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Go to My LibraryMetamorphoses Books IX-XV.. Vol. 2
- Language
- Latin
- Published in
- Publisher
- Harvard University Press
- Pages
- 499
- ISBN
- 9780674990470
This volume also includes "Cosmetics," a fragment offering advice on women's beauty, and "Remedies for Love," which provides counsel on escaping the pangs of an unwanted passion. Further poems such as "Ibis," "The Walnut-Tree," "Sea-Fishing," and "A Poem of Consolation" showcase Ovid's diverse poetic voice and his engagement with personal and societal themes. Presented with a parallel Latin text and English translation, this collection provides access to Ovid's enduring insights into human nature and the timeless pursuit of love.
Subjects
Original edition details
Other editions (58)
The Metamorphoses (Barnes & Noble Classics Series)
2005 • Barnes & Noble Classics
English
Metamorphoses (Hackett Classics)
2010 • Hackett Publishing Company, Inc.
English
Metamorphoses (Penguin Classics)
2004 • Penguin Classics
English
Metamorphoses (Oxford Classical Texts) (Latin Edition)
2004 • Oxford University Press
Latin
Metamorphoses (Norton Critical Editions)
2010 • W. W. Norton & Company
English
Other editions

The Metamorphoses (Barnes & Noble Classics Series)
2005 • Barnes & Noble Classics
English

Metamorphoses (Hackett Classics)
2010 • Hackett Publishing Company, Inc.
English

Metamorphoses (Penguin Classics)
2004 • Penguin Classics
English

Metamorphoses (Oxford Classical Texts) (Latin Edition)
2004 • Oxford University Press
Latin

Metamorphoses (Norton Critical Editions)
2010 • W. W. Norton & Company
English

Les métamorphoses d'Ovide
1999 • Nathan
French

Metamorphosen. Lateinisch - deutsch
2004 • Artemis & Winkler
German

Tales from Ovid 24 Passages from the Metamorphoses
1999 • Farrar, Straus and Giroux
English

Ovid: The Metamorphoses: A Complete New Version by Horace Gregory
1960 • Signet: A Mentor Book
English

Metamorfosi - Volume II (Libri III-IV)
2021 • Fondazione Lorenzo Valla/Arnoldo Mondadori Editore
Italian

Les Métamorphoses
1993 • FLAMMARION
French

Les Métamorphoses
2003 • Hatier Parascolaire
French

Les métamorphoses
1994 • Hachette
French

Metamorphoses A New Translation By Charles Martin
2005 • National Geographic Books
English

Ovid's metamorphoses selections
1969 • Faber
Latin

Metamorphoseon Libri XV (Latin Texts & Commentaries Ser.)
1979 • Ayer Co Pub
English

Ovid: Metamorphoses XI (Latin Texts)
1991 • Bristol Classical Press
English

Ovid's Metamorphoses: A Translation
2006 • Carcanet Press Ltd.
English

Metamorphoses. Book VIII
1983 • OUP Oxford
English

Tales from Ovid
Penguin
English

The Metamorphoses
2010 • Penguin USA, Inc.
English

Ovid: Fasti (Loeb Classical Library No. 253) (English and Latin Edition)
1931 • Harvard University Press
English

Metamorphoses
2004 • W. W. NORTON CO.
English

De natura deorum liber 1
2000 • Cambridge University Press
English

Metamorphosen.
1990 • Insel, Frankfurt
German

Metamorphoses
1978 • Laurida Pub Co
English

Ovid's Metamorphoses Books 1-10
1972 • University of Oklahoma Press
English

The Metamorphoses
2002 • Gardners Books
English

Metamorphosis
1985 • Ares Pub
English

Ovid: The Art of Love and Other Poems (Loeb Classical Library No. 232)
1929 • Harvard University Press
English

The Metamorphoses
1958 • Penguin Group USA, Incorporated
English

Metamorphosen.
1998 • Diogenes Verlag
German

Amores Arte de amar
1993 • Cátedra
Spanish

Metamorphoses
1955 • Indiana University Press
English

Metamorphoses Ovide (Folio (Gallimard)) (French Edition)
1992 • Gallimard Education
French

Metamorphoses (Bibliotheca scriptorum Graecorum et Romanorum Teubneriana) (Latin Edition)
1998 • de Gruyter
Latin

Metamorphoses (Wordsworth Classics of World Literature)
1998 • Wordsworth Editions Ltd
English

Ovid: Metamorphoses I
1984 • Bolchazy-Carducci Publishers
English

Metamorphosen lateinisch/deutsch
1994 • Reclam
German

Ovid's Metamorphoses
2002 • JHU Press
English

Métamorphoses
2001 • ACTES SUD
French

The Metamorphoses
2009 • Penguin Group UK
English

Metamorphoses of Ovid
1970 • PENGUIN BOOKS
English

Metamorphosen.
1997 • Dtv
German

Publius Ovidius Naso: The XV Bookes Entytuled Metamorphosis
1977 • Walter J Johnson
English

The Metamorphoses
1960 • Signet
English

The Metamorphoses
1960 • New Amer Library
English

Les Métamorphoses (ETONNANTS CLASSIQUES)
1999 • FLAMMARION
French

Metamorphosen.
2001 • Klett
German

Les Métamorphoses
1999 • Larousse
French

Metamorphosen
2002 • Schöningh im Westermann
German

The Metamorphoses
1960 • Signet
English

Les Métamorphoses d'Ovide, en latin et en françois: Traduction de M. l'Abbé Banier, avec des explications historiques. Tome 4
2006 • Adamant Media Corporation
French

The Metamorphoses
1960 • Signet
English

The Metamorphoses
1960 • Signet
English

Metamorphoses by Ovid
1990 • n/a
English

Metamorphosen lateinisch/deutsch
1997 • Reclam
German

The Metamorphoses
1960 • Signet
English
First, let us turn to the grand treatise, "The Art of Love," where I, your humble professor, lay bare the secrets of winning a heart. For men, I offer counsel on where to seek your quarry: the porticoes, the theatres, the triumphs, even the dining couch - for love, like hunting, requires knowing your terrain. Learn to approach with subtle flattery, to write persuasive letters, and to cultivate an appearance that speaks of care, not excessive vanity. Remember, promises cost nothing, and hope, though a treacherous goddess, sustains for long. Do not neglect the maid, for her aid can be invaluable in unlocking her mistress's secrets and easing your path.
Yet, the pursuit is but half the battle; keeping your beloved is another art entirely. I instruct you, men, to be attentive, to feign jealousy just enough to show your devotion, but never to truly lose your temper. Let your passion burn, but with a controlled flame, for a lover who is too easily won may be too easily discarded. Be wary of your friends, for they can be rivals in disguise. Remember birthdays, offer gifts, and always be ready with a comforting word, even if your heart is not entirely in it. The art lies in the performance, in maintaining the illusion of ardent devotion.
But what of the fairer sex? Fear not, ladies, for I have armed the Amazons against the Greeks, offering you your own strategies in the third book of "The Art of Love." Cultivate your beauty, yes, but with discretion. Let your hair be artfully arranged, your dress pleasing, and your wit sharp. Learn to dance, to sing, to play games, for these accomplishments add sparkle to your charm. Know your own features and how to enhance them, but avoid too many adornments. Learn to dissemble, to flirt, and to manage your suitors with grace and cunning. For beauty, alas, fades with age, but charm and intelligence can secure devotion for far longer.
Should the chains of love become too heavy, should passion turn to pain, then turn your gaze to "Remedies for Love." Here, I, the physician of the heart, prescribe cures for those afflicted by Cupid's cruelest arrows. This is not a guide to avoiding love, but to escaping it when it brings only torment. The path to freedom lies in busying your mind, in finding new distractions, and in avoiding the sight of your former beloved. Travel, immerse yourself in work, or seek new loves to replace the old.
Crucially, you must learn to see your former love's imperfections, to strip away the idealized image that once captivated your heart. Focus on their faults, both real and imagined, and let reason cool the fires of infatuation. Burn old letters, avoid familiar places, and shun any connection that might rekindle the dying embers of passion. Do not procrastinate, for the sooner you act, the swifter your recovery. This is a journey of self-discipline, a strategic retreat from emotional bondage to reclaim your peace.
Beyond these great treatises on love and its undoing, you will find other, shorter verses, each a testament to life's varied tapestry. There is "Cosmetics for Ladies," a practical, if playful, guide offering recipes for facial treatments, defending the use of such adornments against those who would condemn them. And then there are more singular pieces: "Ibis," a torrent of learned curses against an unnamed enemy, a stark contrast to the lightness of love; "The Walnut Tree," a monologue from a tree lamenting its fate of being pelted for its fruit, a poignant reflection on the burdens of fertility and wealth; and "Sea-Fishing," a didactic poem describing the habits of fish and various fishing techniques, though its authorship remains debated.
These diverse poems, from the detailed instructions on seduction and liberation to the more obscure musings on curses, cosmetics, and nature, all bear the unmistakable stamp of my hand. They are woven with wit, sharp observation, and a profound understanding of human nature and the societal currents of Rome. Whether offering advice on love's tender traps or on escaping its snares, or simply observing the world with a discerning eye, these verses invite you to experience life with sophistication, humor, and an unblinking gaze at its many facets.
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Rating Sources
Reviewers widely appreciate the book for its historical significance and its capacity to offer deep insights into ancient Roman culture, particularly regarding family structures, societal norms, and relationships during a pivotal historical period. Many found it illuminating for understanding the cultural context of early Christian teachings, suggesting it can enhance Biblical understanding by illustrating the societal landscape Jesus and the apostles addressed. The work is lauded for its enduring relevance, demonstrating how human approaches to love and desire 2000 years ago often parallel modern sentiments. Readers also commend Ovid's comprehensive coverage, including advice for men and women, and his extensive knowledge of mythology, which enriches the text. Despite its age, many found it to be a fun and engaging read, appreciating Ovid's distinctive writing style and passionate voice.
However, the book also elicits strong reactions due to its controversial and explicit content. Reviewers frequently describe it as "scandalous" and "immoral," highlighting its frank discussions of sexual relationships, adultery, and even abuse. Some find the treatise dated, particularly its advice, which can be perceived as cynical, manipulative, or focused more on lust and affairs rather than profound love. Specific sections, such as the advice intended for women, were noted by one reviewer as less engaging than those for men. The text's direct and sometimes racy counsel on attracting and maintaining relationships, while historically insightful, led some to categorize it for restricted reading.
Overall, the book is a historically significant and thought-provoking work that continues to spark debate and discussion. It offers a unique window into ancient Roman perspectives on love, relationships, and social dynamics. This book would appeal to readers interested in classical literature, ancient history, and the cultural context of early Christianity. It is also suitable for those who appreciate Ovid's distinctive writing and his deep knowledge of mythology. However, potential readers should be aware of its explicit and sometimes controversial content, which some may find challenging or morally objectionable, and approach it as a historical document reflecting different ethical standards.
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