Chains

Laurie Halse Anderson

  • First published 2008
  • 336 pages
  • English
As the American Revolution ignites, thirteen-year-old Isabel and her younger sister, Ruth, are promised freedom upon their owner's death. This promise shatters, however, when they are illegally sold to the Locktons, a malicious Loyalist couple in New York City. Caught between the fight for colonial independence and her own desperate struggle for liberation, Isabel is approached by Curzon, an enslaved boy with ties to the Patriots, who suggests spying on her new owners could be a path to freedom. This meticulously researched historical novel explores the profound hypocrisy of a nation seeking liberty while upholding slavery, as Isabel navigates a dangerous world where loyalty is fluid and the definition of freedom is fiercely debated. Her journey reveals the courage required to claim one's identity and fight for what is right, even when all odds are stacked against you.
4.10
60K ratings across the web
8 in 10 readers loved it
Reviewers largely commend the book for its compelling and engrossing narrative, which draws readers into the story of a young enslaved girl during the American Revolution. The protagonist, Isabel, is frequently praised as a strong, intelligent, and resilient character who inspires readers with her determination to navigate incredibly difficult circumstances. Many appreciate the author's meticulous historical research, noting how seamlessly details of colonial New York and the Revolutionary War are woven into the plot, creating an immersive and authentic atmosphere. The book is lauded for offering a unique and nuanced perspective on this period, highlighting the plight of enslaved people and challenging traditional portrayals of the conflict by showing how neither side prioritized the freedom of all Americans. Critics also highlight the author's strong writing style, vivid prose, and ability to craft both complex characters and a powerful emotional impact, making it an educational yet exciting read. The inclusion of historical quotes at the beginning of each chapter is also noted as a clever way to enrich the narrative and provide broader context.

Despite the widespread acclaim, some reviewers express significant reservations, particularly concerning the portrayal of slavery and the main character. A key criticism, especially from readers of color, is the perception of a "white gaze" in the narrative, leading to what some felt were subtle stereotypes or a "whitewashing" of the harsh realities of slavery. Isabel's independence and defiance were viewed by some as historically improbable for a person in her situation, making her feel less like an authentic 18th-century character and more like a modern protagonist in historical costume. Additionally, some felt the portrayal of the enslaver, Mrs. Lockton, bordered on sympathetic, which was seen as problematic given the severe abuse Isabel endures. Other criticisms include occasional pacing issues, with some finding parts of the story slow or feeling that the plot was sometimes structured around historical facts rather than developing organically. A minor point raised was the lack of clear indication on the cover that the book is the first in a series.

Ultimately, the book is widely regarded as an important and powerful piece of historical fiction, often described as a "treasure" or "jewel" that provides valuable insights into a complex period of American history. While it tackles difficult and often brutal themes, many reviewers find it suitable for its intended audience, praising its ability to be both educational and deeply moving without being overly graphic. The book is highly recommended for middle-grade readers, typically ages 10 and up, and is also considered an engaging read for young adults and adults interested in historical fiction, particularly those seeking a fresh perspective on the American Revolution. It is suggested as a valuable addition to school curricula, capable of sparking meaningful discussions about freedom, injustice, and the complexities of history.

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