Thomas Annan of Glasgow Pioneer of the Documentary Photograph

This book offers an engaging re-evaluation of the Victorian photographer Thomas Annan, particularly focusing on his acclaimed collection, "The Old Closes and Streets of Glasgow." It challenges the conventional view of Annan as solely a social reformer, instead presenting a nuanced argument about his motivations and the broader context of his commissions. Readers will appreciate the author's detailed analysis of Annan's famous slum photographs, which encourages a deeper look at the dignity and resilience of the subjects, often contrasting with the written descriptions of the period. The book also includes a compelling discussion on the ethical dimensions of photography, largely clearing Annan of charges of voyeurism or exploitation by comparing his approach favorably to others of his time, ultimately leaving the reader with new insights into the medium.

However, the initial chapters covering Annan's earlier work, such as portraits and commissioned photographs of wealthy estates, are described as less engaging and primarily serve as a preamble to the main subject. A minor reservation noted is that the author relies on a limited selection of Annan's slum photographs to support their central argument, with the reviewer suggesting that a more comprehensive inclusion might present a less consistent picture regarding the author's interpretation.

Overall, this book provides an enjoyable and thought-provoking examination of a significant historical photographer and his work, prompting readers to reconsider established narratives and look beyond initial impressions. It is highly recommended for those interested in Victorian photography, urban history, social commentary, and the ethical considerations within documentary photography, particularly readers who appreciate a detailed and analytical approach to historical figures and their artistic contributions.