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Go to My LibraryWalk Two Moons (Chinese Edition)
- Language
- Chinese
- Published in
- Publisher
- 21st Century Publishing House
- Pages
- 255
- ISBN
- 9787539198149
Set against the backdrop of the American landscape, this novel weaves together two distinct stories to explore the complexities of family and the unpredictable nature of grief. As Sal follows the path her mother took, she begins to understand that to truly know another person, you must first walk in their shoes. The intertwined narratives of Sal and Phoebe create a layered and suspenseful story about loss, acceptance, and the powerful journey of self-discovery.
Subjects
Original edition details
Other editions (35)
Other editions

Salamancas Reise
2000 • Fischer-Taschenbuch-Verlag
German

Walk Two Moons
2003 • Harper Collins
English

Walk Two Moons CD
2006 • HarperFestival
English

Walk Two Moons Low Price CD
2009 • HarperFestival
English

Caminar dos lunas
1997 • Ed. Sudamericana
Spanish

Entre DOS Lunas
2021 • Lectorum Publications, Incorporated
Spanish

Entre dos lunas
2011 • Editorial Noguer S.A.
Spanish

Entre Dos Lunas
2001 • Noguer y Caralt
Spanish

Due lune
1998 • Mondadori
Italian

Walk Two Moons: A Harper Classic
2017 • HarperCollins
English

Walk Two Moons
2009 • Harper Collins
English

Walk Two Moons
1996 • Harper Collins
English

Walk 2 Moons
1998 • HarperFestival
English

Walk Two Moons
2019 • Thorndike Press Large Print
English

Walk Two Moons
2008 • HarperCollins Publishers
English

Walk Two Moons
2008 • HarperCollins Publishers
English

Walk Two Moons
2019 • Thorndike Press
English

Walk Two Moons (Summer Reading Edition)
2005 • HarperTrophy
English

Walk Two Moons
2008 • HarperCollins Publishers
English

Walk Two Moons Chasing Redbird
1999 • HarperCollins Publishers
English

Walk Two Moons
1997 • Listening Library
English

Walk Two Moons
2008 • HarperCollins Publishers
English

Walk Two Moons
1996 • Perfection Learning Corporation
English

Walk Two Moons
1994 • HarperCollins
English

Walk Two Moons
2008 • HarperCollins
English

Walk Two Moons
1994 • HarperCollins
English

Entre dos lunas
1998 • Noguer y Caralt
Spanish

Bana Bir Hikaye Anlat
2019 • Pegasus Yayincilik
Turkish

Walk Two Moons
2003 • Turtleback
English

Walk Two Moons
1994 • HarperCollins
English

Le voyage à rebours
2003 • Gallimard Jeunesse
French

Achter de maan
1999 • Kluitman
Dutch

Walk Two Moons
2003 • Thorndike Press
English

Walk Two Moons
1994 • Bound to Stay Bound Books
English

Du menesiai kelio
2001 • Alma littera
English
It was on a long car trip, locked in with my grandparents for six days, that I told them Phoebe's story. We were driving west to Lewiston, Idaho, a trip I had to take, a trip that had to be finished by my mother's birthday. The wind and the sky and the trees all whispered *rush, rush, rush*. To pass the time as we barreled across the country, and to keep from thinking too much about my mother, I began the tale. “I could tell you an extensively strange story,” I warned them. “Oh, good!” Gram said. “Delicious!” And so I told them about Phoebe Winterbottom, her disappearing mother, and the lunatic.
Phoebe's world was one of thumpingly respectable order on the surface, but underneath, it was teeming with suspicion. Her family was polite and stiff, a place where cholesterol was a graver sin than unkindness. Soon after I met her, a nervous young man appeared on her doorstep, asking for Mrs. Winterbottom. Phoebe, with her vivid imagination, immediately labeled him “the lunatic.” Then, mysterious messages began appearing on her porch: *Don't judge a man until you've walked two moons in his moccasins*. Phoebe was certain it was all connected to our neighbor, the spooky Mrs. Cadaver, who, Phoebe theorized, had probably chopped up her husband and buried him in the backyard beneath a rhododendron bush.
As I spun out Phoebe's story, my grandparents stitched their own lives into the telling. Gram, with her cries of “Huzza, huzza!” and Gramps, with his tall tales and his unwavering love for his “gooseberry,” were a caboodle of goodness and peculiarity. They got into trouble borrowing a senator's tires and dismantled a stranger's engine in a rest stop, all with the best intentions. But on the hot, flat plains of South Dakota, our journey took a sharp turn. While we cooled our feet in the Missouri River, a water moccasin took a snack out of Gram's leg. The boy with the bowie knife who had tried to rob us was the one who knelt and sucked the poison from the wound, saving her life. For a time, the whispers in the air changed. They no longer urged me to hurry; instead, they warned me to slow down.
Back in Euclid, Phoebe's world truly began to unravel. One afternoon, her mother was gone. She left behind neatly labeled casseroles in the freezer and a series of notes, the last of which said simply, *I had to go away. I can't explain*. Phoebe refused to believe her mother had left on her own. She insisted the lunatic had kidnapped her. She collected evidence - stray hairs, suspicious floor stains - and dragged me with her to the police station, convinced that Mrs. Cadaver was the mastermind behind it all. While Phoebe was searching for a villain, I was watching her family and remembering my own. I saw the way her mother had tried to reach for her children, only to be pushed away. I remembered my own mother, before she left, asking me to walk in the fields with her, and how I had said no.
Phoebe and I followed the trail of our own suspicions to the local university, searching for the lunatic. We found him. He was sitting on a bench on the college green, and beside him, holding his hand, was Mrs. Winterbottom. She leaned over and kissed his cheek. The truth, when it came, was not a story of murder or kidnapping, but one of secrets and quiet sadness. The “lunatic” was Mike, the son Mrs. Winterbottom had given up for adoption years before she ever met her husband. She had left not to escape her family, but to find a piece of herself she had lost long ago.
As my story of Phoebe reached its end, our own journey was growing more desperate. We flew through the mountains of Montana, the car gobbling up the miles. Gram was quiet, her breathing shallow and rattly. Her one wish was to see Old Faithful in Yellowstone. We watched it erupt, a whole river of water shooting into the sky, and Gram tilted her face to the mist, her voice a happy rasp. “Huzza, huzza!” she cried. It was the last time I would hear her say it. She had a stroke that night, and in a hospital in Coeur d'Alene, Idaho, with Gramps holding her hand, our gooseberry died.
Gramps gave me the car keys and a wad of money. He knew, without me saying a word, that I had to finish the trip alone. I drove the last hundred miles on my own, down the treacherous, winding road to Lewiston. I pulled over at an overlook, the same spot where a man once pointed out to me the wreckage of a bus that had plunged off the cliff a year before. He had told me only one person survived.
I finally understood. I had been searching for my mother, hoping for a miracle, but she wasn't in Lewiston. She was in the ground, on a hill overlooking the Snake River. She had been on that bus. The sole survivor was the woman who had been sitting beside her, a stranger who became a friend in their last hours together: Margaret Cadaver. My father had not brought me with him when he first came because the grief was too sharp, the truth too terrible.
I visited her grave and kissed the willow tree that grew beside it. I saw that my mother wasn't truly gone; she was singing in the trees. The long trip was a gift from Gram and Gramps, a chance for me to walk in my mother's moccasins. Now, my father, Gramps, and I are back in Bybanks. Gram is buried in the aspen grove, and we miss her every day. I've learned that underneath one story is another, and that you can't keep the birds of sadness from flying over your head, but you can keep them from nesting in your hair. And sometimes, even when you're walking through the deepest sadness, you can still find a singing tree, a new puppy, and the promise of a blackberry kiss. Huzza, huzza.
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Rating Sources
Reviewers widely praise this book for its profound emotional impact, often describing it as deeply touching, heartwarming, and capable of evoking strong feelings in readers of all ages. Many highlight the unique and believable characters, particularly the protagonist and her eccentric grandparents, as endearing and memorable. The storytelling is frequently lauded for its multi-layered structure, suspenseful elements, and smooth narrative flow, creating an engaging experience. Readers appreciate the exploration of significant themes such as empathy, forgiveness, identity, and coping with loss, conveyed through a blend of mystery, adventure, and spiritual undertones. The book is considered by many to be a modern classic that transcends its middle-grade classification, offering entertainment and meaning to both younger audiences and adults, with several reviewers noting the ending provided a surprising and satisfying sense of closure.
Despite the widespread acclaim, some reviewers expressed reservations. A portion found the plot to be predictable or occasionally heavy-handed in its execution, with certain elements feeling contrived or unrealistic. Character likability was a point of contention for some, who found certain figures annoying or difficult to relate to, and perceived adult characters as having significant flaws without strong moral anchors. The pacing was described by a few as slow, with unnecessary mystery or dialogue that felt wooden and systematic. A notable concern for some was the book's suitability for its target younger audience, with comments suggesting that its philosophical depth and mature themes of loss, betrayal, and complex family dynamics might be over the heads of elementary or middle school children, or simply not engaging for all young readers. One reviewer also felt the ending was manipulative, leading them to believe one thing when the narrator knew otherwise.
Overall, the reviews indicate a strong appreciation for the book's emotional depth and nuanced storytelling, positioning it as a powerful and thought-provoking read. While it may not resonate with every young reader, particularly those seeking straightforward action or lighter themes, it is highly recommended for those who appreciate character-driven narratives that explore complex emotions, identity, and the process of understanding others' perspectives. Readers who enjoy reflective stories, philosophical undertones, and a journey of self-discovery, with a blend of humor and heartbreak, are most likely to find this book a deeply moving and rewarding experience, regardless of age.
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