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Go to My LibraryTestaments Betrayed Essay in Nine Parts, An
- Language
- English
- Published in
- Publisher
- Harper Collins
- Pages
- 288
- ISBN
- 9780060927516
Subjects
Original edition details
Other editions (16)
Other editions

Broken testament N Narushennye zaveshchaniya n o
2009 • Azbuka-klassika
Russian

Los testamentos traicionados (Spanish Edition)
2003 • Maxi-Tusquets
Spanish

Testaments Betrayed
1995 • Faber & Faber
English

Les Testaments Trahis
1993 • GALLIMARD
French

被背叛的遗嘱
1995 • 上海人民出版社
Chinese

Kastrující stín svatého Garty
2006 • Atlantis
Croatian

LES TESTAMENTS TRAHIS
1995 • FOLIO
French

Testaments Betrayed
1998 • Faber and Faber Limited
English

Les testaments trahis
2000 • GALLIMARD
French

Les Testaments Trahis (Folio (Gallimard)) (French Edition)
2000 • Gallimard Education
French

Los testamentos traicionados (Spanish Edition)
1994 • Tusquets Editores S.A.
Spanish

Saptirilmis Vasiyetler
2018 • Can Yayinlari
Turkish

Testaments Betrayed
1996 • Faber & Faber
English

Verratene Vermächtnisse Essay
1996 • Fischer-Taschenbuch-Verlag
German

Los Testamentos Traicionados (Spanish Edition)
2013 • Tusquets
Spanish

Testamenti Traditi
1994 • Adelphi
Italian
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Rating Sources
Reviewers widely praise this book as a work of profound intellectual depth and exceptional insight into the art of the novel and its surprising connections to music. Many highlight the author's unique ability to analyze literary and musical creations with razor-sharp precision, offering fresh and thought-provoking perspectives on the works of prominent European writers and composers. Readers appreciate how the book challenges conventional understandings, stimulates critical thinking, and encourages a deeper appreciation for artistic integrity. Its observations are frequently described as brilliant and timeless, making it highly relevant even years after its initial publication, particularly in its commentary on how art is perceived and interpreted in culture. The book is lauded for its captivating prose and its capacity to open up new vistas for understanding literature, art, and the human condition.
Despite its many strengths, some reviewers found the book to be quite demanding, often requiring multiple readings to fully grasp the richness of its ideas. A recurring point of difficulty for some readers was the extensive and technical discussions about classical music and specific composers, which could be less accessible or even tedious for those without a strong background in music theory or history. Certain reflections were occasionally perceived as abstract or vague, and some found the intellectual density to be overwhelming at times. A few reviewers also noted that the book could feel more like an academic text rather than a narrative essay, and some felt that specific sections lacked narrative coherence or logical flow.
Overall, the consensus is that this is a significant and indispensable work of literary and aesthetic criticism. It is highly recommended for writers, avid readers of novels, and anyone with a keen interest in the interplay between literature, philosophy, and music. The book excels at exploring complex themes such as artistic legacy, the interpretation of art, and the challenges of preserving an artist's original intent, all while encouraging readers to question their own assumptions about art and culture. While it demands patience and intellectual engagement, it ultimately rewards the attentive reader with a profound and transformative understanding of the artistic landscape, making it a valuable guide for those seeking to deepen their appreciation for great literature and its broader cultural context.
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