The Decameron, 1350!!! (IN RUSSIAN LANGUAGE) / (Декамерон)

Name: The Decameron, 1350!!! (IN RUSSIAN LANGUAGE) / (Декамерон)
Rating: 7.76 (44318 reviews)
Author: Mr Giovanni Boccaccio
ISBN: 9785170170814

Language: Russian
Published in: 2006
Publisher: AST
Pages: 637
ISBN: 9785170170814

Subjects

Original edition details

The Decameron of Giovanni Boccaccio Originally published in 1820

Original language

English

Original publisher CreateSpace Independent Publishing Platform

Other editions (234)

The Decameron (Penguin Classics)

2003 • Penguin

English

Decameron (Vintage Classics)

2012 • Vintage

English

The Decameron (Signet Classics)

2010 • Signet

English

The Decameron (100 Copy Collector's Edition)

2020 • Engage Books

English

The Decameron A New Translation, Contexts, Criticism

2016 • W. W. Norton

English

7.76 / 10 (44K ratings)

Reviews summary

Positives

The reviews widely praise this book as a monumental and foundational work of literature, celebrated for its exquisite writing, wit, and vibrant storytelling. Many readers found it surprisingly engaging, delightful, and frequently hilarious, often preferring its entertaining qualities over similar classics. The author is commended for masterfully crafting a collection that offers a rich, complex, and vivid portrayal of human virtues and defects, painting a detailed picture of 14th-century Italian society with remarkable realism and a secular sensibility. Its progressive stance for the era, including a frank portrayal of female sexuality, pointed anti-clericalism, and a focus on personal merit over social status, is frequently highlighted as groundbreaking. The book’s humor and satire are consistently lauded, turning potentially sensitive themes into light and enjoyable reads, while its clever plots and compelling characters ensure a rollicking and memorable experience.

Negatives

Despite its many strengths, some reviewers found the book to be a challenging read, occasionally describing it as boring, repetitive, or mechanical, with certain themes feeling predictable over time. A common point of contention is the portrayal of women and instances of violence, including rape, which are sometimes presented with an irreverent tone that can be unsettling or misogynistic by modern standards. Reviewers note that the social norms and gender dynamics depicted, such as the perceived displicency towards women or the promotion of infidelity, are outdated and can be jarring for contemporary readers. Additionally, while the collection is vast, not all one hundred stories are considered equally engaging or substantive, with some feeling less memorable or even nonsensical.

Conclusion

Ultimately, this collection is recognized as an immensely significant cultural and literary landmark, representing a bold humanistic statement during a period of widespread adversity. It serves as an invaluable window into medieval European life and the early Renaissance, offering a unique blend of historical insight and pure entertainment. Readers who appreciate sharp social commentary, clever satire, and witty, often bawdy, tales will likely find it a rewarding experience. It is particularly recommended for those interested in the origins of modern narrative and short story forms, and for readers who can approach historical texts with an understanding of their context, embracing both their timeless brilliance and their reflections of a bygone era.

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