Matar a un ruiseñor
by Harper Lee
8.27 / 10 369 ratings
- Language
- Spanish
- Published
- 2021
- Publisher
- HarperBolsillo
- Pages
- 360
- ISBN
- 9788417216948
Set in the sleepy, Depression-era town of Maycomb, Alabama, Harper Lee's To Kill a Mockingbird introduces readers to Jean Louise "Scout" Finch, a young girl navigating the complexities of childhood alongside her older brother, Jem. Their father, Atticus Finch, a respected lawyer, instills in them lessons of empathy and justice, often leading by example. The seemingly tranquil routine of their lives is disrupted when Atticus undertakes the defense of Tom Robinson, a Black man falsely accused of a crime against a white woman.
Through Scout's eyes, the novel explores themes of racial injustice, prejudice, and the coexistence of good and evil within a community. As the trial unfolds, Scout and Jem witness the entrenched societal norms and racial tensions of the Deep South, prompting a journey from childhood innocence to a more nuanced understanding of the world. To Kill a Mockingbird offers a powerful examination of moral courage and the enduring struggle against discrimination, inviting readers to consider what it means to stand for what is right, even when faced with overwhelming opposition.
Through Scout's eyes, the novel explores themes of racial injustice, prejudice, and the coexistence of good and evil within a community. As the trial unfolds, Scout and Jem witness the entrenched societal norms and racial tensions of the Deep South, prompting a journey from childhood innocence to a more nuanced understanding of the world. To Kill a Mockingbird offers a powerful examination of moral courage and the enduring struggle against discrimination, inviting readers to consider what it means to stand for what is right, even when faced with overwhelming opposition.
Subjects
- Comics & Graphic Novels
- Literature & Fiction
- Genre Fiction
- Mystery, Thriller & Suspense
- Thrillers & Suspense
- Literary
- Fiction
- Historical
- United States
- Custom Stores
- Romance
- Mystery
- Family
- Coming of Age
- Family Life
- Contemporary
- Small Town & Rural
- English & College Success
- English
- Study & Teaching
- Psychological
- New, Used & Rental Textbooks
- Teen & Young Adult
- Humor & Entertainment
- Women
- Juvenile Fiction
- Religious
- Classics
- Criticism
- Performing Arts
- American fiction (fictional works by one author)
- Literary Collections
- Fiction, general
- African Americans
- Social life and customs
- Manners and customs
- Race Relations
- Modern fiction
- Fathers and Daughters
- Media Tie-In
- American Literature
- Audio Adult: Books On Tape
- Foreign Language Study
- Social Themes
- People & Places
- Juvenile Nonfiction
- Language Arts & Disciplines
- American
- Literary Criticism
- Study Aids
- Young Adult Fiction
- Young Adult Nonfiction
- World Literature
- Legal
- Film
- Book Notes
- Movies
- Romans, nouvelles
- Southern
- Sagas
- Fiction, family life, general
- Fiction, family life
- Audiobooks
- Literature - Classics
- Families
- Latin
- New York Times reviewed
- Novela
- Ficción
- Literary Criticism & Collections
- Departments
- Spanish language materials
- African americans, fiction
- History and Criticism
- African American & Black
- Class
- Prejudice & Racism
Original edition
To Kill a MockingbirdOriginally published in 1915 English Penguin Random House
Other editions (115)
Listen to the summary Narrated summary
Maycomb, Alabama, was a tired old town when I was growing up, steeped in the slow heat of the Depression. My brother Jem and I spent our summers under the watchful eye of our father, Atticus, a lawyer whose quiet integrity was as much a part of our home as our cook, Calpurnia. Our days were filled with childhood games, and our imaginations were captivated by the mystery of the Radley Place, a house shrouded in whispers and fear. Inside lived Arthur "Boo" Radley, a recluse we children had never seen, who was the subject of every dark rumor and fantastical tale in town. Our fascination intensified with the arrival of Dill Harris, a boy with an active imagination who spent his summers with his aunt next door, and together, we concocted elaborate schemes to lure Boo out of his shadowed dwelling.
Our childhood innocence was a fragile thing, slowly chipped away by the world around us. We found small, mysterious gifts left in a knothole of an old oak tree on the Radley property - tiny, secret treasures that hinted at a gentle presence within the silent house. Atticus, with his calm wisdom, taught us the importance of empathy, urging us to consider another person's perspective, to "walk around in his skin" for a while. He showed us courage not in grand gestures, but in the quiet strength of conviction, even when faced with the rabid dog that threatened our street, an unexpected display of his forgotten marksmanship.
Then, a darker shadow fell upon our town. Atticus was appointed to defend Tom Robinson, a Black man falsely accused of raping Mayella Ewell, a white woman. The news rippled through Maycomb, exposing the deep-seated prejudices that festered beneath its polite surface. Jem and I faced taunts and cruel remarks at school, but Atticus stood firm, explaining that true courage wasn't a man with a gun in his hand, but "when you know you're licked before you begin but you begin anyway and you see it through no matter what."
The summer of Tom Robinson's trial was etched into my memory. We children, perched in the colored balcony of the courthouse, watched as Atticus meticulously dismantled the Ewells' testimony, revealing Mayella's loneliness and her father Bob's brutality. Tom, gentle and handicapped, told his straightforward story, his kindness a stark contrast to the venomous accusations. Despite the clear evidence of his innocence, despite Atticus's powerful plea for justice, the all-white jury, bound by generations of prejudice, delivered a devastating guilty verdict.
The injustice of it all struck Jem particularly hard; his faith in the fairness of the world was profoundly shaken. Tom Robinson, despairing of an appeal, made a desperate attempt to escape from prison and was shot dead. His death, a senseless act born of fear and hatred, felt like the killing of a mockingbird - an innocent creature that brought only beauty to the world.
Bob Ewell, however, was not content. Humiliated by Atticus in court, he harbored a bitter vengeance. He harassed Tom's widow, Helen, and even tried to break into the judge's home. Atticus, ever calm, believed Ewell had vented his anger when he spat in his face. But the true target of his malice was yet to come.
One dark Halloween night, as Jem and I walked home through the woods after the school pageant, the rustle of leaves turned into something sinister. We were attacked, the air thick with the smell of stale whiskey and the terror of a struggle. Jem's arm broke, and I was choked, feeling the crushing darkness. Then, a silent figure emerged from the shadows, a protector, carrying Jem home to safety. It was Boo Radley, the phantom of our childhood fears, who had saved us. Sheriff Tate, understanding the delicate nature of Boo's heroism and the town's harsh judgment, chose to protect him from the glare of public scrutiny, declaring that Bob Ewell had fallen on his own knife.
Standing on the Radley porch afterward, I finally understood Atticus's lesson. Looking out at our street, seeing the world through Boo's eyes, I saw not a monster, but a shy, kind man who had watched over us all these years. I realized that sometimes, to truly understand, you had to step into another's skin, to see their quiet courage. The world wasn't always fair or kind, but there was goodness, too, in unexpected places, in the hearts of those who, like the mockingbird, did nothing but sing.
Our childhood innocence was a fragile thing, slowly chipped away by the world around us. We found small, mysterious gifts left in a knothole of an old oak tree on the Radley property - tiny, secret treasures that hinted at a gentle presence within the silent house. Atticus, with his calm wisdom, taught us the importance of empathy, urging us to consider another person's perspective, to "walk around in his skin" for a while. He showed us courage not in grand gestures, but in the quiet strength of conviction, even when faced with the rabid dog that threatened our street, an unexpected display of his forgotten marksmanship.
Then, a darker shadow fell upon our town. Atticus was appointed to defend Tom Robinson, a Black man falsely accused of raping Mayella Ewell, a white woman. The news rippled through Maycomb, exposing the deep-seated prejudices that festered beneath its polite surface. Jem and I faced taunts and cruel remarks at school, but Atticus stood firm, explaining that true courage wasn't a man with a gun in his hand, but "when you know you're licked before you begin but you begin anyway and you see it through no matter what."
The summer of Tom Robinson's trial was etched into my memory. We children, perched in the colored balcony of the courthouse, watched as Atticus meticulously dismantled the Ewells' testimony, revealing Mayella's loneliness and her father Bob's brutality. Tom, gentle and handicapped, told his straightforward story, his kindness a stark contrast to the venomous accusations. Despite the clear evidence of his innocence, despite Atticus's powerful plea for justice, the all-white jury, bound by generations of prejudice, delivered a devastating guilty verdict.
The injustice of it all struck Jem particularly hard; his faith in the fairness of the world was profoundly shaken. Tom Robinson, despairing of an appeal, made a desperate attempt to escape from prison and was shot dead. His death, a senseless act born of fear and hatred, felt like the killing of a mockingbird - an innocent creature that brought only beauty to the world.
Bob Ewell, however, was not content. Humiliated by Atticus in court, he harbored a bitter vengeance. He harassed Tom's widow, Helen, and even tried to break into the judge's home. Atticus, ever calm, believed Ewell had vented his anger when he spat in his face. But the true target of his malice was yet to come.
One dark Halloween night, as Jem and I walked home through the woods after the school pageant, the rustle of leaves turned into something sinister. We were attacked, the air thick with the smell of stale whiskey and the terror of a struggle. Jem's arm broke, and I was choked, feeling the crushing darkness. Then, a silent figure emerged from the shadows, a protector, carrying Jem home to safety. It was Boo Radley, the phantom of our childhood fears, who had saved us. Sheriff Tate, understanding the delicate nature of Boo's heroism and the town's harsh judgment, chose to protect him from the glare of public scrutiny, declaring that Bob Ewell had fallen on his own knife.
Standing on the Radley porch afterward, I finally understood Atticus's lesson. Looking out at our street, seeing the world through Boo's eyes, I saw not a monster, but a shy, kind man who had watched over us all these years. I realized that sometimes, to truly understand, you had to step into another's skin, to see their quiet courage. The world wasn't always fair or kind, but there was goodness, too, in unexpected places, in the hearts of those who, like the mockingbird, did nothing but sing.
What other readers say
Liked
The reviews consistently praise this book as a highly effective and useful study guide. Readers commend its ability to summarize and explain complex material thoroughly, making it an excellent resource for book club discussions or academic assignments. Many found it easy to read and appreciated its role as a helpful supplemental tool, capable of highlighting ideas that might otherwise be overlooked and enhancing the overall understanding of the original work. It is particularly noted for its practical assistance with specific literary texts, proving to be a valuable aid for students.
Disliked
While generally positive, some reviewers did observe that this particular guide might not be as robust or comprehensive as other similar resources available. One comparison suggested it functions as a "little sibling" to more established guides, implying it accomplishes its purpose but perhaps lacks the extensive depth or breadth found in some competitors. There was a mild reservation about whether it contained as much material as other guides within its category, hinting at a potential for less detailed analysis in certain sections.
In short
Overall, this study guide is considered a solid and beneficial resource, especially when utilized to complement, rather than substitute, the original text. It is well-suited for students who require an easy-to-read summary or a quick reference for schoolwork, as well as for book club members seeking clear explanations and discussion prompts. Readers looking for a straightforward, helpful aid to navigate literary works and improve their comprehension will likely find this book a valuable addition to their study materials.
No reviews yet. Be the first.





