The Arts and Crafts of Literacy Islamic Manuscript Cultures in Sub-Saharan Africa
by Andrea Brigaglia, Mauro Nobili
10 / 10 2 ratings
- Language
- English
- Published
- 2017
- Publisher
- Walter de Gruyter
- Pages
- 367
- ISBN
- 9783110541403
The Arts and Crafts of Literacy challenges the perception of Africa as solely an oral continent by revealing the depth and vibrancy of its Islamic manuscript cultures. This book offers a holistic exploration of written literacy in Sub-Saharan Africa, moving beyond mere textual analysis to examine the materials, technologies, practices, and communities involved in the creation, circulation, and preservation of these invaluable manuscripts.
Through a continent-wide comparative approach, including regions often overlooked, this work expands understanding of diverse manuscript traditions, many of which remain living practices today. It presents a comprehensive view of manuscripts as both intellectual content and physical artifacts, illuminating the intertwined nature of embodied and embedded knowledge within these rich cultural expressions.
Through a continent-wide comparative approach, including regions often overlooked, this work expands understanding of diverse manuscript traditions, many of which remain living practices today. It presents a comprehensive view of manuscripts as both intellectual content and physical artifacts, illuminating the intertwined nature of embodied and embedded knowledge within these rich cultural expressions.
Subjects
Original edition
The Arts and Crafts of Literacy Islamic Manuscript Cultures in Sub-Saharan AfricaOriginally published in 2017 English Walter de Gruyter GmbH & Co KG
Other editions (2)
Listen to the summary Narrated summary
For a long time, the prevailing understanding of Sub-Saharan Africa characterized it primarily as a continent of oral traditions, largely devoid of a written literary heritage. This perspective, however, has been profoundly challenged by the remarkable rediscovery of thousands of Islamic manuscripts across diverse regions of the continent over the past two decades. These vibrant textual artifacts assert Africa's rightful place as a civilization deeply rooted in written literacy.
Yet, many studies previously focused predominantly on the textual content of these manuscripts, serving mainly literary and historical ends. A more encompassing approach, however, reveals the intricate "arts and crafts" that underpin these written traditions. It shifts focus to the tangible dimensions of the manuscript: the very materials from which they are fashioned, the sophisticated technologies employed in their creation, and the diverse practices that govern their production, circulation, preservation, and even their consumption.
The world of these Islamic manuscripts extends far beyond mere words on a page. It encompasses the skilled artisans who prepared the parchment or paper, the calligraphers whose hands meticulously inscribed the Arabic and Ajami scripts, and the binders who brought these components together into a cohesive whole. These are not isolated acts but are interwoven with the lives of communities - scholars, traders, families, and religious orders - who nurtured, exchanged, and treasured these precious objects.
Across the vast expanse of Sub-Saharan Africa, from the renowned centers of Timbuktu to the vibrant intellectual hubs of Nigeria and the historical city of Harar, these manuscript cultures flourished. In West Africa, for instance, the sheer volume of Arabic-Islamic manuscripts, estimated in the tens of thousands across numerous collections, speaks to a rich and continuous intellectual tradition that shaped the region's history and thought. Scholars, often bilingual or multilingual, composed the majority of these works, forging a West African intelligentsia that profoundly influenced local historiography.
The very existence of these manuscripts actively refutes outdated notions that sought to deny Sub-Saharan Africa a literary past, instead highlighting a dynamic engagement with written knowledge. These material objects offer profound insights into social, political, economic, intellectual, and artistic histories, revealing complex networks of interchange and identity formation that spanned vast geographical areas, even connecting to traditions in Egypt, Yemen, India, and Southeast Asia.
The study of these manuscripts often delves into the specificities of local production, such as the unique styles of Qur'anic manuscripts from Harar, which demonstrate a fascinating interplay of local cultural and religious traditions with broader artistic influences from across the Red Sea and Indian Ocean. This holistic perspective not only uncovers the written heritage but also sheds light on the living traditions that continue to shape the understanding and appreciation of these manuscripts today, ensuring their continued relevance and study.
Yet, many studies previously focused predominantly on the textual content of these manuscripts, serving mainly literary and historical ends. A more encompassing approach, however, reveals the intricate "arts and crafts" that underpin these written traditions. It shifts focus to the tangible dimensions of the manuscript: the very materials from which they are fashioned, the sophisticated technologies employed in their creation, and the diverse practices that govern their production, circulation, preservation, and even their consumption.
The world of these Islamic manuscripts extends far beyond mere words on a page. It encompasses the skilled artisans who prepared the parchment or paper, the calligraphers whose hands meticulously inscribed the Arabic and Ajami scripts, and the binders who brought these components together into a cohesive whole. These are not isolated acts but are interwoven with the lives of communities - scholars, traders, families, and religious orders - who nurtured, exchanged, and treasured these precious objects.
Across the vast expanse of Sub-Saharan Africa, from the renowned centers of Timbuktu to the vibrant intellectual hubs of Nigeria and the historical city of Harar, these manuscript cultures flourished. In West Africa, for instance, the sheer volume of Arabic-Islamic manuscripts, estimated in the tens of thousands across numerous collections, speaks to a rich and continuous intellectual tradition that shaped the region's history and thought. Scholars, often bilingual or multilingual, composed the majority of these works, forging a West African intelligentsia that profoundly influenced local historiography.
The very existence of these manuscripts actively refutes outdated notions that sought to deny Sub-Saharan Africa a literary past, instead highlighting a dynamic engagement with written knowledge. These material objects offer profound insights into social, political, economic, intellectual, and artistic histories, revealing complex networks of interchange and identity formation that spanned vast geographical areas, even connecting to traditions in Egypt, Yemen, India, and Southeast Asia.
The study of these manuscripts often delves into the specificities of local production, such as the unique styles of Qur'anic manuscripts from Harar, which demonstrate a fascinating interplay of local cultural and religious traditions with broader artistic influences from across the Red Sea and Indian Ocean. This holistic perspective not only uncovers the written heritage but also sheds light on the living traditions that continue to shape the understanding and appreciation of these manuscripts today, ensuring their continued relevance and study.
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