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Go to My LibraryMoon Called
- Language
- English
- Published in
- Publisher
- Penguin Publishing Group
- ISBN
- 9780786561438
When a newly turned werewolf, scared and alone, shows up at her garage looking for work, Mercy's carefully constructed life is upended. Offering him a job pulls her deep into the dangerous heart of werewolf pack politics and a brewing conspiracy that threatens everyone around her. An act of kindness quickly escalates into a violent conflict, and Mercy must use her wits, her unique abilities, and her unlikely alliances to navigate a web of secrets and save those she cares about from a threat that is far more complex than it appears.
Subjects
Original edition details
Other editions (11)
Other editions

Moon Called
2006 • Penguin
English

Moon Called
2011 • Orbit
English

Moon Called
2008 • Orbit
English

Moon Called
2006 • Penguin Publishing Group
English

Patricia Briggs' Mercy Thompson Moon Called
2012 • Dynamite Entertainment
English

Moon Called
2006 • Penguin Publishing Group
English

Moon Called Mercy Thompson: Book 1
2010 • Little, Brown Book Group
English

Moon Called
2010 • Ace Books
English

Moon Called
2008 • GALE Cengage Learning.
English

Moon Called (A Mercy Thompson Novel)
2014 • Penguin Audio
English

O Apelo Da Lua
2010 • Saída De Emergência
Portuguese
My neighbor, Adam Hauptman, is the Alpha of the local werewolf pack. He doesn't like having my old single-wide trailer bringing down the property value of his sprawling adobe mansion, and he takes every opportunity to remind me that I am only here on his sufferance. I found my cat, Medea, in a carrier on my porch with a note taped to the top. *PLEASE KEEP YOUR FELINE OFF MY PROPERTY,* it read in heavy block letters. *IF I SEE IT AGAIN, I WILL EAT IT.* The cat smelled of him, which meant he'd spent some time with her on his lap before bringing her over. It was his way of reminding me of the hierarchy, of the power he held. It was also why I couldn't bring the new werewolf, Mac, home with me. A strange wolf in an Alpha's territory without permission is a dead wolf.
Mac came back to the shop the next day, and we fell into a companionable silence working on an old Beetle. I overheard him on the phone, a hushed, desperate conversation. “I don't remember anything after we left the dance,” he said. “I don't know what killed her or why it didn't kill me.” It was the classic, tragic story of a first Change gone wrong. That night, I returned to the garage to retrieve my purse and found him cornered in the parking lot by two men - one human, one a twitchy, moonstruck werewolf. “She kept you here for us,” the human lied, trying to turn Mac against me. “She's one of us, kid.” They wanted him back in their cages, back on their drugs. They said they were trying to find a cure for his “curse.”
I shifted into my coyote form, fast and silent, and launched myself from the roof of a van onto the werewolf's back. My teeth tore into his throat, and blood spurted. It should have been a minor wound for a werewolf, something that would heal in minutes, but he was too caught up in the chase to stop the bleeding. He pursued me through the darkened industrial park, tearing through chain-link fences, until he collapsed in the street and bled out. I had never killed anyone before. The taste of his blood in my mouth made me sick, and I vomited beside his body until there was nothing left.
Mac told me everything then, huddled in the garage beside the dead wolf's half-changed body. He'd been attacked, turned, and then sold by the Chicago Alpha to a group that kept him in a cage, experimenting on him with drugs that shouldn't have worked on a werewolf. When Adam arrived, summoned by my terse phone call, the garage crackled with his power and rage. “You didn't inform me that you had a strange wolf on your doorstep?” he growled. The scent of fresh blood and the presence of a new, untaught wolf pushed Mac over the edge. He became possessive, feral, wrapping himself around my leg and claiming me as his. “Mine,” he growled at Adam. It took a crowbar to his collarbone to break his grip, and only then could Adam assert his dominance and help the boy shift into his wolf form to heal.
The next morning, I woke to a familiar scent on my porch: death. Mac lay there, his body still warm, dumped like a warning. I raced to Adam's house, my rifle in hand, and found a scene of carnage. The living room was destroyed, the front window shattered, and two dead werewolves lay among the wreckage. I found Adam in the dining room, his silver wolf form barely recognizable beneath the blood and gore. He was gutted, a rib bone showing white through a gaping wound. As I stood over his still body, I realized his daughter, Jesse, was gone. I couldn't trust his pack - not knowing if one of them was a traitor - so I loaded Adam's broken body and Mac's corpse into my van and drove through the snow-swept mountains of Montana, heading for the only one who could help: the Marrok, the werewolf who rules all of North America.
It was in the heart of the Marrok's territory, surrounded by the wolves I grew up with, that the truth began to unravel. The man behind the attacks was Gerry Wallace, a wolf from the Marrok's own pack. His father, a gentle veterinarian, was a newly turned wolf who couldn't reconcile his healer's soul with the predator he'd become. Gerry, twisted by a desperate love, believed that only a true battle for survival could force his father to embrace the wolf and save himself. His plan was to make his father believe that Adam had been murdered by the Marrok, forcing a challenge that his father would surely lose - but not before the fight unified his fractured spirit. Adam, Jesse, and Mac were all just pawns in his tragic, misguided scheme.
The final confrontation took place at an abandoned tree farm. Gerry had Adam and Jesse held in a warehouse, guarded by a mix of lone wolves and mercenaries. With the help of David Christiansen, Adam's old army friend who Gerry had foolishly recruited, we staged a rescue. But Gerry had an alliance with a powerful witch, who unleashed a death spell aimed at Adam. I threw myself in its path, the magic searing through me, whispering Adam's name, then my own. It was Samuel, the Marrok's son, who saved me, shattering the spell. In the aftermath, surrounded by a pack of subdued wolves, Adam and Samuel confronted Gerry. With his plan in ruins, he confessed everything before Samuel delivered a swift, merciful death.
In the end, Jesse was safe. Adam, healing and whole, walked me to my door, and under the light of a nearly full moon, kissed me with an intensity that left no doubt about his intentions. But when my door opened, Samuel was standing there, a cup of cocoa in his hand and a challenging smile on his face. He had decided to stay, to leave the Marrok's pack and live as a lone wolf in my territory. One overbearing, hot-tempered Alpha was complicated enough. Two was just asking for trouble.
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Rating Sources
The book receives considerable praise for its engaging protagonist, Mercy Thompson. Readers describe her as a refreshing and unique female lead who is tough and independent without being invincible. She is intelligent, resourceful, and capable of holding her own among more powerful supernatural creatures, a quality many reviewers found relatable and believable. Her profession as a car mechanic and her identity as a coyote shapeshifter, or "walker," are highlighted as distinctive and enjoyable aspects of her character. The world-building is frequently commended as inventive, intricate, and well-developed, seamlessly integrating various supernatural beings like werewolves, vampires, and fae into a modern setting. Reviewers appreciated the unique take on werewolf lore and the distinct personalities of the supporting cast, noting their intriguing interactions with Mercy. The writing style is often described as quick-paced and enjoyable, delivering a solid narrative with good action and dialogue, and a gentle, slow-burn approach to romance that some found a welcome change from more explicit paranormal fantasy.
Despite its strengths, the book also drew criticism from some readers. A common complaint centered on the pacing, which many found to be very slow, particularly in the first half, leading to a sense of boredom or a "meh" experience. Some felt the world-building, while detailed, could be generic or a "stock-standard" urban fantasy, and that the introduction of various creatures felt messy or contrived. The focus on werewolf politics and dominant-submissive dynamics was also cited as tedious and repetitive by some. For those expecting significant romance, the book was a disappointment, offering little chemistry and deferring any substantial romantic development to much later in the series. The male characters, while intriguing to some, were described by others as uninspired, lacking personality, or exhibiting overly protective and controlling behaviors that felt uncomfortable. Additionally, a few reviewers pointed out that the protagonist, Mercy, occasionally appeared wishy-washy or overly emotional, contrasting with her supposed toughness.
Overall, "Moon Called" is considered a solid and enjoyable entry into the urban fantasy genre, frequently recommended as a strong start to a long-running series. While it may not satisfy readers looking for immediate, fast-paced action or explicit romance, it offers a rich world and a compelling heroine for those who appreciate intricate character development and a more gradual unfolding of relationships. This book would particularly appeal to fans of urban fantasy who enjoy a balanced narrative with mystery, well-crafted world-building, and a protagonist who is strong through wit and resilience rather than sheer power. It is ideal for readers who prefer a "slow burn" approach to romance and don't mind a slower pace in the initial stages, allowing for deeper immersion into its unique supernatural world.
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