Silver on the Tree
by Susan Cooper
8.22 / 10 36K ratings
- Language
- English
- Published
- 2023
- Publisher
- Simon and Schuster
- Pages
- 352
- ISBN
- 9781665932967
The final confrontation between the ancient forces of Light and Dark arrives in this concluding volume of a classic fantasy sequence. Will Stanton, the last of the Old Ones, must unite with his ageless master Merriman, the Welsh boy Bran, whose destiny is intertwined with Arthurian legend, and the three mortal Drew children. Together, these six champions embark on a quest through time and across the brooding Welsh landscape to locate the fabled Crystal Sword and other artifacts of power. The fate of the world rests on their ability to overcome fear and death, weaving through the most ancient myths and legends of the British Isles, as the Dark makes its ultimate bid for control.
As past and present merge and the lines between reality and myth blur, these allies must bring all their courage and unique abilities to bear. This epic culmination explores the enduring struggle between good and evil, the weight of destiny, and the power of human spirit against overwhelming odds.
As past and present merge and the lines between reality and myth blur, these allies must bring all their courage and unique abilities to bear. This epic culmination explores the enduring struggle between good and evil, the weight of destiny, and the power of human spirit against overwhelming odds.
Subjects
- Literature & Fiction
- Europe
- Action & Adventure
- Fantasy
- Science Fiction & Fantasy
- Fiction
- Vampires
- Children's Fiction
- Contemporary
- Teen & Young Adult
- Juvenile Fiction
- Fantasy & Magic
- Classics
- Curiosities and wonders
- Wales
- People & Places
- Juvenile Nonfiction
- Young Adult Fiction
- Fantasy Fiction
- Wizards & Witches
- Arthurian
- Legends, Myths, Fables
- Children's Audio - 9-12
- Science Fiction
Original edition
The Grey KingOriginally published in 1975 English Margaret K. McElderry Books
Other editions (19)
Listen to the summary Narrated summary
The scent of Midsummer's Eve lay thick upon the air, a deceptive calm over the English countryside as Will Stanton, seemingly an ordinary boy, spent time with his brothers by the Thames. Yet, within him, the ancient power of an Old One stirred, a deep resonance with the land and the threads of time. He glimpsed figures fleeing across centuries, shadows of the encroaching Dark, while in the present, vicious polecats and mink, harbingers of evil, began to appear, and even the ugliness of human prejudice flared. The time for the final, decisive battle was at hand, a confrontation long foretold to seal the fate of the world.
In the brooding, mystical heart of Wales, where the earth hummed with ancient magic, the allies of the Light began to gather. Will, the last-born Old One, found his path entwined once more with his ancient master, Merriman Lyon, whose wisdom spanned millennia. Alongside them was Bran Davies, the albino boy whose destiny was inextricably linked to King Arthur, a living echo of the Pendragon. But the prophecy spoke of six, and so the three Drew children - Jane, Simon, and Barney - found themselves drawn back into the unfolding saga, their mortal lives holding unexpected weight in the grand design.
The quest was clear: find the Lady, who held the knowledge to uncover the crystal sword of the Pendragon, the very blade by which the Light's final magic would be unleashed. Will and Bran ventured into the perilous Lost Land, a realm where time flowed differently, where ancient legends breathed. They sought out King Gwyddno Garanhir and the drowned kingdom, guided by the bard Gwion, who was none other than the legendary Taliesin. Meanwhile, the Drew children, caught in the swirling currents of the Dark's rising power, found themselves flung through time, from a 19th-century shipyard to the Welsh stronghold of Owain Glyndwr, facing creatures of nightmare like the monstrous afanc and the terrifying Mari Lwyd.
The forces of the Dark, led by the chilling Black Rider and the insidious White Rider, dogged their every step, their presence palpable in the Welsh hills and valleys. The air grew heavy with menace, and the line between reality and legend blurred, as the six champions moved seamlessly between different eras and planes of existence. They collected the last of the Signs, endured trials of fear and doubt, and battled the Dark's minions in various guises, always knowing that the ultimate confrontation awaited.
Finally, all paths converged at the Midsummer Tree, a place of immense power that held the balance of High, Wild, and Old Magic. Here, the Light and the Dark would meet for their last, desperate struggle. The air crackled with raw power as the six, united in purpose, faced the full might of the encroaching shadows. It was a battle not just of strength, but of will, of ancient magic clashing with primal evil.
As the dust settled and the Dark was, at last, cast out of time forever, a profound stillness descended. The victory was won, but at a cost. The immortal Old Ones, their purpose fulfilled, prepared to depart from the world, leaving only Will Stanton behind. For the mortal children, Jane, Simon, and Barney, and even for Bran, the memories of their incredible journey, of magic and the Old Ones, began to fade, like mist dissolving in the morning sun.
Merriman, before his own departure, spoke of the future, of a world where humanity would stand alone. No longer would there be great heroes and ancient powers to fight the darkness. The responsibility would fall to ordinary people to nurture the Light within themselves, to combat ignorance and hatred, and to protect the beauty and joy of the world. Though echoes of their adventures might linger in their dreams, the children would return to their lives, carrying the unspoken burden of a world entrusted to their care, a world where the battle for good would now be fought in the quiet strength of human hearts.
In the brooding, mystical heart of Wales, where the earth hummed with ancient magic, the allies of the Light began to gather. Will, the last-born Old One, found his path entwined once more with his ancient master, Merriman Lyon, whose wisdom spanned millennia. Alongside them was Bran Davies, the albino boy whose destiny was inextricably linked to King Arthur, a living echo of the Pendragon. But the prophecy spoke of six, and so the three Drew children - Jane, Simon, and Barney - found themselves drawn back into the unfolding saga, their mortal lives holding unexpected weight in the grand design.
The quest was clear: find the Lady, who held the knowledge to uncover the crystal sword of the Pendragon, the very blade by which the Light's final magic would be unleashed. Will and Bran ventured into the perilous Lost Land, a realm where time flowed differently, where ancient legends breathed. They sought out King Gwyddno Garanhir and the drowned kingdom, guided by the bard Gwion, who was none other than the legendary Taliesin. Meanwhile, the Drew children, caught in the swirling currents of the Dark's rising power, found themselves flung through time, from a 19th-century shipyard to the Welsh stronghold of Owain Glyndwr, facing creatures of nightmare like the monstrous afanc and the terrifying Mari Lwyd.
The forces of the Dark, led by the chilling Black Rider and the insidious White Rider, dogged their every step, their presence palpable in the Welsh hills and valleys. The air grew heavy with menace, and the line between reality and legend blurred, as the six champions moved seamlessly between different eras and planes of existence. They collected the last of the Signs, endured trials of fear and doubt, and battled the Dark's minions in various guises, always knowing that the ultimate confrontation awaited.
Finally, all paths converged at the Midsummer Tree, a place of immense power that held the balance of High, Wild, and Old Magic. Here, the Light and the Dark would meet for their last, desperate struggle. The air crackled with raw power as the six, united in purpose, faced the full might of the encroaching shadows. It was a battle not just of strength, but of will, of ancient magic clashing with primal evil.
As the dust settled and the Dark was, at last, cast out of time forever, a profound stillness descended. The victory was won, but at a cost. The immortal Old Ones, their purpose fulfilled, prepared to depart from the world, leaving only Will Stanton behind. For the mortal children, Jane, Simon, and Barney, and even for Bran, the memories of their incredible journey, of magic and the Old Ones, began to fade, like mist dissolving in the morning sun.
Merriman, before his own departure, spoke of the future, of a world where humanity would stand alone. No longer would there be great heroes and ancient powers to fight the darkness. The responsibility would fall to ordinary people to nurture the Light within themselves, to combat ignorance and hatred, and to protect the beauty and joy of the world. Though echoes of their adventures might linger in their dreams, the children would return to their lives, carrying the unspoken burden of a world entrusted to their care, a world where the battle for good would now be fought in the quiet strength of human hearts.
What other readers say
Liked
The reviews for this book frequently highlight its exceptional prose, describing it as gorgeous, descriptive, and evocative, with a remarkable flair for imagery that imbues the world with a palpable sense of magic. Many readers praise the story's rich integration of Welsh and Arthurian mythology, finding the blend of ancient magic with everyday characters both bold and captivating. The narrative's atmospheric quality and strong sense of place are consistently appreciated, contributing to an immersive experience. For many, the book delivers a powerful emotional impact, conjuring feelings of wonder and sadness, and is considered a satisfying conclusion that ties together various plot threads with emotional tension. The alternating perspectives between magical and "normal" characters are noted as a strength, along with the introduction of a compelling new villain, the White Rider. Some reviewers also commend the subtle exploration of profound themes related to the nature of darkness and human responsibility.
Disliked
However, a significant portion of the reviews express disappointment, primarily citing a pervasive vagueness in the plot and the magical system. Many felt there was a lack of clear explanation for how magic worked, leading to numerous unanswered questions and a sense that rules were inconsistently applied or introduced solely to serve the plot. Criticisms also target the pacing, with some describing it as convoluted, nonsensical, or anticlimactic, particularly in the final confrontation. Character development is another point of contention; while some found the human characters relatable, others felt the main magical protagonists lacked personality or agency, often acting as observers to pre-ordained events. Female characters were sometimes perceived as underdeveloped, and the portrayal of the conflict between Light and Dark was occasionally deemed simplistic or lacking genuine menace due to the antagonists adhering to rules. A particularly strong and recurring negative point is a controversial narrative choice regarding characters' memories of the events, which many found arbitrary, frustrating, and undermining of the characters' experiences and free will.
In short
In conclusion, this book is celebrated by many as a classic and a beloved finale to a fantasy series, earning comparisons to works by Tolkien and Lewis for its emotional depth and mythic scope. It is particularly recommended for fantasy enthusiasts who appreciate lyrical writing, rich folklore, and a strong sense of atmosphere, and who are comfortable with narrative ambiguity. Readers who value intricate plot mechanics, consistent magical rules, and detailed character development, or who dislike endings that involve memory alteration, might find it less satisfying. Despite its divisive elements, it remains a significant work for many, especially those who encountered it in childhood, and is often seen as a thought-provoking exploration of good, evil, and human agency.
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