extraordinary skill and burning substances whose vapors plunged Margaret into visionary trances. She witnessed vast, disturbing landscapes and scenes of terrible lust, emerging from these experiences weeping and ashamed, yet irresistibly compelled. He spoke seductively of ancient knowledge and Eastern freedoms, making the idea of a conventional marriage seem mundane and contemptible. Margaret, caught in a struggle between her revulsion and an overwhelming, unnatural fascination, found herself drawn daily to Haddo's apartment, experiencing moments of ecstasy mingled with profound dread, all while lying to Arthur and Susie.
The dark enchantment culminated in a shocking elopement. Haddo announced his departure from Paris, and despite a desperate inner battle, Margaret agreed to marry him, leaving only a terse note for Arthur, Susie, and Dr. Porhoët. Arthur was devastated, his world shattered, and he retreated to England, burying himself in his surgical work. Susie, who had quietly fallen in love with Arthur, though knowing her feelings would never be returned, left Paris for Italy. Rumors began to reach her, whispering of the strange, unconsummated marriage of Mr. and Mrs. Haddo.
Eventually, Arthur, unable to shake the conviction that Haddo had murdered Margaret, returned to Paris, joining Susie and Dr. Porhoët. The trio journeyed to Skene, Haddo's ancestral home in the village of Venning, only to be met with the news of Margaret's death, attributed to a heart attack. Believing this to be a lie, Arthur confronted the local doctor and then Haddo himself. Desperate for the truth, Arthur persuaded Dr. Porhoët to perform a necromantic ritual, raising Margaret's ghost, who confirmed she had been murdered. The spectral revelation spurred Arthur to a final confrontation, where Haddo appeared in their inn room, and Arthur, in a fit of righteous fury, killed him. Yet, when the lights were brought up, Haddo's body had vanished, leaving no trace.
The mystery deepened, driving Arthur, Susie, and Dr. Porhoët to Haddo's abandoned manor. There, in a hidden attic, they uncovered the horrific truth: glass tubes containing hideous, nascent creatures, the grotesque fruits of Haddo's dark experiments. Margaret's life had been sacrificed, her essence used in his twisted attempt to create artificial life. In a desperate act to erase the abominable evidence of Haddo's occult practices and to lay Margaret's tormented spirit to rest, Arthur set fire to the manor, consuming the house and its monstrous secrets in a cleansing blaze.
Haddo, a grotesquely corpulent Englishman with unnervingly pale blue eyes, introduced himself as a magician and an acquaintance of Arthur's mentor, Dr. Porhoët, a retired physician with a scholarly interest in the occult. Haddo's presence was immediately disruptive, his elaborate wit often laced with insults, driving away patrons from the bohemian restaurants they frequented. Margaret felt an instinctive physical revulsion towards him, a feeling Arthur shared, especially after Haddo, in a moment of chilling cruelty, kicked Margaret's small terrier. This act ignited Arthur's rage, leading to a violent confrontation where he struck Haddo, only for the magician to rise with an expression of "satanic hatred" before meekly apologizing, a chilling display of suppressed malevolence.
Despite Margaret's initial loathing, Haddo began to weave a sinister spell around her. He feigned a collapse, drawing her into his studio out of compassion. Once alone, he recovered, playing the piano with extraordinary skill and burning substances whose vapors plunged Margaret into visionary trances. She witnessed vast, disturbing landscapes and scenes of terrible lust, emerging from these experiences weeping and ashamed, yet irresistibly compelled. He spoke seductively of ancient knowledge and Eastern freedoms, making the idea of a conventional marriage seem mundane and contemptible. Margaret, caught in a struggle between her revulsion and an overwhelming, unnatural fascination, found herself drawn daily to Haddo's apartment, experiencing moments of ecstasy mingled with profound dread, all while lying to Arthur and Susie.
The dark enchantment culminated in a shocking elopement. Haddo announced his departure from Paris, and despite a desperate inner battle, Margaret agreed to marry him, leaving only a terse note for Arthur, Susie, and Dr. Porhoët. Arthur was devastated, his world shattered, and he retreated to England, burying himself in his surgical work. Susie, who had quietly fallen in love with Arthur, though knowing her feelings would never be returned, left Paris for Italy. Rumors began to reach her, whispering of the strange, unconsummated marriage of Mr. and Mrs. Haddo.
Eventually, Arthur, unable to shake the conviction that Haddo had murdered Margaret, returned to Paris, joining Susie and Dr. Porhoët. The trio journeyed to Skene, Haddo's ancestral home in the village of Venning, only to be met with the news of Margaret's death, attributed to a heart attack. Believing this to be a lie, Arthur confronted the local doctor and then Haddo himself. Desperate for the truth, Arthur persuaded Dr. Porhoët to perform a necromantic ritual, raising Margaret's ghost, who confirmed she had been murdered. The spectral revelation spurred Arthur to a final confrontation, where Haddo appeared in their inn room, and Arthur, in a fit of righteous fury, killed him. Yet, when the lights were brought up, Haddo's body had vanished, leaving no trace.
The mystery deepened, driving Arthur, Susie, and Dr. Porhoët to Haddo's abandoned manor. There, in a hidden attic, they uncovered the horrific truth: glass tubes containing hideous, nascent creatures, the grotesque fruits of Haddo's dark experiments. Margaret's life had been sacrificed, her essence used in his twisted attempt to create artificial life. In a desperate act to erase the abominable evidence of Haddo's occult practices and to lay Margaret's tormented spirit to rest, Arthur set fire to the manor, consuming the house and its monstrous secrets in a cleansing blaze.
What other readers say
Liked
The Magician is praised by many as a surprisingly effective and atmospheric Gothic horror novel, particularly considering its early 20th-century publication date. Reviewers frequently highlight Maugham’s lush, descriptive, and accessible writing style, which contributes to a gripping and page-turning experience. The book is lauded for its ability to build a strong sense of dread and terror, skillfully transitioning from a lighter initial tone to a powerful horror narrative. The villain, Oliver Haddo, is consistently noted as a fascinating, eccentric, and sinister character, with his evolution from a comedic figure to a malevolent force often cited as a standout element. Readers who enjoy darker, mysterious melodrama and occult themes, particularly with a believable depiction of magic, found this aspect highly engaging. The novel also offers an intriguing glimpse into bohemian Paris at the turn of the 20th century.
Disliked
However, the novel is not without its criticisms. Many readers point to an uneven narrative pace, often describing the beginning as slow and the ending as abrupt, anticlimactic, or even ridiculous. The writing style, while appreciated by some, is also described as "lush and turgid," overly melodramatic, and cluttered with excessive adjectives, a sentiment Maugham himself echoed in retrospect. Character development is frequently seen as weak, with protagonists often appearing simplistic, one-dimensional, or lacking in credibility, making it difficult for readers to connect with them. The portrayal of women is a significant point of contention, with some reviewers citing misogynistic undertones and outdated views on female agency. Additionally, the author's apparent personal vendetta against the real-life figure who inspired the villain, Aleister Crowley, is perceived as petty and detracts from the story's overall depth, turning Haddo into a cartoonish caricature rather than a fully realized antagonist. Some also felt the magical elements were uninspired or too heavily borrowed, leading to less convincing supernatural sequences.
In short
Overall, The Magician stands as an entertaining but flawed early work in W. Somerset Maugham’s bibliography, often considered a departure from his more celebrated later novels. While its stylistic quirks, thematic issues, and perceived unevenness may not appeal to all, it is recommended for readers who appreciate atmospheric Gothic horror, occult fiction, or stories featuring a charismatic, sinister villain. Those interested in Maugham's early career, historical fiction set in early 20th-century Paris, or a unique blend of horror and melodrama might find it a compelling and memorable read, despite its noted imperfections.
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