Between Stillness and Motion Film, Photography, Algorithms

Since the late 19th century, a fundamental tension has existed between the still photographic image and the moving cinematic image, influencing their form, function, and cultural impact. This volume examines how new technological media, including film, photography, and computers, have reshaped perceptions of stillness and motion in the visual arts. Moving beyond conventional cinematic theory, this collection of essays analyzes these concepts within a broader framework of images and media, tracing their strategic uses in art and entertainment from the mid-nineteenth century to the present.

The book explores how the interplay of stillness and motion illuminates and redefines critical issues in aesthetics, film, art, and media history, while also offering new perspectives on human affects, memories, and contemporary patterns of communication and image circulation. It offers a comprehensive exploration of these evolving relationships, providing insights into the technologically driven landscape of visual culture.