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Go to My LibraryThe Spanish Love Deception
- Language
- English
- Published in
- Publisher
- Simon & Schuster
- Pages
- 480
- ISBN
- 9781668002537
Despite her better judgment, Catalina is desperate enough to agree to the charade. The plan is to have Aaron, the man she can't stand, fly with her to Spain and play the part of her adoring boyfriend for a few days. But fooling her sharp-witted family will not be easy, and as the lines between their fake romance and reality begin to blur, Catalina must confront the possibility that the man she thought she hated might be hiding something more. This trip will test whether their deception can hold up under pressure, or if the biggest deception is the one she has been telling herself.
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Original edition details
Other editions (2)
Then, a deep voice cuts through my panic. “I'll be your date to the wedding.” I freeze. It can't be. Not him. Aaron Blackford, my colleague, my affliction, the man who has tormented me with his icy glares and infuriating competence for nearly two years, is standing right behind me. He heard everything. The offer is so absurd I almost laugh. “I'd take a chimpanzee dressed in a tuxedo before taking you,” I tell him, but he is maddeningly unfazed. He is my nemesis, a six-foot-four wall of stoicism and disapproval. The last man on earth I would ever ask for help.
My refusal does little to deter him. Life, it seems, has other plans. I'm unfairly saddled with organizing a massive “Open Day” at our company, a task that feels designed to showcase me as the smiling, “perky” female face of the division. The sexism is infuriating, but then something shifts. One night, as I struggle alone in my office, Aaron appears. He doesn't mock or criticize; he helps. He organizes my cluttered desk, outlines a brilliant event schedule, and silently places a homemade granola bar beside my laptop. It's a small crack in the armor of the man I thought I knew. The lie, however, only deepens. Days later, while I'm on the phone with my mother, fending off her suspicions, he walks into my office. “Aaron,” I say, a pained whisper of frustration, and through the phone, my mother's voice chirps, “Aaron? Is that him, the voice I'm hearing? This Aaron you are dating?” Just like that, my fictional boyfriend has a name.
The universe continues its cruel game. Days later, caught in a torrential downpour, I'm rescued from near-pneumonia by Aaron, who pulls up in his sleek, dark car. Inside the quiet, leather-scented interior, the tension is a living thing between us. He presses his offer again, this time revealing his own motive: he needs a date for a black-tie charity fundraiser. It's a transaction, a deal. He'll be my fake boyfriend for the wedding in Spain, and I'll be his date for one night in New York. It feels safer this way, a neat exchange of services with no messy emotions involved.
At the fundraiser, I see a version of him I never knew existed. In a perfectly tailored tuxedo, he is no longer just my infuriating colleague; he is devastatingly handsome. I learn I must bid on him in a bachelor auction, and I find myself in a fierce, adrenaline-fueled war against a wealthy older woman who seems determined to claim him. When I finally win, he pulls me onto the dance floor. His arms wrap around my waist, my body flush against his, and the world outside of his hold melts away. For a few dizzying moments, it doesn't feel like pretending at all. But just as I start to lose myself, he says something that reminds me of the wall between us, and the moment shatters.
The flight to Spain is a marathon of last-minute prep, drilling him on family names and history. When we land, the act begins. His hand finds mine as we walk through the arrivals gate to face my parents, and his presence is a solid, reassuring weight beside me. “We've got this,” he whispers, and for the first time, I feel like I'm not facing this alone. The weekend becomes a blur of fake-couple activities that feel dangerously real. We're forced to share a room - and after a bed collapses under his weight - a bed. He endures my chaotic family with unnerving charm, holds me close when I face Daniel for the first time, and plays the part of the devoted boyfriend so perfectly that even I start to get lost in the performance.
The night before the wedding, at a pre-celebration dinner, my sister presses us for the story of how we met. Aaron weaves a tale of our first encounter, a story steeped in truth but painted with a longing so profound it silences the entire table. He speaks of regretting pushing me away, of taking whatever I was willing to give him, even if it was just animosity. His eyes find mine, and the line between the fiction we've created and the truth simmering between us dissolves completely. That night, the wedding festivities spill into a loud, sticky-floored club where we dance, bodies pressed close. The air crackles with unspoken things until he pulls me away, into the quiet darkness outside.
“When I finally kiss you,” he murmurs, his lips hovering just above mine, “there won't be any doubt in your mind that it is real.” And then he does. It's not a kiss; it's a detonation, a raw confession that leaves me breathless and shaking. It's real. That night, we become ours, tangled in the sheets and the truth of what has grown between us. The deception has ended, replaced by a fragile, terrifying, and beautiful reality.
We return to New York wrapped in a bubble of newfound happiness, but it bursts the moment we step back into the office. My colleague Gerald, his voice dripping with venom, confronts me in front of everyone. “Gets cozy with the boss and thinks she can go around, telling off people.” The accusation, the public shame - it's a horrifying echo of my past trauma with Daniel. All my fears come roaring back. Aaron becomes fiercely protective, but in my panic, I push him away. “You are making it all worse,” I tell him, and run. He finds me, his voice broken. “I love you, Lina,” he says, begging me to trust him, to fight for us. But I am too scared, too broken by the past, and I let him walk away.
Days pass in a silent, aching void. He's gone. Then, I learn the truth from HR: his father is critically ill with cancer. Aaron flew home to Seattle. He was hurting, alone, and I wasn't there. In that moment, nothing else matters. I book the first flight I can find. I find him in a sterile hospital waiting room, looking lost and exhausted. I run into his arms, my own words a desperate torrent against his neck. “I'm here. I love you. I trust you.” He holds me as if he'll never let go, and in the quiet of that hallway, we find our way back to each other. He introduces me to his father, his voice thick with an emotion that seals our future. “This is her,” he says. “The woman I plan on spending the rest of my life with.”
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Rating Sources
Many readers found this book to be an utterly charming and swoon-worthy romance, praising its execution of popular tropes like fake dating, office romance, and a delightful slow burn. The male lead, Aaron Blackford, is frequently highlighted as a standout character, described as the epitome of an idealized romantic hero: attentive, patient, protective, and deeply devoted. His small, thoughtful gestures and unwavering affection for the protagonist, Catalina, resonated strongly with many, making the book a comfort read that evoked feelings of warmth and emotional investment. Reviewers appreciated the palpable tension and chemistry between the main characters, leading to an enjoyable journey through their evolving relationship. Some also noted the book's exploration of themes like trust, family dynamics, and navigating professional challenges in a male-dominated field.
However, the book also elicited strong criticism, particularly regarding its considerable length, with many finding the pacing slow and the narrative repetitive, suggesting it could have been significantly shorter. A frequent point of contention was the portrayal of the enemies-to-lovers trope, as numerous readers felt the animosity was largely one-sided and unrealistic, with the male lead's affection being evident from the outset. The protagonist, Catalina, often frustrated readers with her perceived obliviousness to Aaron's feelings and her stubborn internal monologues, which some found tiresome and immature. Additionally, some reviewers criticized the writing style for being clunky, repetitive in descriptions, and featuring dialogue that occasionally felt cliché or forced. The lack of depth in side characters and a perceived absence of genuine chemistry or plot beyond the central romance were also common complaints.
Ultimately, this book proves to be quite polarizing, generating passionate adoration from some readers while intensely disappointing others. It is widely acknowledged as a popular and often overhyped title in the romance genre. Readers who enjoy a deeply devoted male lead, the fake dating trope, and a gradual, emotionally focused slow-burn romance are most likely to enjoy this story. It particularly appeals to those who prioritize a feel-good, escapist read with an idealized romantic hero and are less concerned with sharp banter, intricate plotlines, or a strictly defined enemies-to-lovers dynamic. However, those seeking a concise narrative, complex character development, or strong comedic elements might find it less satisfying.
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