Oxford Student Texts
7.2 / 10 8.1K ratings
- Language
- English
- Published
- 2008
- Publisher
- OUP Oxford
- Pages
- 240
- ISBN
- 9780198328742
Step into a world where reputation is currency and gossip is a weapon in Richard Brinsley Sheridan's The School for Scandal. This classic comedy of manners unveils the intricate social circles of 18th-century London, where a formidable group of scandal-mongers, led by the calculating Lady Sneerwell, delights in dismantling reputations with wit and rumor. Amidst this treacherous landscape, the newly married Lady Teazle finds herself entangled in whispers, while the benevolent Sir Peter Teazle grapples with his young wife's newfound taste for high society.
As a wealthy uncle, Sir Oliver Surface, returns disguised to test the true characters of his two nephews - the seemingly virtuous Joseph and the seemingly dissolute Charles - the play brilliantly exposes the discrepancy between public appearance and private vice. Sheridan's sharp dialogue and clever plotting reveal the destructive power of deceit and the enduring value of genuine integrity. Immerse yourself in a narrative that masterfully critiques social hypocrisy and celebrates the triumph of truth, offering both laughter and profound insight into human nature.
As a wealthy uncle, Sir Oliver Surface, returns disguised to test the true characters of his two nephews - the seemingly virtuous Joseph and the seemingly dissolute Charles - the play brilliantly exposes the discrepancy between public appearance and private vice. Sheridan's sharp dialogue and clever plotting reveal the destructive power of deceit and the enduring value of genuine integrity. Immerse yourself in a narrative that masterfully critiques social hypocrisy and celebrates the triumph of truth, offering both laughter and profound insight into human nature.
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Original edition
School for ScandalOriginally published in 1970 English The Tabard Press
Other editions (62)
Listen to the summary Narrated summary
In the glittering, gossipy salons of 18th-century London, whispers were currency and reputations were fragile things, easily shattered by a well-placed insinuation. At the heart of this vibrant, venomous society presided Lady Sneerwell, a woman whose own past had been tainted by calumny, and who now found perverse delight in orchestrating the downfall of others. With her confidant, Snake, a purveyor of fabricated tales, she wove intricate webs of scandal, her particular focus falling upon the affairs of Sir Peter Teazle and his young wife, Lady Teazle, as well as the two nephews of the wealthy Sir Oliver Surface: the seemingly virtuous Joseph and the notoriously extravagant Charles.
Lady Sneerwell harbored a secret affection for Charles Surface, a man known for his spendthrift ways and jovial spirit, but who was deeply in love with Sir Peter Teazle's ward, Maria. Maria, an heiress, returned Charles's affections, yet Joseph Surface, Charles's outwardly respectable brother, also coveted Maria's fortune and sought to win her for himself. Together, Lady Sneerwell and Joseph conspired to poison Maria's mind against Charles, fabricating rumors of Charles's infidelity, most notably a scandalous liaison with Lady Teazle herself.
Meanwhile, the marriage of Sir Peter and Lady Teazle, though relatively new, was already fraught with bickering and discontent. Sir Peter, an older gentleman, often lamented his decision to marry a spirited young woman from the countryside, who had quickly embraced the extravagant and fashionable life of London, much to his chagrin. Lady Teazle, feeling neglected and misunderstood, found herself drawn into the circle of scandalmongers, her innocence gradually eroded by their malicious influence. She even began to consider a flirtation with the smooth-tongued Joseph, believing him to be a man of principle, a stark contrast to her husband's perceived grumpiness.
Unbeknownst to many, Sir Oliver Surface, the long-absent wealthy uncle of Joseph and Charles, returned from the East Indies. He sought to discern the true character of his nephews, for upon his decision rested his considerable fortune. Disguising himself first as Mr. Premium, a moneylender, Sir Oliver approached Charles, who, despite his debts and love for revelry, displayed a surprising generosity and an honorable refusal to sell his uncle's portrait, even when in dire need. Next, Sir Oliver, disguised as a poor relation named Stanley, sought aid from Joseph, who, under the guise of benevolence, coldly refused to offer any assistance, revealing his true, selfish nature.
The intricate web of deceit began to unravel in Joseph Surface's library, during the famous "screen scene." Lady Teazle, having succumbed to Joseph's persuasive charms, found herself hiding behind a screen when Sir Peter unexpectedly arrived. Joseph, ever the hypocrite, maintained a facade of moral uprightness while attempting to conceal his guest. When Charles Surface was announced, Sir Peter, suspecting his wife of an affair with Charles, attempted to hide behind the screen as well. Joseph, in a desperate bid to maintain his deception, claimed the screen concealed a French milliner.
However, the screen was accidentally knocked over, revealing Lady Teazle to her astonished husband. The subsequent confrontations and revelations exposed Joseph's duplicity and Lady Sneerwell's manipulative schemes. Maria, who had steadfastly resisted Joseph's advances and remained loyal to Charles, was finally able to see the true hearts of both brothers. The play culminated in the unmasking of the scandalmongers and the triumph of genuine affection and integrity over hypocrisy and malicious gossip. Charles, with his honorable if impetuous heart, was deemed worthy of Maria and Sir Oliver's fortune, while Joseph's carefully constructed reputation crumbled, leaving him exposed and disgraced.
Lady Sneerwell harbored a secret affection for Charles Surface, a man known for his spendthrift ways and jovial spirit, but who was deeply in love with Sir Peter Teazle's ward, Maria. Maria, an heiress, returned Charles's affections, yet Joseph Surface, Charles's outwardly respectable brother, also coveted Maria's fortune and sought to win her for himself. Together, Lady Sneerwell and Joseph conspired to poison Maria's mind against Charles, fabricating rumors of Charles's infidelity, most notably a scandalous liaison with Lady Teazle herself.
Meanwhile, the marriage of Sir Peter and Lady Teazle, though relatively new, was already fraught with bickering and discontent. Sir Peter, an older gentleman, often lamented his decision to marry a spirited young woman from the countryside, who had quickly embraced the extravagant and fashionable life of London, much to his chagrin. Lady Teazle, feeling neglected and misunderstood, found herself drawn into the circle of scandalmongers, her innocence gradually eroded by their malicious influence. She even began to consider a flirtation with the smooth-tongued Joseph, believing him to be a man of principle, a stark contrast to her husband's perceived grumpiness.
Unbeknownst to many, Sir Oliver Surface, the long-absent wealthy uncle of Joseph and Charles, returned from the East Indies. He sought to discern the true character of his nephews, for upon his decision rested his considerable fortune. Disguising himself first as Mr. Premium, a moneylender, Sir Oliver approached Charles, who, despite his debts and love for revelry, displayed a surprising generosity and an honorable refusal to sell his uncle's portrait, even when in dire need. Next, Sir Oliver, disguised as a poor relation named Stanley, sought aid from Joseph, who, under the guise of benevolence, coldly refused to offer any assistance, revealing his true, selfish nature.
The intricate web of deceit began to unravel in Joseph Surface's library, during the famous "screen scene." Lady Teazle, having succumbed to Joseph's persuasive charms, found herself hiding behind a screen when Sir Peter unexpectedly arrived. Joseph, ever the hypocrite, maintained a facade of moral uprightness while attempting to conceal his guest. When Charles Surface was announced, Sir Peter, suspecting his wife of an affair with Charles, attempted to hide behind the screen as well. Joseph, in a desperate bid to maintain his deception, claimed the screen concealed a French milliner.
However, the screen was accidentally knocked over, revealing Lady Teazle to her astonished husband. The subsequent confrontations and revelations exposed Joseph's duplicity and Lady Sneerwell's manipulative schemes. Maria, who had steadfastly resisted Joseph's advances and remained loyal to Charles, was finally able to see the true hearts of both brothers. The play culminated in the unmasking of the scandalmongers and the triumph of genuine affection and integrity over hypocrisy and malicious gossip. Charles, with his honorable if impetuous heart, was deemed worthy of Maria and Sir Oliver's fortune, while Joseph's carefully constructed reputation crumbled, leaving him exposed and disgraced.
What other readers say
Liked
Many reviewers celebrate The School for Scandal for its brilliant humor, sharp wit, and incisive satire of 18th-century high society. Its portrayal of hypocrisy, gossiping, and social machinations is frequently highlighted as beautifully done and timeless, with many finding its themes surprisingly relevant to contemporary society. The memorable and aptly named characters, such as Mrs. Candour and Lady Sneerwell, contribute significantly to the comedic effect. Readers found the dialogue engaging and the plot meandering yet entertaining, often leading to genuine laughter. Historically, the play is celebrated as a classic, with some critics from its own era deeming it a "faultless comedy" and a prime example of English comedy of intrigue. It is recommended for fans of comedies of manners, particularly those who enjoy authors like Jane Austen, and is noted for its ability to evoke a compelling, soap-opera-like drama.
Disliked
While widely praised, some reviewers found the play's intricate plot somewhat complex and occasionally difficult to follow, particularly at the beginning. A few felt that the constant "bitching about each other" among characters could become repetitive or even boring for some readers. The play's cynical worldview, which exposes the moral failings of its characters, was noted by some as potentially off-putting or even bringing disrepute to the theatre, though others saw this as a strength. Concerns were also raised about the portrayal of scandalous women versus innocent men, though acknowledged as typical of the period. Additionally, some readers experienced discrepancies between different versions, with audio adaptations occasionally departing from the original text or adding elements not present in the written play.
In short
Overall, The School for Scandal is largely considered a highly enjoyable and historically significant work, celebrated for its enduring wit and satirical commentary on human nature. Despite its occasional complexities or cynical undertones, many found its quick pace and engaging story to be a rewarding experience. This play is particularly recommended for readers who appreciate classic comedies of manners, sharp social satire, and historical dramas that offer both entertainment and a reflection on universal human flaws. It would appeal to those interested in 18th-century British society, fans of witty dialogue, and even history enthusiasts curious about the cultural tastes of figures like George Washington. Those seeking a lighthearted yet thought-provoking exploration of gossip, hypocrisy, and societal appearances will likely find this a delightful read.
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