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Go to My LibraryViolets are Blue
- Language
- English
- Published in
- Publisher
- Headline
- Pages
- 468
- ISBN
- 9780747266914
Subjects
Original edition details
Other editions (32)
Violets Are Blue
2001 • Little, Brown
English
Violets Are Blue
2002 • Grand Central Publishing
English
Violets Are Blue
2001 • Little, Brown
English
Violets Are Blue (Alex Cross, 7)
2001 • Grand Central Publishing
English
Violets Are Blue: Library Edition (Alex Cross Novels)
2015 • Blackstone Pub
English
Other editions

Violets Are Blue
2001 • Little, Brown
English

Violets Are Blue
2002 • Grand Central Publishing
English

Violets Are Blue
2001 • Little, Brown
English

Violets Are Blue (Alex Cross, 7)
2001 • Grand Central Publishing
English

Violets Are Blue: Library Edition (Alex Cross Novels)
2015 • Blackstone Pub
English

Violets Are Blue
2004 • Headline Publishing Group
English

Violets Are Blue Lib/E (Alex Cross Novels)
2015 • Little Brown and Company
English

Violets Are Blue (Alex Cross)
2003 • Demco Media
English

Violets are Blue
2001 • Little Brown and Co.
English

Violets Are Blue
2002 • VISION
English

Violets are Blue
2009 • Headline
English

Violets Are Blue
2001 • Little Brown and Company
English

Violets Are Blue
English

Violets are Blue
2010 • Headline
English

Violets Are Blue
2001 • Hachette Audio
English

Violets Are Blue
2001 • Hachette Audio
English

Violets Are Blue
2001 • Hachette Audio
English

Violets are Blue
2001 • Headline Feature
English

Violets Are Blue
2001 • Time Warner Audiobooks
English

Violets are Blue A Novel
2001 • Little, Brown
English

Violets Are Blue
2001 • Little Brown & Co
English

Violets Are Blue
2001 • Little Brown and Company
English

Violets Are Blue (Turtleback School & Library Binding Edition)
2002 • Turtleback Books
English

Noires sont les violettes (Thrillers)
2004 • LATTES
English

Noires sont les violettes
2006 • POCKET
French

Violets are Blue
2002 • Charnwood
English

Violets Are Blue
2006 • Little Brown & Company
English

Ultima mossa
2005 • TEA
Italian

Violets Are Blue (PDF)
2001 • Assorted
English

Violets Are Blue
2001 • LITTLE BROWN & CO @
English

Violets Are Blue
2001 • Little Brown & Company
English

Violets Are Blue
2001 • Little Brown & Company
English
The Mastermind's shadow loomed, but another, more bizarre terror began to unfold across the country. In San Francisco, a gruesome discovery: two joggers found slain, their bodies drained of blood, bearing savage bite marks. The local police were horrified, the FBI baffled, and Alex, despite his ingrained skepticism, had to confront the unimaginable – someone was committing murders in a macabre ritual, seemingly the work of vampires. He joined forces with San Francisco Inspector Jamilla Hughes, a sharp and dedicated detective, as the trail of blood led them into a disturbing subculture.
Their investigation plunged them into a netherworld of secret clubs and role-players, a world populated by poseurs and those who had crossed the line from dark ritual to real blood. They encountered individuals like the Fresno Kid, who crafted custom fangs for serious members of vampire role-playing clubs, and Professor Peter Westin, a vampire scholar who insisted on the existence of a true "Sire." The bite marks on the victims, some caused by humans with fang extensions, others by what appeared to be a tiger, steered their detective work into increasingly surreal territory.
The pursuit of these "vampire" killers, later identified as the brothers William and Michael, led Alex and Jamilla across the country, from California to South Carolina, and then to Louisiana. They followed a twisted path marked by more ritualistic killings, including the grim discovery of blood-drained bodies. The brothers, reveling in the media coverage, viewed their murders as part of a grand mission, even breaking into funeral homes for fresh corpses to sustain their macabre lifestyle. During this relentless chase, Alex found himself bitten by a young man from a vampire commune in North Carolina, an unsettling encounter that left him questioning the very nature of what they were hunting.
The hunt for the vampire cult culminated in New Orleans, where two magicians, Charles and Daniel, were revealed to be ringleaders. Yet, their significance to the investigation quickly vanished when they themselves became victims. Back in California, Jamilla uncovered fresh clues leading to Santa Cruz, only to fall into the clutches of William and Michael, who had been tracking her. They took her to their childhood farm, which now served as a vampire commune. Learning of her disappearance, Alex, with the FBI and Kyle Craig, raced back to California. They raided the farm, rescuing Jamilla and bringing an end to the Alexander brothers and their tiger.
With the vampire cult dismantled, Alex's focus sharpened on the Mastermind, who had continued to taunt him throughout the gruesome investigations, targeting his friends and family. A growing attraction between Alex and Jamilla put her in grave peril, as the Mastermind sought to strike at everything Alex held dear. While keeping watch outside Jamilla's San Francisco home, Alex was stunned by the appearance of Kyle Craig. In a shocking, heart-wrenching revelation, it became clear: Kyle Craig, a trusted colleague, was the Mastermind.
The final confrontation was a desperate, nationwide pursuit that led Alex to Craig's friend Kate McTieran's house. There, Alex overpowered Craig, recording his confession to multiple murders, a chilling testament to the betrayal he had endured. Exhausted, profoundly shaken, but victorious, Alex finally returned to his family, resigning from the DC police force, seeking a measure of peace after facing his deepest fears and the ultimate betrayal.
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Rating Sources
This installment in the Alex Cross series is widely praised for its consistent action, fast pace, and signature short chapters, making it an easy and engaging read for many. Reviewers frequently highlight the enduring appeal of Alex Cross as a strong protagonist, along with the relatable dynamic of his family life, which provides a solid background for the unfolding events. The primary Mastermind storyline is often described as gripping, compelling, and full of exciting twists, with some readers finding its development and eventual conclusion to be a highlight. Additionally, the secondary "vampire" crime plot, though a point of division, captivated a segment of readers, particularly those who enjoy fantasy or bizarre elements, adding a unique and sometimes creepy dimension to the narrative.
However, the book also drew criticism from several readers. The "vampire" storyline was a significant point of contention for some, who felt it either overshadowed the main Mastermind plot, was unnecessary, or felt disjointed from the core narrative. A common complaint was that the Mastermind's identity was too easily guessed by readers, making Alex Cross's eventual realization feel prolonged. Some reviewers found the ending to be abrupt, anticlimactic, or too easily resolved. Concerns were also raised about the writing style, with comments on a perceived lack of substance, repetitive language, monotonous dialogue, and an overall feeling that the book was "samey" compared to previous installments. The level of violence and gore was considered excessive by some, describing it as particularly macabre or overly gruesome.
Despite these mixed reactions, "Violets Are Blue" generally delivers a quick, action-packed experience that many fans of the series will find entertaining. It is best suited for readers who appreciate James Patterson's distinctive style of fast-paced thrillers with short chapters, constant suspense, and a blend of criminal investigation with personal challenges for the protagonist. Those invested in the ongoing Alex Cross saga, especially the overarching Mastermind narrative, are likely to find the book a compelling read, while those seeking deep literary complexity or a departure from the author's established formula might find it less satisfying.
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