Metamorphoses (Wordsworth Classics of World Literature)
by Ovid
8.06 / 10 59K ratings
- Language
- English
- Published
- 1998
- Publisher
- Wordsworth Editions Ltd
- Pages
- 592
- ISBN
- 9781853267901
Ovid's "The Art of Love" offers a guide to navigating the complexities of romance and seduction in ancient Rome. This work, notorious in its time, provides instruction on finding, attracting, and maintaining a lover, written with Ovid's characteristic wit and a blend of practical advice and social observation. The three books address both men and women, detailing strategies for courtship and exploring the dynamics of desire and fidelity within Roman society.
This volume also includes "Cosmetics," a fragment offering advice on women's beauty, and "Remedies for Love," which provides counsel on escaping the pangs of an unwanted passion. Further poems such as "Ibis," "The Walnut-Tree," "Sea-Fishing," and "A Poem of Consolation" showcase Ovid's diverse poetic voice and his engagement with personal and societal themes. Presented with a parallel Latin text and English translation, this collection provides access to Ovid's enduring insights into human nature and the timeless pursuit of love.
This volume also includes "Cosmetics," a fragment offering advice on women's beauty, and "Remedies for Love," which provides counsel on escaping the pangs of an unwanted passion. Further poems such as "Ibis," "The Walnut-Tree," "Sea-Fishing," and "A Poem of Consolation" showcase Ovid's diverse poetic voice and his engagement with personal and societal themes. Presented with a parallel Latin text and English translation, this collection provides access to Ovid's enduring insights into human nature and the timeless pursuit of love.
Subjects
- Reference
- Literature & Fiction
- Genre Fiction
- Subjects
- Literary
- Epic
- History
- Children's Books
- Poetry
- FICTION_GENERAL
- POETRY (POETIC WORKS BY ONE AUTHOR)
- Fiction
- Skin
- Classics
- Literary Collections
- Homes and haunts
- Folklore & Mythology
- History & Criticism
- Social Science
- Ancient & Classical
- Foreign Language Study
- Regional & Cultural
- European
- English, Irish, Scottish, Welsh
- Language Arts & Disciplines
- Fairy Tales, Folk Tales & Myths
- Movements & Periods
- Themes & Styles
- Women Authors
- Literary Criticism
- Sources
- Literature
- POETRY_COLLECTIONS
- English literature
- Readers
- Poetry (poetic works by one author)
- Comparative Literature
- FICTION
- Calendar
- Ancient
- English poetry
- Language readers
- Illustrations
- Mythology
- Plays
- Translations into Russian
- Influence
- Early works to 1800
- Latin
- Themes, motives
- Translations
- Problems, exercises
- Ancient, Classical & Medieval
- Translations into English
- Knowledge
- Fasts and feasts
- Correspondence
- Latin language
- Ancient Languages
- Church architecture
- German poetry
- Poetry, collections
- European literature
Original edition
Ovid: The Art of Love and Other Poems (Loeb Classical Library No. 232)Originally published in 1929 English Harvard University Press
Other editions (58)
Listen to the summary Narrated summary
Ah, gentle reader, would you navigate the treacherous yet exhilarating seas of love? Then lend me your ear, for I, Ovid, the master of tender arts, shall be your guide through the labyrinthine paths of passion, desire, and even, when necessary, deliverance. Consider these verses not merely as poems, but as the very instruction manual for the discerning heart, penned with wit and wisdom for both maid and man in the bustling heart of Rome.
First, let us turn to the grand treatise, "The Art of Love," where I, your humble professor, lay bare the secrets of winning a heart. For men, I offer counsel on where to seek your quarry: the porticoes, the theatres, the triumphs, even the dining couch - for love, like hunting, requires knowing your terrain. Learn to approach with subtle flattery, to write persuasive letters, and to cultivate an appearance that speaks of care, not excessive vanity. Remember, promises cost nothing, and hope, though a treacherous goddess, sustains for long. Do not neglect the maid, for her aid can be invaluable in unlocking her mistress's secrets and easing your path.
Yet, the pursuit is but half the battle; keeping your beloved is another art entirely. I instruct you, men, to be attentive, to feign jealousy just enough to show your devotion, but never to truly lose your temper. Let your passion burn, but with a controlled flame, for a lover who is too easily won may be too easily discarded. Be wary of your friends, for they can be rivals in disguise. Remember birthdays, offer gifts, and always be ready with a comforting word, even if your heart is not entirely in it. The art lies in the performance, in maintaining the illusion of ardent devotion.
But what of the fairer sex? Fear not, ladies, for I have armed the Amazons against the Greeks, offering you your own strategies in the third book of "The Art of Love." Cultivate your beauty, yes, but with discretion. Let your hair be artfully arranged, your dress pleasing, and your wit sharp. Learn to dance, to sing, to play games, for these accomplishments add sparkle to your charm. Know your own features and how to enhance them, but avoid too many adornments. Learn to dissemble, to flirt, and to manage your suitors with grace and cunning. For beauty, alas, fades with age, but charm and intelligence can secure devotion for far longer.
Should the chains of love become too heavy, should passion turn to pain, then turn your gaze to "Remedies for Love." Here, I, the physician of the heart, prescribe cures for those afflicted by Cupid's cruelest arrows. This is not a guide to avoiding love, but to escaping it when it brings only torment. The path to freedom lies in busying your mind, in finding new distractions, and in avoiding the sight of your former beloved. Travel, immerse yourself in work, or seek new loves to replace the old.
Crucially, you must learn to see your former love's imperfections, to strip away the idealized image that once captivated your heart. Focus on their faults, both real and imagined, and let reason cool the fires of infatuation. Burn old letters, avoid familiar places, and shun any connection that might rekindle the dying embers of passion. Do not procrastinate, for the sooner you act, the swifter your recovery. This is a journey of self-discipline, a strategic retreat from emotional bondage to reclaim your peace.
Beyond these great treatises on love and its undoing, you will find other, shorter verses, each a testament to life's varied tapestry. There is "Cosmetics for Ladies," a practical, if playful, guide offering recipes for facial treatments, defending the use of such adornments against those who would condemn them. And then there are more singular pieces: "Ibis," a torrent of learned curses against an unnamed enemy, a stark contrast to the lightness of love; "The Walnut Tree," a monologue from a tree lamenting its fate of being pelted for its fruit, a poignant reflection on the burdens of fertility and wealth; and "Sea-Fishing," a didactic poem describing the habits of fish and various fishing techniques, though its authorship remains debated.
These diverse poems, from the detailed instructions on seduction and liberation to the more obscure musings on curses, cosmetics, and nature, all bear the unmistakable stamp of my hand. They are woven with wit, sharp observation, and a profound understanding of human nature and the societal currents of Rome. Whether offering advice on love's tender traps or on escaping its snares, or simply observing the world with a discerning eye, these verses invite you to experience life with sophistication, humor, and an unblinking gaze at its many facets.
First, let us turn to the grand treatise, "The Art of Love," where I, your humble professor, lay bare the secrets of winning a heart. For men, I offer counsel on where to seek your quarry: the porticoes, the theatres, the triumphs, even the dining couch - for love, like hunting, requires knowing your terrain. Learn to approach with subtle flattery, to write persuasive letters, and to cultivate an appearance that speaks of care, not excessive vanity. Remember, promises cost nothing, and hope, though a treacherous goddess, sustains for long. Do not neglect the maid, for her aid can be invaluable in unlocking her mistress's secrets and easing your path.
Yet, the pursuit is but half the battle; keeping your beloved is another art entirely. I instruct you, men, to be attentive, to feign jealousy just enough to show your devotion, but never to truly lose your temper. Let your passion burn, but with a controlled flame, for a lover who is too easily won may be too easily discarded. Be wary of your friends, for they can be rivals in disguise. Remember birthdays, offer gifts, and always be ready with a comforting word, even if your heart is not entirely in it. The art lies in the performance, in maintaining the illusion of ardent devotion.
But what of the fairer sex? Fear not, ladies, for I have armed the Amazons against the Greeks, offering you your own strategies in the third book of "The Art of Love." Cultivate your beauty, yes, but with discretion. Let your hair be artfully arranged, your dress pleasing, and your wit sharp. Learn to dance, to sing, to play games, for these accomplishments add sparkle to your charm. Know your own features and how to enhance them, but avoid too many adornments. Learn to dissemble, to flirt, and to manage your suitors with grace and cunning. For beauty, alas, fades with age, but charm and intelligence can secure devotion for far longer.
Should the chains of love become too heavy, should passion turn to pain, then turn your gaze to "Remedies for Love." Here, I, the physician of the heart, prescribe cures for those afflicted by Cupid's cruelest arrows. This is not a guide to avoiding love, but to escaping it when it brings only torment. The path to freedom lies in busying your mind, in finding new distractions, and in avoiding the sight of your former beloved. Travel, immerse yourself in work, or seek new loves to replace the old.
Crucially, you must learn to see your former love's imperfections, to strip away the idealized image that once captivated your heart. Focus on their faults, both real and imagined, and let reason cool the fires of infatuation. Burn old letters, avoid familiar places, and shun any connection that might rekindle the dying embers of passion. Do not procrastinate, for the sooner you act, the swifter your recovery. This is a journey of self-discipline, a strategic retreat from emotional bondage to reclaim your peace.
Beyond these great treatises on love and its undoing, you will find other, shorter verses, each a testament to life's varied tapestry. There is "Cosmetics for Ladies," a practical, if playful, guide offering recipes for facial treatments, defending the use of such adornments against those who would condemn them. And then there are more singular pieces: "Ibis," a torrent of learned curses against an unnamed enemy, a stark contrast to the lightness of love; "The Walnut Tree," a monologue from a tree lamenting its fate of being pelted for its fruit, a poignant reflection on the burdens of fertility and wealth; and "Sea-Fishing," a didactic poem describing the habits of fish and various fishing techniques, though its authorship remains debated.
These diverse poems, from the detailed instructions on seduction and liberation to the more obscure musings on curses, cosmetics, and nature, all bear the unmistakable stamp of my hand. They are woven with wit, sharp observation, and a profound understanding of human nature and the societal currents of Rome. Whether offering advice on love's tender traps or on escaping its snares, or simply observing the world with a discerning eye, these verses invite you to experience life with sophistication, humor, and an unblinking gaze at its many facets.
What other readers say
Liked
Reviewers widely appreciate the book for its historical significance and its capacity to offer deep insights into ancient Roman culture, particularly regarding family structures, societal norms, and relationships during a pivotal historical period. Many found it illuminating for understanding the cultural context of early Christian teachings, suggesting it can enhance Biblical understanding by illustrating the societal landscape Jesus and the apostles addressed. The work is lauded for its enduring relevance, demonstrating how human approaches to love and desire 2000 years ago often parallel modern sentiments. Readers also commend Ovid's comprehensive coverage, including advice for men and women, and his extensive knowledge of mythology, which enriches the text. Despite its age, many found it to be a fun and engaging read, appreciating Ovid's distinctive writing style and passionate voice.
Disliked
However, the book also elicits strong reactions due to its controversial and explicit content. Reviewers frequently describe it as "scandalous" and "immoral," highlighting its frank discussions of sexual relationships, adultery, and even abuse. Some find the treatise dated, particularly its advice, which can be perceived as cynical, manipulative, or focused more on lust and affairs rather than profound love. Specific sections, such as the advice intended for women, were noted by one reviewer as less engaging than those for men. The text's direct and sometimes racy counsel on attracting and maintaining relationships, while historically insightful, led some to categorize it for restricted reading.
In short
Overall, the book is a historically significant and thought-provoking work that continues to spark debate and discussion. It offers a unique window into ancient Roman perspectives on love, relationships, and social dynamics. This book would appeal to readers interested in classical literature, ancient history, and the cultural context of early Christianity. It is also suitable for those who appreciate Ovid's distinctive writing and his deep knowledge of mythology. However, potential readers should be aware of its explicit and sometimes controversial content, which some may find challenging or morally objectionable, and approach it as a historical document reflecting different ethical standards.
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