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Go to My LibrarySeven Days in the Art World
- Language
- English
- Published in
- Publisher
- Norton & Company, Incorporated, W. W.
- Pages
- 256
- ISBN
- 9780393071061
Subjects
Original edition details
Other editions (3)
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Rating Sources
"Seven Days in the Art World" is widely praised for offering an engaging and accessible journey into the often-opaque world of contemporary art. Reviewers consistently highlight the author's strong reportage, vivid descriptions, and remarkable access to influential figures and exclusive events. The book is lauded for its unique "cat on the prowl" approach, where the author immerses herself in various settings, from high-stakes auctions and major art fairs to critique sessions, prominent artist studios, and influential art magazines, providing readers with a "you-are-there" perspective. This anthropological study is considered highly informative, demystifying the operational mechanics of the art market, explaining how art is sold, and shedding light on the processes through which reputations are established within this elite sphere. Many found it an instructive and fascinating read, particularly for its insights into the economic and institutional facets of the art world.
However, several reviewers express reservations about the book's narrow focus and the author's approach. Critics argue that the book primarily concentrates on "Power Institutions" and "Big Names," presenting a "tourist's guidebook" perspective that overlooks the quotidian experiences of most artists and the deeper, more organic aspects of art creation and value. Some found the author's interview questions to be superficial and her writing style, characterized by a forced present-tense and frequent descriptions of clothing, to be pretentious or dull. There were also comments that the author's presence was too prominent in the narrative, occasionally coming across as condescending or overly focused on name-dropping. While the book provides a good look at the art world's elite, some readers desired a more critical examination of its inequalities or a deeper exploration of artists' convictions. Additionally, a few chapters were described as repetitive or lacking the initial zest of the earlier sections, leading to a somewhat tedious reading experience for some.
Despite these criticisms, "Seven Days in the Art World" is generally considered a valuable and engaging read for its specific scope. It offers a fascinating introduction for those unfamiliar with the contemporary art scene, particularly how its upper echelons operate. This book is best suited for readers interested in the economic mechanisms, marketing, and institutional structures that govern the high-end art market, rather than a deep dive into artistic aesthetics or the day-to-day life of non-celebrity artists. It provides an illuminating, albeit sometimes uncritical, tour of the "1%" of the art world, making it an ideal choice for anyone curious about the intersection of money, power, and prestige in this exclusive sphere.
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