Taming of the Shrew by William Shakespeare: Classic Illustrated Edition
4.62 / 10 155K ratings
- Language
- English
- Published
- 2022
- Publisher
- Independently Published
- Pages
- 157
- ISBN
- 9798431798207
In the city of Padua, the lovely Bianca is besieged by suitors, but her father has made a firm decree: no one will marry Bianca until her older sister, the notoriously sharp-tongued and headstrong Katherina, is wed. While Bianca's admirers see an insurmountable problem, the audacious Petruchio of Verona sees an opportunity. He arrives in Padua seeking a wealthy wife and is undeterred by Katherina's formidable reputation, boasting that he is the man who can tame the untamable shrew. What follows is a volatile and unpredictable courtship, a battle of wits and wills that challenges the very definitions of love, marriage, and identity.
This play explores the intricate dynamics of power, performance, and social expectation through a story that is at once a boisterous comedy and a complex examination of human relationships. As Petruchio and Katherina engage in their spirited contest, the play forces a closer look at the roles we perform for society and for each other. It raises enduring questions about whether a person can truly be changed, and whether the union that emerges from such a turbulent beginning is one of genuine affection or clever manipulation.
This play explores the intricate dynamics of power, performance, and social expectation through a story that is at once a boisterous comedy and a complex examination of human relationships. As Petruchio and Katherina engage in their spirited contest, the play forces a closer look at the roles we perform for society and for each other. It raises enduring questions about whether a person can truly be changed, and whether the union that emerges from such a turbulent beginning is one of genuine affection or clever manipulation.
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Original edition
Taming of the Shrew (French Acting Edition)Originally published in 1950 English Bakers Plays
Other editions (507)
Listen to the summary Narrated summary
A drunken tinker named Christopher Sly, found senseless outside an alehouse, is made the subject of a lord's elaborate prank. He is carried to the lord's mansion, dressed in finery, and convinced upon waking that he is a nobleman who has suffered from a long madness, his true identity merely a delusion. To entertain this bewildered lord, a company of players is brought in to perform a play.
The play begins in Padua, a city bustling with scholars and merchants. Young Lucentio arrives, eager to pursue his studies, but his attention is immediately captured by the lovely Bianca, daughter of the wealthy Baptista. Bianca, gentle and fair, has many suitors, but her father decrees that she cannot marry until her older sister, Katherina, the notoriously sharp-tongued "shrew," is wed.
Katherina is indeed a formidable woman, quick with a biting retort and a fiery temper, a stark contrast to her soft-spoken sister. Her reputation precedes her, and no man in Padua dares to court her. Meanwhile, Lucentio, desperate to be near Bianca, devises a clever plan: he disguises himself as a schoolmaster to gain entry into Baptista's household, while his servant Tranio takes on Lucentio's identity to openly court Bianca.
Into this intricate dance arrives Petruchio, a boisterous gentleman from Verona, openly declaring his intention to marry a rich woman, regardless of her temperament, simply for her dowry. Upon hearing of Katherina and her substantial inheritance, he boldly announces his intention to "woo" her. Their first meeting is a clash of wills and wits, a furious verbal sparring match where Katherina's sharp insults are met with Petruchio's unwavering confidence and outrageous declarations of love. He insists he will marry her, despite her protests, and falsely tells Baptista that she has consented.
The wedding day arrives, marked by Petruchio's shocking tardiness and his appearance in a most outlandish costume. The ceremony itself is a chaotic affair, with Petruchio behaving so boisterously that he causes a scandal. Immediately after, much to Katherina's dismay and Baptista's consternation, Petruchio declares they must leave for his country estate at once, denying her the traditional wedding feast.
At Petruchio's home, Katherina's "taming" truly begins. He denies her food, claiming it is not good enough, refuses her sleep, citing the poor quality of the bed, and even criticizes the tailor and haberdasher who bring her new clothes, all under the guise of concern for her well-being. He presents his tyrannical behavior as acts of love, mirroring her own perceived willfulness back at her. Worn down by his relentless and eccentric methods, Katherina gradually begins to yield to his whims, agreeing to his most absurd pronouncements, such as calling the sun the moon or an old man a young maiden.
Back in Padua, the subplot involving Bianca's suitors unfolds. Lucentio, in his disguise as a tutor, successfully wins Bianca's affections, and they secretly marry. Tranio, still impersonating Lucentio, manages to secure Baptista's blessing for Bianca's marriage by finding a merchant to pretend to be Lucentio's wealthy father. However, the true Vincentio, Lucentio's real father, eventually arrives, leading to a comical unraveling of the deception.
Finally, Petruchio and Katherina return to Padua for a wedding feast, where Lucentio and Bianca's secret marriage is revealed and ultimately accepted. Amidst the celebration, a wager is proposed among Petruchio, Lucentio, and Hortensio (another suitor who married a wealthy widow) to see whose wife is the most obedient. When called, Bianca and the Widow refuse to come, but Katherina appears immediately. She then delivers a lengthy speech on the duties of a wife, advocating for obedience and submission to her husband, much to the astonishment and admiration of all present. Petruchio, having won his wager and seemingly achieved his goal, departs with his "tamed" Katherina.
The play begins in Padua, a city bustling with scholars and merchants. Young Lucentio arrives, eager to pursue his studies, but his attention is immediately captured by the lovely Bianca, daughter of the wealthy Baptista. Bianca, gentle and fair, has many suitors, but her father decrees that she cannot marry until her older sister, Katherina, the notoriously sharp-tongued "shrew," is wed.
Katherina is indeed a formidable woman, quick with a biting retort and a fiery temper, a stark contrast to her soft-spoken sister. Her reputation precedes her, and no man in Padua dares to court her. Meanwhile, Lucentio, desperate to be near Bianca, devises a clever plan: he disguises himself as a schoolmaster to gain entry into Baptista's household, while his servant Tranio takes on Lucentio's identity to openly court Bianca.
Into this intricate dance arrives Petruchio, a boisterous gentleman from Verona, openly declaring his intention to marry a rich woman, regardless of her temperament, simply for her dowry. Upon hearing of Katherina and her substantial inheritance, he boldly announces his intention to "woo" her. Their first meeting is a clash of wills and wits, a furious verbal sparring match where Katherina's sharp insults are met with Petruchio's unwavering confidence and outrageous declarations of love. He insists he will marry her, despite her protests, and falsely tells Baptista that she has consented.
The wedding day arrives, marked by Petruchio's shocking tardiness and his appearance in a most outlandish costume. The ceremony itself is a chaotic affair, with Petruchio behaving so boisterously that he causes a scandal. Immediately after, much to Katherina's dismay and Baptista's consternation, Petruchio declares they must leave for his country estate at once, denying her the traditional wedding feast.
At Petruchio's home, Katherina's "taming" truly begins. He denies her food, claiming it is not good enough, refuses her sleep, citing the poor quality of the bed, and even criticizes the tailor and haberdasher who bring her new clothes, all under the guise of concern for her well-being. He presents his tyrannical behavior as acts of love, mirroring her own perceived willfulness back at her. Worn down by his relentless and eccentric methods, Katherina gradually begins to yield to his whims, agreeing to his most absurd pronouncements, such as calling the sun the moon or an old man a young maiden.
Back in Padua, the subplot involving Bianca's suitors unfolds. Lucentio, in his disguise as a tutor, successfully wins Bianca's affections, and they secretly marry. Tranio, still impersonating Lucentio, manages to secure Baptista's blessing for Bianca's marriage by finding a merchant to pretend to be Lucentio's wealthy father. However, the true Vincentio, Lucentio's real father, eventually arrives, leading to a comical unraveling of the deception.
Finally, Petruchio and Katherina return to Padua for a wedding feast, where Lucentio and Bianca's secret marriage is revealed and ultimately accepted. Amidst the celebration, a wager is proposed among Petruchio, Lucentio, and Hortensio (another suitor who married a wealthy widow) to see whose wife is the most obedient. When called, Bianca and the Widow refuse to come, but Katherina appears immediately. She then delivers a lengthy speech on the duties of a wife, advocating for obedience and submission to her husband, much to the astonishment and admiration of all present. Petruchio, having won his wager and seemingly achieved his goal, departs with his "tamed" Katherina.
What other readers say
Liked
Reviewers, while often critical of its content, acknowledge the book's status as a classic and its continued presence in literature and performance. Some readers indicated an overall enjoyment of the story itself, setting aside specific thematic issues. This suggests an appreciation for the narrative structure, historical context, or dramatic elements that contribute to its enduring recognition.
Disliked
The primary criticisms revolve intensely around the book's portrayal of gender roles and marriage. Reviewers expressed strong discomfort and anger with the central concept of a woman with independent opinions undergoing a process intended to alter her behavior. The methods employed to achieve this transformation were described as deeply troubling, and the ultimate resolution of the main character's journey, particularly her final monologue, was found highly objectionable, seen as advocating for a model of wifely devotion and obedience that many consider outdated and offensive. Additionally, some readers noted an unresolved plot element concerning a character named Christopher Sly, which left them curious.
In short
Overall, this book elicits strong and often divided reactions. While it is acknowledged for its historical and literary significance, its core themes concerning female submission are widely perceived as problematic and challenging to reconcile with modern sensibilities. This book would appeal to readers interested in classic literature, particularly historical plays, who are prepared to engage with works that reflect past societal norms, even when those norms are controversial. It may also attract those interested in critical literary analysis of challenging themes. However, readers sensitive to depictions of gender inequality or those seeking stories with empowering female characters may find the content difficult or frustrating.
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