Morte em Pemberley

The reviews indicate that some readers found the premise of a murder mystery at Pemberley, involving beloved Jane Austen characters, to be an appealing concept. For those who approached it as a gentle whodunit rather than a rigorous literary exercise, the book offered a certain charm. A few appreciated P.D. James's clear and elegant prose, and some felt she occasionally captured the cadence of Austen's writing and the general atmosphere of Regency Britain. It was seen by a small number of readers as a loving tribute or homage, providing a different perspective on some familiar characters and an enjoyable, if predictable, diversion for fans of both authors.

However, the majority of reviewers expressed significant disappointment. Common criticisms include a dull, predictable, and unengaging plot that failed as a compelling mystery. Many felt that the iconic Austen characters were poorly rendered, appearing flat, unrecognisable, and devoid of their original wit, charm, and emotional depth. The prose was frequently described as heavy, plodding, and lacking the humor and elegance characteristic of Austen. Reviewers also found the narrative burdened by excessive and often repetitive exposition, particularly recaps of events from Pride and Prejudice, which slowed the pace and felt unnecessary for the presumed target audience. Clumsily integrated historical and legal details were also noted as detracting from the authentic Regency atmosphere.

In conclusion, Death Comes to Pemberley is a highly divisive book that largely failed to satisfy a significant portion of its readership. Many felt it succeeded neither as a faithful continuation of Jane Austen's work nor as a strong mystery from P.D. James. Austen purists and discerning mystery fans are likely to be disappointed by the perceived mischaracterizations and the lack of intricate plotting. The book might, however, appeal to readers who are less critical of Austen pastiches, those seeking a gentle, undemanding historical story, or individuals primarily drawn to the unique premise rather than a deeply engaging literary experience.