¿Quién mato a Palomino Molero? / Who Killed Palomino Molero?

This book is widely praised for its engaging narrative and distinctive style, often described as riveting, gripping, and absorbing. Reviewers appreciate Mario Vargas Llosa's unique approach to storytelling, which delves into the minds of its characters, particularly the assistant investigator Lituma, to create an effective and immersive experience. Beyond a simple crime story, the novel is celebrated for its thematic depth, functioning as a meditation on truth, the nature of love, and human self-deception. It offers a rich portrayal of 1950s Peruvian society, skillfully highlighting pervasive issues such as classism, racism, corruption, and the abuse of power within military and civilian structures, all presented without heavy-handedness. The characters, especially the dynamic duo of Lieutenant Silva and Lituma, are noted for their compelling development, often infused with sharp wit and humor, making for a memorable read. Many also see it as an excellent introduction to Llosa's broader literary universe, featuring recurring characters and setting the stage for his later, more extensive works.

However, several reviewers point out certain perceived weaknesses. A frequent criticism is that the mystery aspect of the plot is somewhat predictable, with many readers finding the killer or the resolution easy to deduce early in the story, leading to a less impactful "whodunit" experience. Some readers felt that the novel, while good, does not reach the same "magisterial" or "magical" heights as Llosa's more ambitious and complex works, occasionally appearing as a less mature or "minor" entry in his bibliography. While the narrative style is generally lauded, a few noted that the blending of voices or techniques might not be as refined as in his later novels. Additionally, the ending, despite its thematic strength for some, was considered by others to be too ambiguous, rushed, or left certain character fates unresolved. A recurring practical concern, particularly among non-English readers, was the quality of certain translations, with mentions of heavy censorship and a less fluid reading experience.

Overall, "Who Killed Palomino Molero?" is regarded as a solid and thought-provoking novel whose strengths lie less in its conventional crime-solving elements and more in its profound exploration of societal issues and human nature. It is recommended for readers new to Mario Vargas Llosa, serving as a concise yet impactful introduction to his writing. Fans of literary fiction who appreciate deep social commentary, psychological insight, and reflections on truth, love, and justice will likely find it rewarding. It will also appeal to those interested in Peruvian culture and history, particularly its class and racial dynamics, and to readers who enjoy character-driven narratives that provoke thought rather than relying on complex, twist-laden plots.